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Molly Hatch, After China Bottle, USA, 2016

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

Molly Hatch’s After China Bottle uses negative space to render the form of the vase that inspires the surface decoration. Each vase is hand-built and hand-painted. The surface pattern for the vase was sourced from examples of Chinese ornament in the books of Owen Jones, the English architect who is considered to be one of the most influential design theorists of the 19th century. Hatch’s work has been widely collected, commissioned, and exhibited at art fairs nationally and internationally. In 2013, Hatch had a solo museum exhibition at the Philadelphia Art Alliance and was included in New Blue and White, a contemporary decorative arts exhibition at the Museum of Fine Arts in Boston. In the spring of 2014 Physic Garden, a monumental 456-plate painting, was installed at the High Museum of Art in Atlanta, and in 2015 Chronicle Books of San Francisco published a book of her work. In 2016, the Clayarch Gimhae Museum in Korea exhibited a selection of wall installations by the artist. As the artist works on a commission basis, custom works can be created through Todd Merrill Studio. Dimensions: 10.75″ H x 7.25″ W x 2.5″ D.
  • Creator:
    Molly Hatch (Artist)
  • Dimensions:
    Height: 10.75 in (27.31 cm)Width: 7.25 in (18.42 cm)Depth: 2.5 in (6.35 cm)
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    2016
  • Production Type:
    New & Custom(One of a Kind)
  • Estimated Production Time:
    Available Now
  • Condition:
  • Seller Location:
    New York, NY
  • Reference Number:
    1stDibs: LU90536287173

More From This Seller

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Molly Hatch, Prelude, USA, 2018
By Molly Hatch
Located in New York, NY
Using an image from Owen Jones’ “The Grammar of Chinese Ornament” as inspiration, artist Molly Hatch has developed a new approach to deconstructing historic patterning and surface t...
Category

2010s Mounted Objects

Molly Hatch, Crescere, USA, 2017
By Molly Hatch
Located in New York, NY
Crescere, which is similar in theme to the 2016 installation Aria takes inspiration from Islamic art continuing Molly Hatch’s historically-inspired contemporary repertoire. Comprised of 37 earthenware hand-painted plates, the glazed surface of Crescere becomes a fragmented canvas for Hatch’s delicate, painterly re-rendering based on an early 13th century Islamic plate...
Category

2010s American Contemporary Art

Molly Hatch, Memorandum, USA, 2018
Located in New York, NY
Using ceramic surfaces as her canvas Hatch extends her historically-inspired contemporary repertoire with Memorandum, a wall installation comprised of 35 hand-painted plates. The ce...
Category

2010s American Ceramics

Materials

Earthenware

Molly Hatch, Aria, USA, 2016
By Molly Hatch
Located in New York, NY
Using the ceramic surface as both her canvas and subject matter, Molly Hatch extends her historically-inspired contemporary repertoire with Aria, a hand-painted wall installation. Comprised of 37 earthenware hand-painted plates, the glazed surface of Aria becomes a fragmented canvas for Hatch’s delicate, painterly re-rendering based on an early 13th century Islamic plate...
Category

2010s American Contemporary Art

Molly Hatch, Caughley Sketch, USA, 2016
By Molly Hatch
Located in New York, NY
In 2009, Hatch’s career took off after she was awarded the prestigious Arts/Industry Residency in Pottery at the John Michael Kohler Arts Center in Wisconsin. Since then, Hatch’s wor...
Category

2010s Mounted Objects

Momento, USA
By Molly Hatch
Located in New York, NY
Using ceramic surfaces as her canvas Hatch extends her historically-inspired contemporary repertoire with Memento, a wall installation comprised of 35 hands painted plates. The central image of the work, a large vase of vibrantly painted flowers is derived from 17th century Dutch painting, more specifically “pronkstilleven” (Dutch for ‘ostentatious still life’). Each round surface serves as a canvas for the artist’s brush strokes; together, the plates reveal the intricate abstract floral motif of their source material. Bridging the gap decorative and fine art the glazed surfaces of earthenware plates collectively become a fragmented canvas for Hatch’s delicate, painterly re-rendering. In the past decade, the name Molly Hatch has become synonymous with contemporary ceramics. Hatch’s ceramic installations...
Category

2010s American Wall-mounted Sculptures

Materials

Porcelain

Momento, USA
Price Upon Request

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