Organic Modern Furniture

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

'Anemone in Grey' is a limited edition artwork by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 2022 solo exhibition celebrating the 25 year...

A brown, glazed earthenware vase designed by Vicke Lindstrand and produced by Upsala-Ekeby, Sweden, c. 1940s.

‘Earthly Treasures No 27’ is a unique sculptural bowl by the British artist, Morrison Thomas. It is made from burred English Elm inlaid with Cornish Turquoise. Morrison turns beautiful wooden spheres from damaged or diseased trees that have been felled as they can no longer survive. Using aged wood such as this, reveals cracks and crevices which the artist can inlay with precious minerals. The results are breathtaking. These take on the role of globes and are evocative of old maps. The minerals suggest undiscovered islands and continents. During Thomas’ time as a designer and maker of furniture it was usual practice to mask and hide any blemishes or cracks in the wood, however much like the Japanese art of Kintsugi (where ceramic breakages are repaired with gold and precious metals) Thomas highlights the anomalies in the wood by inlaying them with naturally formed colorful minerals, many taken from his personal collection which he still adds to. Recent visits to the ‘World Famous’ Blue John Mine and also a working Fluorspar mine in Derbyshire has meant new materials for future inlays. With the wood hard to find and unpredictable to turn, the resulting union of the Earth’s natural resources are patiently and skilfully jigsawed together, resulting in truly unique treasure-laden artworks. Is his own words: ‘The two mediums I combine both come directly from the Earth. The trees form and grow at the surface whilst the minerals can form at great depth. It is not unknown for some trees to have accumulated pieces of crystals in their roots. The thought of this combination of a substance formed during explosive episodes in the Earth millions of years ago with a gently formed living substance, which may have been growing for hundreds of years before finally coming to an end, is both exhilarating and intriguing. I think of it as a fusion between animate and inanimate, above and below the ground, naturally both beautiful, and without which, we as humans could not survive’ Morrison Thomas was born at New Inn Cottage in the tiny village of Charlton near Banbury, Oxfordshire. His father was a cabinet maker & carpenter who was also a wheelwright and blacksmith, as with many village craftsman of the time, he was skilled in all things. Keeping the family tradition, Thomas continued in his father’s footsteps and is a fourth generation woodworker. As a furniture designer & maker Thomas has exhibited his work in numerous high profile galleries and undertaken many prestigious commissions. He has written articles on woodworking with his work appearing in numerous publications. Previously the chairman of the Surrey Guild of Craftsmen and with a listing in Debrett’s Who’s Who, his achievements are many, especially in consideration that he received no formal training, with his skills obtained from observing and listening to his father. For many years Thomas designed and made contemporary furniture but mainly due to health reasons stopped making larger-scale works. With woodworking in his blood and a material he simply couldn’t stop creating with, he resumed his creative skills some years later by making unique hand-turned wooden vessels...

‘Green Seed Pod’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic scu...

'Phateon' is a unique sculpture by the British artist, Jon Lewis, created from cast glass, steel, dicroic filter and a 3 1/5 inch gauge steam chassis. Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material. A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations.? These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex. In the artist’s own words; “In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials” Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...

‘Earthly Treasures No 26’ is a unique sculptural bowl by the British artist, Morrison Thomas. It is made from sycamore inlaid with Chrysocolla & Malachite. Morrison turns beautifu...

'Enchanted Dawn in Oranges I' is a unique handblown and sculpted glass artwork by the British artist, Louis Thompson. With both his Enchanted Dawn and Dusk collections, Thompson b...

'Acanthus Jar' is a unique clear glass sculptural jar by British glass artist James Lethbridge. Blown glass with the outer layer covered in flame worked dec...

This lamp is 1 of 5 lamps of Dolatowski's cast resin table lamp series. This resin lamp is organic, modeled and textured in form. Wired to US standards. Shade is not included. In...

'Clovis in Grey to Topaz' is a unique tall glass sculpture by the British artist James Devereux. Refinement and daring combine within this statue...

'Apertura Slate 04' is a unique sculpture by the British artist, Jon Lewis, created from handblown television glass, cast iron and steel. The top section is held in place upon the metal base below by a strong magnet. A reoccurring theme throughout the years within Lewis' work has been the synthesis of glass with metal, which under the creative influence of the artist, results in corrosion, patination and texture. These blown glass forms are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. More about the artist; Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material. A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations. These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex. In the artist’s own words; “In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials” Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...

‘Earthly Treasures No 25’ is a unique sculptural bowl by the British artist, Morrison Thomas. It is made from burred Acacia inlaid with Native Copper, Ma...

'Landscape Study Green over White' is a unique handblown and cut glass sculptural bowl by the British artist, Kate Jones of Gillies Jones. Gillies Jones...

'Celestine VI' is a unique glass sculptural centrepiece by the British artist Wayne Charmer. For Wayne Charmer, the fascination of glass is to exploit its translucent and reflecti...

'Forget Me Not VI' is a unique porcelain sculptural vessel by the British artist, Amy Hughes. Originally from West Yorkshire, Amy Hughes lives and works in London. She shares a st...

'Acanthus Veronese in Orange' is a unique sculptural glass jar by British glass artist James Lethbridge. Blown glass with the outer layer covered in flame worked...

'Apertura Stone Grey 07' is a unique sculpture by the British artist, Jon Lewis, created from handblown television glass, cast iron and steel. The top section is held in place upon the metal base below by a strong magnet. These blown glass forms are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. More about the artist; Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material. A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations. These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex. In the artist’s own words; “In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials” Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...

'Unfolded Change' is a unique cast glass sculpture by the Danish artist, Monette Larsen. Larsen has always been fascinated by the concept of beauty within nature; what makes somet...

'Landscape Study Pink over Grey' is a unique handblown and cut glass sculptural bowl by the British artist, Kate Jones of Gillies Jones. Gillies Jones...

'Planet in Pink, Brown & Gold' is a unique glass sculptural artwork and centerpiece by the Swedish artist Lena Bergström. This piece is from an ongoing collection of works called the...

An organic wall mirror designed by Ercole Barovier for Barovier&Toso. Executed in Murano glass, brass, and mirror glass. With makers mark impressed to backside.   

‘Pale Blue Flower with Foliate Rim’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces ex...

'Planet in Soft Pink' is a unique glass sculptural artwork and centerpiece by the Swedish artist Lena Bergström. This piece is from an ongoing collectio...

'Waves No 370' is a beautifully crafted, handblown glass bowl by the British artist, Neil Wilkin. 'Waves' is a collection of beautifully crafted, unique glass bowls and centrepieces by the British artist Neil Wilkin. Taking a painterly approach, Neil Wilkin merges his colours to create a larger palette of soft hues. Utilising both transparent and opaque glass adds to the soft aesthetic of each piece adding an ethereal effect. Since graduating in 1981, Neil Wilkin has used his skills to produce exquisite, luxury glass from his workshop. Clients from every sector include individuals, interior designers, property developers, architects etc. Companies include -Thomas Goode, The Grove, Asprey, Liberty, Cunard, Disney, Grosvenor Estate and Four Seasons. His specialist restoration skills earned him coveted commissions including the ‘blanks’ for the Royal Windsor Castle fire damaged chandeliers and speciality working with international artists to make their own artworks. Is his own words: ‘As a child I wanted to be a geologist. My father introduced me to materials and science by bringing home as many different elements as he could and I remember shiny metals, black carbon and vivid yellow sulphur. The geology beneath our feet shapes and colours our environment in every way. From the rusty iron of the red Australian outback, to the sunshine on the ground which drives our weather, not least the rain in the verdant Welsh hills where the folded rocks turn everything upside down, and we have a pool at the top of the hill. It was colour and heat that first pulled me towards the furnace at college. I had gone to work with my hands as a potter, and left obsessed with fire and glass making. I just enjoy making whether building a shed or a furnace or making things grow in the garden there are not enough hours in the day to do all the making I need to do. Since Rachael (Woodman, fellow glass artist) and I started our first workshop in Bath, 1984, my making skills have developed by realising the ideas of others, and in the 'melting pot' of many visiting artists I got my fix of glassmaking and colour. Over the last 10 years I have travelled and worked with different materials and methods, but I find myself more at home back in front of the furnace. When I blow glass the colours in glass behave like layers of rock. Hard and soft, absorbing and transmitting heat just as they do light...

'Framed Mirror' is a unique mirror by the British artist, Brett Manley. Each of Brett Manley's artworks are created as a result of trying to comprehend her chosen medium with greate...

‘Oro I’ is a unique sculpture by the Danish artist, Morten Klitgaard. In the artist's own words: "My work is driven by the urge to investigate and push the limits of glass as a mat...

'Kelp' is a unique glass sculpture by the British artist, Nina Casson McGarva Casson McGarva firstly casts her glass in a flat mould where she introduces all of the beautifully de...

'Forest Relic Collection' is a unique trio of sculptural vessels by the British artist, Claire Malet. The size for each one is; Forest Relic I 20cm H, 14cm ø £1375 ?Forest Re...

‘Soft Lines in Pink' is a unique glass sculpture by the Danish artist, Maria Bang Espersen. Maria Bang Espersen works around the idea that all things are malleable, like glass, and that nothing can be permanently defined. Her experimental sculptures are therefore not only an approach but also a statement; one that states to never get caught up in the restrictive norms or to obey established hierarchies. Essentially, her works in glass, are a play with the possibilities of the material and an attempt to expand the viewer’s understanding of her chosen medium. Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement. Her chosen candy confectionery colour palette entices and draws the onlooker towards the artwork, which deliciously glisten. Espersen studied glass and ceramics at Engelsholm Højskole, in Denmark, continuing her studies at the Kosta School of Glass in Sweden, The Royal Danish Academy of Design, and Haystack Mountain...

'Ore Totem in Aquamarine & Pale Turquoise with Platinum' is a unique glass sculpture by the collaborative artists Hanne Enemark (Danish) and Louis Thompson (British). The outer glass...

‘Black classic vase II’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal arch...

‘Spinal II' is a limited edition (ed 49) tree-inspired white & aubergine glass vase by the Swedish artist, Mårten Medbo. Among his work, there are numerous examples of pieces having...

'Promenade V’ is a unique porcelain sculpture by the British artist, Jo Taylor. Dramatic in scale Promenade V is a sheer triumph over the material employed. Known for being one of the most difficult ceramic bodies to work with, scale is always a challenge with porcelain and with this artwork, Taylor excels. Knowing her clay is everything, created in sections allows architectural scale whilst adding grog (pre-fired grains of clay) gives stability and strength. Adorned with her trademark flourishes adds glamourous movement throughout the piece. Taylor’s inspiration comes from highly decorative architectural features such as ornate plaster ceilings, wrought iron and carved stone. Living near the Georgian city of Bath (UK) provides a rich visual resource, although it can be said that she will seek out such details wherever she goes. Regular visits to our larger cities such as Liverpool (UK) and London (UK) offer ornament that can be experienced on a grander scale with their historic buildings such as the Sefton Park Palm House...

'Cassito in Blue & Green' is a unique handblown and sculpted decorative glass centrepiece by the British artist, Katherine Huskie. Huskie's work has a strong identity with form, c...

‘Dish mouth vase III’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks. Vivienne F...

'Turtle Jewel' is a unique artwork by the Swedish artist and designer, Lena Bergström. Bergström is one of Sweden’s best-known glass designers. She follo...

'Fairytales & Legends', is a unique green, red and white glass sculpture with zebrano wood base by the Austrian artist Sandra A. Fuchs. Fuchs creates her own multicolored and complex...

'Auri No 30 with Platinum' is a handblown and cut glass sculpture with platinum leaf, created by the British artist, Anthony Scala. The Auri Collection is available in 8 different sizes from approx 4cm to 20cm ø, with around 22 choices of silver to gold leaf. Beautiful as unique singular works, they also are hugely impactful when grouped. With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels. Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton...

An organic wall mirror designed by Ercole Barovier for Barovier&Toso. Executed in Murano glass, brass, and mirror glass. With makers mark impressed to backside. Provenance: Pr...

A beige-glazed earthenware vase designed by Anna-Lisa Thomson and produced by Upsala-Ekeby, Sweden, 1936-1938.

‘Spinal I' is a limited edition (ed 49) tree-inspired white & aubergine glass vase by the Swedish artist, Mårten Medbo. Among his work, there are numerous examples of pieces having ...

'Woven Pastel Mandala No 6 (shiny)' is a unique handblown, sculpted and cut glass sculpture by the British artist, Layne Rowe. Rowe’s inspiration is drawn from the dramatic Devon coastline which informs his love for detail, a constant theme for his ever-evolving creations. The Woven series in particular is the result of intricate layers of varied coloured canes which are manipulated to follow and twist around the form of the piece, creating movement. These are then cold cut to reveal the vibrant colours hidden beneath the surface. In his own words: “The effect is like water over precious stones or the rock with its glimmering colours beneath reflecting natural growth and corrosion. I enjoy observing people’s reactions to my work, everything is up for interpretation, as my work is diverse, complex and sometimes subversive. It invites you to look again and again. My introduction to hot glass gave me an insatiable desire to explore this medium to its limits. I find glass an inspiration in itself but have found inspiration from the natural world and its issues” Rowe’s journey with glass began during his degree course in 3D design at the University of Central Lancashire. During the following seven years he worked alongside a number of glassmakers at the London Glass Blowing hot shop, enhancing and Fine-tuning his skills before moving to Brazil. During this time Rowe set up his own glass studio but also experienced a different working environment alongside Industrial glassmakers. On returning to the UK with an initial set-up in Hertfordshire, he rejoined London Glassblowing, where he has worked on and off from 2005 to the present day. Currently, Rowe now makes his work at a number of studios all-over the UK and also produces Peter Layton...

'Plissé vase in White & Celadon' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 20...

‘Black Classic Vase III' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal arc...

'Landscape Blue on Blue I' is a unique blue and aqua hand-blown and etched glass sculptural plate by the British artist Kate Jones, with a painted ste...

'Plissé vase in Turquoise & Celadon' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström'...

'Rosalie', from the Hortus Poetica Collection, is a unique glass sculptural vessel by the Swedish artist, Gunnel Sahlin. Sahlin’s current passions inc...

‘Tall Lily Vase’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson of Ireland • Prime Minister Charles Haughey of Ireland • President Hertzog of Israel • Prime Minister Keating of Australia • Prince Faisal of Saudi Arabia • US President Bill Clinton and Hilary Rodham Clinton • Royal Household, Sweden • Nancy Soderberg • President Jacques Chirac of France • Irish Embassy, Berlin • Sandy Lane Hotel, Barbados • Ford UK, London • Four Seasons Hotel, Amman, Jordan • Rolex...

'Amber Mirror' is a unique mirror by the British artist, Brett Manley. Each of Brett Manley's artworks are created as a result of trying to comprehend her chosen medium with great...

‘Dish Mouth Vase II’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks. Vivienne Fole...

'Planet in Pink, Bronze & Gold' is a unique glass sculptural artwork and centerpiece by the Swedish artist Lena Bergström. This piece is from an ongoing...

'Oro Vug in Purple II' is a unique handblown glass sculpture by the British artist, Samantha Donaldson. Created from layers of clear and rich purple coloured glass with 24 carat gold...

‘Spinal III' is a limited edition (ed 49) tree-inspired white & aubergine glass vase by the Swedish artist, Mårten Medbo. Among his work, there are numerous examples of pieces havin...

'Promenade IV’ is a unique porcelain sculpture by the British artist, Jo Taylor. Dramatic in scale Promenade IV is a sheer triumph over the material employed. Known for being one ...

'Plissé vase in Black, Turquoise & Light Blue' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 2022 solo exhibition...

'Turf - Harvest' is from the British artist and Blown Away II series winner, Elliot Walker's ongoing body of unique still life artworks. Freehand sculpted in clear glass with iridesc...

‘Nonlinear in Black' is a unique glass sculpture by the Danish artist, Maria Bang Espersen. Maria Bang Espersen works around the idea that all things are malleable, like glass, and that nothing can be permanently defined. Her experimental sculptures are therefore not only an approach but also a statement; one that states to never get caught up in the restrictive norms or to obey established hierarchies. Essentially, her works in glass, are a play with the possibilities of the material and an attempt to expand the viewer’s understanding of her chosen medium. Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement. Her chosen candy confectionery colour palette entices and draws the onlooker towards the artwork, which deliciously glisten. Espersen studied glass and ceramics at Engelsholm Højskole, in Denmark, continuing her studies at the Kosta School of Glass in Sweden, The Royal Danish Academy of Design, and Haystack Mountain...