St Paul Plaster Side Table by Bourgeois Boheme Atelier, 'Moyen Modèle'

Organic in shape, this plaster side table with its pedestal base is a unique piece and very versatile. This medium scale side table works well in both traditional and modern interior...

This grouping of two of our St Paul Plaster table create a versatile table option. The two tables can be arranged to work as a coffee table, or side tables. They nest together or sta...

Organic in shape, this plaster side table with its pedestal base is a unique piece and very versatile. This medium scale side table works well in both traditional and modern interior...

This grouping of four of our St Paul Plaster tables create a versatile table option. The four tables can be arranged to work as a coffee table, or side tables. They nest together or ...

Straight modern lines with a 8” solid teak wood and cracked resin top make this an impressive table. Set on a minimalist teak base allowing the top to float. The St. Barts Collectio...

TARTARUGA TABLE is part of our mono-material object collection. This oval low table resembles a podium of an understated monumentality with a form that balances the classic and the m...

Reclaimed teak root coffee table or over sized side table. Hand carved into a beautiful drum shape from a single piece of reclaimed teak wood and bleached with a smooth finish and na...

The UÑA table is fable, mythology and design blended together. The striking contrast between the stone’s solid weight and the apparent frailty of its legs make for a most intriguing game of tension and levity. The name derived from the Greek word onyx, which means that: nail. The myth tells that Venus gave his son Cupid bow and golden arrows; the arrows were of two kinds: those that had a golden tip for love, while the others were lead, to keep oblivion and ingratitude in the hearts. One day, Cupid cut the divine nails of Venus with an arrow while she slept. He left the clippings scattered on the sand and the Gods of Destiny turned them into stone, so that no part of the divine body would ever die. The onyx and its mythology inspired us to create a dialectic on full and empty planes: a pair of mineral cuts in balance and constant play between the unique beauty of the material and the invisibility or apparent fragility of its support, whose thin lines suggest lightness and seriousness at intervals, just like the characters that inspire his name. This limestone rock...