Antique Circular Rosewood Table

An outstanding 18th century mahogany side table with Breccia violetta marble top. The plain veneered frieze with acanthus moulded cornice supporting th...

An antique mahogany console table of fine quality and proportions. The two front scrolled legs with carved knees terminate with paw feet...

A carved giltwood mirror of very large-scale and great quality, made by Froom & Cribbs of London. The beautifully carved wooden frame decorated with flowers and foliage. The scrolled arched top centred by an open scallop cartouche with cresting eagle. Both the frame and glass are in good condition. Stamped on the back with important London makers name and address. Froom & Cribbs 1832-1849. At 136 Strand, London. Carvers and gilders, looking glass manufacturers, picture frame makers. William Froom (1791-1865) was christened in 1791 at St George the Martyr, Southwark, the son of William and Martha Froom. He first comes to notice in 1825, when he attended a meeting of more than fifty master carvers and gilders who resolved to resist the demands of journeymen for an increase in wages (The Times 30 June 1825). He followed Fentham & Co (qv) at 136 Strand, using the description, ‘Late Fentham & Co’, on his trade label for many years. By 1829 Froom had entered into a short-lived partnership with William Cribb (qv), which was dissolved in 1831 (London Gazette 3 May 1831). William Froom and his wife Elizabeth Anne had five children born between 1831 and 1840, christened at St Mary-le-Strand.William Froom was a customer of the composition ornament maker, George Jackson & Sons (qv), 1836-1842 (see Jackson account book, V&A Archive of Art and Design, AAD/2012/1/2/3). In the 1839 directory Froom was listed as a looking glassmaker and in the 1841 census as a plate glass manufacturer. He would appear to have retired from business in 1849 from his entries in the Post Office directory. In the 1851 census he was living in Oxford Square...

Antique statuary Carrara marble bust depicting a male in the classical Roman portrait style. Life-sized and beautifully carved in the purest of white statuary marble. The bust is of Sir Aubrey DeVere Hunt, 2nd Baronet (1788-1846), with stylized beard and wearing a Roman toga. Hunt was an Anglo-Irish...

Outstanding quality antique William IV circular rosewood centre table having a superior quality rosewood circular top boasting the most fabulous colour supported by a magnificent sha...

A Burr Elm and Ebony Inlay Circular Centre Table Provenance: John Murray, Esq. Polmaise Castle, Stirling, Scotland and thence by descent. Height: 71.5 cm...

We sourced this c.1820's table from the Old House, Aspley Guise, Bedfordshire. The circular top with coromandel crossbanding, above a turned column with foliate detail and a tripod ...

Striking, Mid-Century Modern, multi-function circular rosewood and chrome table The adjustable rosewood top repurposes the function with the height from dining, centre, occassional ...