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Aftermath / Shockwave / Renato Garza Cervera / México
$1,200
£917.46
€1,056.73
CA$1,681.57
A$1,877.31
CHF 983.68
MX$22,980.15
NOK 12,492.79
SEK 11,779.12
DKK 7,886.51
About the Item
Aftermath is a series of digital collages, where landscape compositions represent natural disasters conformed by accumulations of trademark logos extracted from internet. These symbols corroborate the existence of markets and thus consumptions.
Internet generates the possibility within the current computing interfaces of downloading informations in order to rearrange and modify them. By grouping these logotypes in thematic groups their communicational nature is distorted and they become part of herds, flocks, housing complexes, domestic objects and other groups without modifying their original form.
In this compulsive act of appropriation a portion of the transnational scale of the economic, political and social disaster which actually conditions us is shown. The entropic and not necessarily apocalyptic nature of this images speaks of processes whose size scale we frequently lose.
RENATO GARZA CERVERA
Mexico City, 1976
Renato Garza Cervera (Mexico City, 1976). Visual Artist, Researcher, Producer and Cultural Educator. Lives and works in Mexico City.
He studied the Bachelor of Visual Arts at the National School of Plastic Arts (ENAP) of UNAM and later studied at the Image Center, the National Center for the Arts and other venues in Mexico City, USA and Canada.
Object, Installation, Sculpture, Painting, Drawing and Graphics are some means that he frequently explores and uses. He has also exhibited interventions, actions and video pieces in solo and group exhibitions in Mexico, Canada, France, the United Kingdom, the USA, and several other countries.
He has inserted in diverse contemporary cultural and artistic circuits pieces such as "De Genuina Fiera Contemporánea", "Escape", "Los Pies de Juárez", "Mareas Humanas", "Springbreaker Tsantsas", "Hammurabi Vibrator" and "499", which They review the phenomenon of artistic production and consumption from a cultural perspective, bringing different audiences closer to a critical vision of reality.
A short selection of exhibitions in which he has participated includes: CELEBREMOS LA INDIFERENCIA. GHOST PUBLIC ART. Critical Exploration Center, Universidad Iberoamericana, CeX Ibero. Mexico City. Mexico; IDÉAUX / IDEALS (Art Mûr, Montreal, Quebec, Canada); DE TENER EL INFINITO (La Capilla del Arte, Puebla, Puebla, México, 2018); CONTEMPORARY BEASTS: A NEW NATURAL ORDER, (Jesús Gallardo Gallery of the Manuel Dogido Theater, Institute of Culture of León, León, Guanajuato, Mexico, 2017); CONFLITS II. MARÉES HUMAINES, (Art Mûr, Montréal, Québec, Canada, 2017); MARIO ES NUESTRA ARMA, FIGHT !, (María Grever Theater, León, Guanajuato, Mexico, 2016); ART SOUTERRAIN, (Montéal, Québec, Canada, 2016); THREE FEET. THE ENIGMA OF SUCCESSION, (Casa del Lago, Chapultepec, México D.F., 2015); MEXICA TSANTSAS (Altiplano Galería, México D.F., 2014); AGÜERÓDROMO, (ENPEG La Esmeralda, México D.F., 2014), SPRINGBREAKER TSANTSAS (Art Mûr, Montreal, Québec, Canada, 2014); SILENT REVOLUTION, (Tallinn Art Hall, Tallinn, Estonia, 2012); TOUS CANNIBALES / ALLES KANNIBALEN, (Maison Rouge, Fondation Antoine de Galbert, Paris, France, 2010 / ME Collectors Room, Berlin, Germany, 2011); LES ENFANTS TERRIBLES, (Fundación / Colección Jumex. Ecatepec, Edo. Mex, 2009); SOUVENIR, (Red Mill Gallery, Vermont Studio Center, Vermont, USA, 2010); THE FIESTA RESISTANCE, (Pictures on Walls, London, UK, 2009); THE INVENTION OF EVERYDAY, (Museo Nacional de Arte. México D.F., 2008).
He has been the beneficiary of several incentives, among which are: INTERNATIONAL PROGRAM OF ARTISTIC RESIDENCES of the National Fund for Culture and the Arts, Mexico (Artistic Residence at Banff Center for the Arts, Canada, 2014); Production Residence Grant (Gruber Jez Foundation, A.C., Mérida, Yucatán, 2013); YOUNG CREATORS Program, (National Fund for Culture and the Arts, Mexico, 2004-2005 / 2010-2011); Mex Am Foundation Grant, (Vermont Studio Center, Vermont, USA, 2010); Jumex Foundation / Collection, Production stimulus for "Fire in the Taco Bell" exhibition and conference, (727 Gallery, Los Angeles, California, USA).
Renato Garza Cervera has been a teacher in different institutions, among which the Fundación / Colección Jumex, Ecatepec, Estado de México, the Faculty of Arts and Design, UNAM, Mexico City, the Center of the Arts of the Fundidora Park, Monterrey, Nuevo León, the National School of Painting, Sculpture and Engraving "La Esmeralda", National Center for the Arts, Mexico City He has also held workshops independently in various venues.
- Creator:Renato Garza Cervera (Artist)
- Dimensions:Height: 39.38 in (100 cm)Width: 53.15 in (135 cm)Depth: 0.4 in (1 cm)
- Style:Other (In the Style Of)
- Materials and Techniques:Paper,Other
- Place of Origin:
- Period:
- Date of Manufacture:Contemporary
- Production Type:New & Custom(Limited Edition)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:COYOACAN, MX
- Reference Number:1stDibs: LU3966122555442
Renato Garza Cervera
Renato Garza Cervera’s work develops in a wide variety of media including painting, drawing, graphic art, sculpture, objects and installations, as well as interventions, action and video pieces which have been reviewed, exhibited and collected in solo and group exhibitions, art specialized & oriented publications and art collections throughout Mexico, USA and various European countries. Garza Cervera has taught at the Faculty of Arts & Design at the National Autonomous University of Mexico (UNAM), Mexico City, as well as independently at Garza Cervera Taller, Mexico City. Currently he teaches at La Esmeralda National Art Academy, National Center for the Arts, Mexico City. Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and related themes of political, social and aesthetic nature. By reviewing established ideas which become inoperative, unsustainable or decadent the critical practices which Garza Cervera proposes and engages with participate in a wider geo-political series of ethic & cultural heritage deconstruction, reconfiguration and re-designing mechanisms.
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