California Studio Navajo Sand Painting Mosaic Art Panel of Thunderbird, 1960s

An E. Alvarado 1959 mosaic wall panel commissioned at the Taxco showroom of Los Castillo Plateros depicting the 1467 reconstruction of the temple of Huitzilopochtii after its damage ...

A large mosaic panel artwork representing the bicentennial celebration in New York harbor on the evening of July 4, 1976. A memorable evening throughout the United States and partic...

A large thick impasto painting on canvas created by a well-trained artist with masterful execution of abstract expressionism. Bold in color, design and use of texture. Professionally...

Fiber Wall Art by Jon. B. Wahling (1938 - 2020) similar to Sheila Hicks or Lenore Tawney. "Wahling was dominating the fiber scene in the U.S. by the l...

Original painting by Randy Lee White Native American Indian ledger style in acrylic on canvas with assemblage including feather and wood. Wrapped canva...

This Hohenberg Mosaic depicts a classical Thai dancer and is comprised of glass and ceramic tiles against a crystalline incrustation. The frame is solid walnut and the piece is stencil signed on the reverse 'Hohenberg Original.'

A Yei Navajo Figural double-sided flat woven wall hanging - circa 1930. Displaying five standing figures on an deep speckled grey ground, framed by a red border. The Yei iconography is related to Navajo religious sandpaintings. Navajo religion has a reverence for nature and is based on maintaining a balance in the universe. It was believed that there was a sense of harmony needed to maintain a healthy life. Should an individual do something to upset this balance, then it was believed that an illness might befall them. Much like in the modern-day, a medicine man was hired to help regain this harmony. The remedy involved a combination of chanting, herbal medicines and a sandpainting ritual. Various coloured sands were sprinkled on the ground until they formed a specific Yei (holy person), based on the god he was trying to summon. When the sandpainting was completed, it was sanctified by spreading corn pollen over it. Once the sacred sandpainting had served its purpose, it was erased. To save it or reproduce its imagery was dangerous and could bring serious grief to anyone who retained the image. During the 1890s, the Navajos phased out blanket weaving in favour of rugs. There was strong demand from the vast migration of settlers, building homes by the thousands, who needed something to cover their floors. The first Navajo rug depicting holy people...

Vintage bird tapestry in the style of Jean Lurçat, signed Elbé. French production circa 1970.