"Three Cactus" surrealist bronze pedestal table by Victor Roman

Oval table surface in fractal resin Table legs and struts in stainless steel Artist signature on the edge of the surface.

A spectacular cantilevered table with gravity joint made by the famous architect Angelo Mangiarotti. An elegant mix of minimalism and stone textures.

A rare and important spindle feet console in patinated wrought iron with a spectacular carrare marble A similar model is located at the Louvre museum at the bronze room into the deco...

Cast bronze lamp with a surrealist shapes Lampshade in white fabric Limited edition of 8 ex. after a model created in the 1970s. Signed and numbered. Limited edition of 8 + 4 AP of a model created in the 1970's by the sculptor Victor Roman. Victor Roman was born in 1937 in Martinis in Romania. In 1950, he leaves his village to to go high-school in Tirgu-Mures. He then studies at the Fine Arts Institute Nicolae Grigorescu...

"Poetic" pedestal in travertine stone with base in sculpted and patinated bronze. Creation by Studio Glustin. France, 2024.

This unique cactus and parrot sculpture console table signed Alain Chervet was designed in 1989. The console base is made of gilt brass, supporting a beautiful vert de gris bronze ca...

Heavy cast bronze legs studio made sculptural side cafe Petit dining table stand.

Table Material: wood and bronze Style: Art Deco Country: France If you want to live in the golden years, this is the tables that your project needs. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Meret Oppenheim Meret Oppenheim -Traccia Table - The person and the works of German-Swiss artist Meret Oppenheim (1913-1985) are forever associated with surrealism and 20th century art history. Meret Oppenheim, in full Meret Elisabeth Oppenheim, (born October 6, 1913, Berlin, Germany—died November 15, 1985, Basel, Switzerland), German-born Swiss artist whose fur-covered teacup, saucer, and spoon became an emblem of the Surrealist movement. The piece, created when Oppenheim was just 23 years old, became so famous that it overshadowed the rest of her career. Oppenheim’s father was German and Jewish and her mother was Swiss. In 1914, at the outbreak of World War I, the family moved from Germany to Switzerland. Oppenheim was encouraged by her father and by her maternal grandmother, author and illustrator Lisa Wenger-Ruutz, to pursue art. Thus, in 1929 she began art studies at the Kunstgewerbeschule in Basel (through 1930). She then moved to Paris and briefly attended the Académie de la Grande Chaumière in 1932. Being in Paris offered Oppenheim the opportunity to connect with leading avant-garde artists, which, more than schooling, gave her entrée into the art world. In 1933 she met Alberto Giacometti, Man Ray, André Breton, and Jean (Hans) Arp. Oppenheim was quickly absorbed into the Surrealist circle and exhibited three paintings at the Salon des Surindépendants in Paris in 1933. Soon after meeting Man Ray, she became his muse and modeled for images such as Érotique Voilée (1933; “Erotic Veiled”), in which she appeared nude behind...