Luigi Saccardo for Armet Pedestal Round Dining Table, 1970, Italy

Rare original Angelo Mangiarotti dining table, for La Sorgente Dei Mobili, Italy, 1970s. The table has four supporting legs, with an elephant's foot sha...

Dining table, “Il Colonnato”, designed by Mario Bellini and manufactured by Cassina in Italy around 1970. This impressive piece is fully made of high quality red travertine marble, ...

Beautiful table designed by architect Silvio Coppola and produced by Bernini. Of considerable ingenuity is the mechanism that allows the central part of the table to rise. Equipped w...

Linteloo Bagutta by Henk Vos , 2000 This beautiful design table is a unique creation by Henk Vos and produced by Linteloo. The model, called "Bagutta" exudes timeless elegance and h...

This beautiful round dining table is perfect in every way. Curved in toward the table's center, this iconic UFO piece by Italian Modernist Luigi Saccardo for Arrmet was distributed i...

Dining table with circular glass top, 130 cm diameter, brushed aluminum base, signed Luigi Saccardo produced by Arrmet, Italy around 1970 Fair condition. More photos on demand

Round table by Luigi Saccardo for Maison Jansen - Arrmet, glass and aluminum, France/Italy, 1970s. Round pedestal dining table in brushed aluminum. A circular clear glass top; the...

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...