Pair of Lithographs after Keith Haring -- one numbered

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

A work of art made by collage of hand-painted vellum applied in a collage format with original Sonnabend Gallery label to the reverse.

Color woodcut on somerset satin paper, edition of 20 printed by Santa Monica Editions #1, 1990. Dimension: 100" x 52". Framed. Günther Förg (born 5 Dec...

Number 24, edition of 25. Number 2 of this smaller edition of Artist's Proofs can be found in the Smithsonian Museum of American Art. Signed, dated 1971 and numbered (in Roman Num...

A unique painting made of pieced and sewn canvas creating a ruffled edge and painted in stripes in the manner of Elsworth Kelly or Robert Ryman.

A large fine pastel drawing of an abstract figure from the Cordier and Ekstrom Gallery, Madison Avenue, New York by Gillian Bradshaw-Smith.

Very pretty, colorful and pop silkscreen print of Andy Mouse, Andy Warhol + Mickey Mouse, represents the famous mouse with a wig and sunglasses which are Warhol's distinctive attribu...

Set of three skateboard decks 7-ply Canadian maplewood with screenprint Measure: Each deck 31 H x 8 inches Mounting hardware included Open edition (screen-printed signature). ...

Lighted sign from Lee Jeans (after) Keith Harring. Artistic bright lettering. Plexiglas Plastic Neon. Decoration Light.

Keith Haring The Paris Review: 1982 The Paris Review book, with original cover design by Keith Haring. Offset lithograph on double sided art book. Measures approximately: 5.5 x 9 inches; soft cover. Approximately 50pgs. Minor age related wear; in otherwise very good overall vintage condition. 1st edition, 1st printing 1982. Unsigned from an edition of unknown. Highly collectible. Related categories: Keith Haring 1982. Keith Haring book...

Keith Haring 1992 Pop Art - Art offset print on thick art paper, Man Holding Radiant Baby Keith Haring (New York, 1958-1990), French 1992 pop art - Art offset print, untitled, depic...

This is an after Keith Haring Estate screenprint in colors. The sheet has had the edges trimmed and is in good overall condition. The sight measure...