Danish Modern H.P Hansen Executive Desk

This stylish black lacquer writing desk features the unique vintage design of Mid-Century Modern designer Wolfgang Hoffman. Spacious drawers with tubu...

With a convertable hutch that folds down, multiple drawers for storage, and rich teak wood, this desk by Peter Lovig Nielson is a Mid-Century Modern gem....

This unique vintage desk features a unique chrome base topped with a large workspace perfect for any setting. Pair of drawers offer added storage, ...

This gorgeous vintage modern desk features a unique raised top along the back and sculpted feet. Sleek design with unusual recessed pulls and a wonderful vintage teak finish. This ca...

Mid-Century Danish Modern teak desk with bookcase front. Three drawers on the left and two drawers on the right. This desk was acquired from the original owner who purchased it in th...

Amazing Danish teak executive desk designed by Ib Kofod Larsen for Faarup Møbelfabrik in Denmark, circa 1960s. This desk has a versatile and functional design where the fine attentio...

Executive desk formerly belonging to noted architect George M. Notter, (1933–2007) of the Boston firm Anderson Notter Finegold (now known as Finegold Alexander Architects). Current institutional memory at the firm suggests it was a special order from Herman Miller for the then new New York offices of MGM, however Herman Miller's archivist was unable to confirm. Styling, particularly the distinctive slim milled aluminum tracks through which the entire drawer carriage glides is clearly similar to Warren Platner's designs for Lehigh-Leopold which were then among the most costly of executive office furnishings. The bent flat bar chromed steel base with its distinctive pigeon toe splay is somewhat similar to a table base in Stow Davis' Electa Series, designed by Alexis Yermakov circa 1971. Walnut laminate top is very clean with no issues. One corner edge shows a small separation. The only identifying markings are within the milled aluminum channel: G.P. F.I. 2 And the date Dec. 20, 1968. See image 18. Between the rectangular laminate top and the chrome base is a heavy blackened steel plate. Underneath the bent chrome pigeon toe feet are bars of a thick phenolic material which act as floor protector. We can have keys made to fit the two locking drawers. Tim Anderson...

Early and rare edition of Bodil Kjaer freestanding executive desk, model 901 with chrome-plated metal frame, cassette top with four recessed drawers. Metal frame in very good condition. Four keys included. Produced by E. Pedersen & Søn, Denmark. An identical desk featured in the 1960s in the New York Times and The Sunday Times. It became even more famous when it was in some of the first James Bond films: ‘From Russia with love’ & ‘You only live twice’. The desk also appeared prominently in BBC election broadcasts. Literature: Mobilia, June 1961. This freestanding desk can be used with multiple purposes, as a writing table, desk or just 'work table', as Bodil Kjaer herself called it. According to Bodil Kjaer the idea of the table is, "that it should be suitable with modern art and architecture." The table is part of a larger series of elements of architecture in 1959, with the intention to build flexible working environments. This piece shows an interesting rhythm of horizontal and vertical lines, as do most of Kjaer's designs. The front is divided into four drawers. (Can be locked with its original Keys) The back has the same in inward gap yet without the drawers, yet this aesthetic choice unites the back and front and turns it into a monumental, architectural piece. The handles are all executed with a whole in the middle for functionality. The table's rise to fame was helped by its appearance in James Bond - From Russia with Love. Bodil Kjaer (1932-) is trained as an architect and is known mostly known for her designs in noble woods combined with a modern and sleek chrome base. The most important part of her furniture design career was from 1959-1964. She is mainly recognized for her flexible office furniture, designed in the 1960s. Her design language is greatly inspired by the Modernist masters such as Ludwig Mies van der Rohe. Her furniture has been greatly used in public buildings such as Harvard University and Massachusetts Institute of Technology. Young executives that Bodil Kjær encountered in her work in architecture and design in the late 1950es were open, creative and flexible in their way of working. So, she reasoned that it would be counter-productive for them to be offered traditional office...