Veneer Furniture

Art Deco Biloba Sideboard, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Biloba marble sideboard celebrates Portuguese architectural heritage and or...

19th-Century Mahogany Wood & Veneer Card Table / Console Table This table is made of mahogany wood and veneer, dating back to the late 19th century. It takes the form of a wall-moun...

Brutalist round coffee table in red oak wood veneer, Podio by NONO The NONO design team presents a coffee table that exudes elegance and modernity. The foundation of this piece is a...

Versatile round end table having warm aged brass base and sleek rosewood veneer top.

Beautiful modern 1960s wall mounted large coat and hat rack. Mid century large wall mounted coat and hat rack in wood, 1960s, the wood is a veneer with a strong warm wood grain and ...

Original Condition

Good quality mahogany chest of drawers by well known English furniture makers Adam Richwood of London. Copy of a Georgian design, 4 drawers fitted with swan neck handles and cock be...

Unique and exclusive Italian pair of grey lacquer and walnut veneer sideboards/cabinets by the Architect Paolo Pallucco. His work is distinguished by experimentation and innovation i...

A beautiful and solid rectangular wooden display tray with oyster veneer inlay and an ornate brass gallery surround. Hand made in the Philippines for Theodore Alexander. Item no. AL1...

Beautiful Biedermeier Jewelry or Make-up box from South Germany circa 1830. Inside with hinged mirror. A long drawer at the bottom front. Restored and hand-polished with shellac.

A one off pair of Geo II mahogany chest on chests of compact size, the flat tops with moulded edges and canted corners running full height of the chests, the fronts with sets of grad...

Chic sleek vintage writing desk with a two drawer case featuring an unusual mahogany oyster veneer technique on anodized aluminum legs. Stamped Thomasville on the bottom.

Custom made three-door wardrobe / armoire, designed and manufactured by GMD Berlin, exclusively presented in our Rudolf Vichr Collection. These high-quality, handmade furniture in a...

Credenza designed by Orfeo Quagliata. An object of fused glass created with the exclusive barcode technique. The Buff-Hey´s retro design mixed with designer's exceptional glass exper...

Console Table Danama with structure in wood with oak veneer in stained charcoal grey finish.

A fine quality late 19th century marquetry inlaid bombe fronted French Louis XVI style Vitrine, having its original Breche Violette marble top, wonderful scrolling foliate chiselled ...

This vintage 1970s cork pedestal end table is a rare find, showcasing natural cork with warm tones and organic texture. Its sleek, minimalist design makes it perfect as a side table,...

Merging clean lines with warm materials, the faceted geometry of the MiMi dining table creates a slender, elegant profile punctuated with painted sur...

This stunning kidney-shaped table is a masterpiece of craftsmanship, featuring a harmonious blend of cherrywood, mahogany, and elmwood veneers. Its elegant design and intricate detai...

Immerse yourself in the splendor of bygone eras with our fascinating Art Deco armchair! Handcrafted from luxurious white leather and finished with mahogany veneer that is finished in...

A pair of 19th-century Austrian Biedermeier chairs, masterfully crafted from rich walnut, blending elegance with restrained ornamentation. The curved top rail, gently flaring outward...

Regency sewing table in the very attractive wood, burr ash, with ebony stringing, knobs and paterae. Good original colour and patina. When open, t...

MOON Natural brushed oak, round dining table. Available in different dimensions. Designed by Buket Hoscan Bazman

Georgian Period Circa 1790 From our Tea Caddy collection, we are delighted to offer this Georgian Green Tortoiseshell Tea Caddy. The Tea...

Chippendale tea caddy, c1770, burl veneered mahogany paneled front and sides with cross banded border raised on original ball and claw cast brass...

Bespoke custom made 4-door credenza/sideboard entirely handcrafted in Italy with elegant post modern decor, the surround decorated with art glass in an enticing striped light blue, s...

Biedermeier salon table resting on a trefoil base with stylized volute forms and S-shaped braces that rise toward the octagonal central column. The round tabletop features a smooth a...

This unique Biedermeier table is truly a masterpiece. Its standout feature is the central column base, elegantly supported by a tripod foot. The craftsmanship and attention to detail...

Banco con cassetto sotto piano in legno impiallacciato mogano con finitura al poliestere e gambe con 'grissinatura'.

Venetian Baroque exceptional wardrobe, in hand-carved walnut and burl walnut fillet inlay of the period 1920s, Testolini & Salviati attributed; only we just polished it with wax. Me...

A very elegant set of 4 dining room chairs in white vinyl and polished wood finish. In excellent condition, recently revised by an expert ebanist - reviewed by a carpenter recently ...

A Southern French Louis XV style 19th century burr walnut four-drawer desk from Avignon with leather top, foliage-carved décor and cabriole legs. Discover the grandeur and exquisite ...

Rarest pair of Hubert Nicolas chairs in Palmwood and chrome. Freshly re-upholstered with Bisson Bruneel Alpaga fabric. Please see pictures and condition...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

This original 18th century Louis XVI Secretaire has a stunning veneer and marquetry. The elegant unique slant-top desk or "secretaire en pente" combines different walnut veneer grains with maple and bird's-eye maple as well as satinwood. The secretaire has three drawers on the outside. The inside of the writing compartment has six small drawers, several open compartments and a secret compartment. This gorgeous and remarkable desk is in very good original condition and has its original patina. It ships from Europe...

Empire period neoclassical malachite and gilt bronze mantel clock French, early 19th century Dimensions: Height 48cm, width 23.5cm, depth 11cm This mantel clock was finely crafted in the Empire period, wrought from ormolu and a later malachite veneer. The design of the clock is based on classical architecture. It features a malachite entablature—with an ormolu pierced mount to the front—which is supported on four ormolu bun feet. The malachite column shafts are smooth and each culminate in a capital, supporting the malachite top. Between the columns, there is a drum clock...

Fantastic Biedermeier cherrywood chest of drawers made in the early 19th century in Austria around 1825. This beautiful straight shaped Biedermeier commode shows a precious cherrywoo...

Antique French Secretary Desk from the Late 18th Century Explore this French 18th century secretary desk, crafted in France circa 1770-80...

Spectacular large Art Deco chest of drawers in wood with rosewood veneer for the body and base, and burl mahogany for the drawer fronts (made of solid oak) and the foot. French polis...

Prepare to fall in love with a piece of history. This stunning and rare mid-century modern dresser is a part of the "Delineator" series, meticulously designed by renowned furniture d...

Important American School oil on canvas painting of a stag, or a buck after the American painter William Skilling (California 1862-1964). Signed lower right corner "Hastings" by foll...

Discover the timeless charm of this exquisite Louis Philippe/Late Biedermeier half cabinet, crafted around 1850. This remarkable piece features a single drawer and two doors, offerin...

Small side table by Knud Joos for Jason Møbler The table has a frame and legs of thin square steel and a floating table top of teak veneer. Nice vintage condition.  

Magnificent Venetian wardrobe from the mid-18th century in walnut, front veneered in burr walnut with simple inlays in lighter wood thread. Frontal ...

Combined by the hands of Hebanon's master cabinet-makers, the woods are skilfully juxtaposed to create a refined optical inlay. The frontal perspective illusion is reinforced by the ...

A vintage French Art Deco writing table with rounded sides, made of hand crafted polished, partly veneered Walnut with a tubular steel footrest, in good condition. The freestanding d...

An English mahogany demi-lune console table from the 19th century, with a dentil cornice over two reeded tambour sliding doors and carved apron. Created in England during the 19th ce...

A Federal Style Mahogany Secretary Bookcase, Circa 1950s. Size is 38" wide, 16" deep and 69" tall.  

Beautiful set of six neoclassical Biedermeier shovel chairs (backrest in form of a shovel) from South Germany around 1840/50. Solid Walnut and walnut veneer with walnut roots inlays ...

Bring home all the fun and excitement of the 1970's with these fantastic vintage nightstands from Lane Furniture! From the highly collectible "Pueblo" series, these nightstands featu...

A particularly elegant and well made cabinet pair with handsome chosen veneers and a very interesting form. The serpentine shaped cases with figured wood ...

This exquisitely crafted rosewood desk designed by Joaquim Tenreiro (1906-1992) belonged to Bloch Editores S.A. Building, a Brazilian publisher founded in 1952 and closed in 2000, wh...

An early 19th century French Empire mahogany commode with bronze mounts and a dark gray stone top. The chest of drawers is very handsome and functional and is in very good condition...

English mahogany Chippendale linen press, with removable cove cornice featuring dentil molding and vertical mahogany veneer, the doors with beautiful matching mahogany veneer raised ...

- carefully refurbished - newly upholstered - Beech plywood with maple veneer

Large executive desk with adjustable drawer elements designed by Luisa and Ico Parisi for mim Roma in the 1950s. The octagonal table top rests on metal legs with veneered panels and ...

A pair of Italian Neoclassical style walnut guéridon tables from the early 20th century with oval tops. Elevate your interior with this exquisite pair of Italian Neoclassical-style o...

The Organic dining table is a statement piece that embodies natural beauty and timeless craftsmanship. Created with meticulous attention to detail, this dining table attracts attent...