Elli Hemberg 1968 Textile Collage "Escape"

Woodblock print and serigraph on paper by artist Tetsuya Noda depicting two barns one in the middle ground and one in the background. Signed on the lower ...

Black and white painting set on wood by the Japanese American artist Ted Kurahana. Minimalist art piece created in 1983 - 1984. Sigened on Verso T. Kurahana. Ted Kurahara works in a ...

"Unitled" painted, etched and engraved laminated glass sheets by Dana Zamecnikova. Dana Zamecníkova executes her work on multiple layers of sheet glass...

Glazed ceramic sculpture on metal pedestal by the Danish artist Pernille Pontoppidan Pedersen. Titled "Weaving in Times" this piece was a part of ther NYC exhibition Tentacular Thin...

This stunning abstract artwork was made in 1965, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper sheet and other glued element...

Mixed-media collage on panel painting by Ann Purcell (b. 1941). Untitled. Signed/Dated 1969. Black and coral against white. Provenance: Acquired from U.S. collector. Original metal frame. Artist bio by Paul Behnke: Ann Purcell is a nationally recognized and highly respected artist working in Redhook, Brooklyn. Her paintings are represented in over 17 major museums in the United States - including The National Gallery of Art, the Corcoran Gallery of Art, The Phillips Collection, The National Museum of Women in the Arts in Washington, D.C., Santa Barbara Museum, The Baltimore Museum, Mint Museum in Charlotte, North Carolina, and the New Orleans Museum. She has the respect and support of many prominent art museum directors and contemporary curators. She has had numerous solos and group exhibitions at prestigious galleries around the country including: Tibor de Nagy Gallery , New York City; Bernard Jacobson Gallery in New York and London; Dart Gallery, Chicago; Hokin Gallery in Chicago, Miami and Palm Beach; and Osuna Gallery in Washington, D.C., Bethesda, Md. and Miami; and Misrachi Gallery in Mexico City, and most recently, Berry Campbell in New York City. Her works are in both prominent private and corporate collections including: ATT, Vesti Industries in Cambridge, the "Art in the Embassies Program" of the U.S. State Department; Pepsico Collection, New York; Philadelphia Life...

This stunning abstract artwork was made in 1960, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage of paper glued elements on the surface. In e...

Dimensions: Unframed: 11-1/2 x 8-1/16 inches Framed: 17-1/8 x 12-7/8 inches Signed by the artist and dated ’64 in the lower right corner; inscribed in German: Zurich, Schweitz (Zurich, Switzerland) This unique work of art is a mixed-media collage on paper, where the artist had generously used his own pencil, gouache and watercolor drawing with a print cut-outs. Stanley R. Stangren (1928–2014) was an outstanding American jeweler, artist, sculptor and ceramist, residing in New York City. He worked in different styles and in different materials, including oils, watercolor, ceramic and stone sculptures; and fine jewelry. Stangren’s painting styles varied tremendously – from complete abstract works to Holocaust themes in the style of Georges Rouault and Hieronymus Bosch to portraits in the style of Moses and Raphael Soyer. He was also a passionate lover of the performing arts, and, as a young man, spent time studying dance at both the School of American Ballet and with Martha Graham. Although he worked with dance pioneers like Ms. Graham, Anna Sokolow and Charles Weidman, an injury prevented him from pursuing dance as a career. But he found other outlets for his artistic pursuits. In his youth, Stangrem attended the Brooklyn Museum School of Art, and graduated from the High School of Music and Art in New York City. He later studied at the Boston Museum of Fine Arts, the Art Students League, Bard Colledge and in Europe. Stangren studied jewelry design in Europe, attending Staatlische Kunst Werkschule in Pforzheim, Germany and Kunstgewerbeschule der Stadt in Zurich, Switzerland. His jewelry and designs were received with great success. His combination of precious and semi-precious stones, high-karat gold and sterling silver, and exotic materials executed with outstanding workmanship in the abstract modernist style gave a unique aspect to his designs, the metalwork usually electroformed, cast, or fused in varying textures. After returning to New York in the later 1950s, Stangren opened and maintained a ceramic business in Trenton, New Jersey. Very few pieces of his work remain from this period. When he retired from the ceramics business, he spent much of his time enjoying the arts. He frequently attended Juilliard performances, including most of the opera and drama presentations at the School, and was especially fond of the dance concerts. The last 40 years of his life, he taught painting in the New York area and worked with Metropolitan Museum of Arts in developing annuities, for future acquisitions. In addition, Stangren left annuities for MoMa in support of educational programs and left, in his will or through his executors, art supplies for the Harlem School of Art and benefits for the Urban Assembly organization. Mr. Stangren's love for the arts and for the performances he was seeing at Juilliard inspired him to take his participation a step further and to establish charitable gift annuities with the School. "I realized what Juilliard offered me, being a passionate music lover, and I decided to give something back" he said. "What Juilliard achieves is remarkable. When I think of the prominent actors, dancers and musicians that have been educated there, I am always staggered. It is deeply financially satisfying to be able to give back to the School, while benefitting from it at the same time." The Juilliard School is not the only organization that Stanley Stangren...