Original Italian Re-Release James Bond 'Thunderball' Poster, c.1971

A very rare and original James Bond Dr. No (1962) French Grande film poster, Artist: Boris Grinsson (1907-1999). Film starring Sean Connery in the first in the series film. Dr. No is...

A very rare and original James Bond From Russia with Love / Bons Baisers de Russie (1963) Poster, French, First French release 1964. T...

“She allowed me to triumph in the 1912 Tour de France” says Eugène Christophe the Parisian hero of the Tour de France, an original advertisement...

A rare and original U.S release (1965) poster from the James Bond 007 blockbuster, Thunderball. A 1965 spy film and the fourth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is an adaptation of the 1961 novel of the same name by Ian Fleming, which in turn was based on an original story by Kevin McClory, Jack Whittingham, and Fleming, and an original screenplay by Jack Whittingham. It was the third and final Bond film to be directed by Terence Young, with its screenplay by Richard Maibaum and John Hopkins. The movie would have been the first of the Bond series if not for legal disputes over copyright. The film follows Bond's mission to find two NATO atomic bombs stolen by SPECTRE, which holds the world for ransom of £100 million in diamonds under its threat to destroy an unspecified metropolis in either the United Kingdom or the United States (later revealed to be Miami). The search leads Bond to the Bahamas, where he encounters Emilio Largo, the card-playing, eye patch-wearing SPECTRE Number Two. Backed by CIA agent Felix Leiter and Largo's mistress, Domino Derval, Bond's search culminates in an underwater battle with Largo's henchmen. The film's complex production comprised four different units and about a quarter of the film comprised underwater scenes. Thunderball was the first Bond film shot in widescreen Panavision and the first to have a running time of over two hours. This large American billboard poster...

This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over a 100 years. About the poster: You'd think that a play called 'The New Baby' might feature said child in its promotional material. But here's the thing, there really isn't a baby at the center of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf - cleverly called the Baby's 'chaperone' on the poster - and his troupe of travelling players, that understated review was translated into the more American howling success'. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation.' At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theatres, and many more would be built within the next decade to meet growing audience demand. New York's exploding population was also enjoying increased mobility. In 1904, the city opened its first underground commuter railroad lines. Thanks to these 'subways,' tens of thousands living far from the theatre district could catch a Broadway show and still sleep in their own beds. Add in the ever-increasing numbers of tourists who came into the city by rail and steamship, and it was easy to see why Broadway could now support more productions and longer runs than ever before.' We believe this magnificent and awe inspiring poster typifies the best of musical history and musical posters...

Original exhibition poster of Picasso, Framed, Edition of 2000, Printed by Schwenk-Wilk, Francfort, 1965, Germany, 1965. Measures: 58 x 84 cm. Bib...

Filmmaking is a reflection of the culture it arises from, and Bollywood cinema has been forever intertwined with the Indian identity. The posters from the 1970s, especially the 1975 Alakh Niranjan, resonate with a formative period in the evolution of Bollywood, where the socio-political landscape was continuously shaping the narratives portrayed on screen. The film industry began to explore more complex character representations, especially those of women by integrating them as central figures. During this period, Bollywood began to solidify its role as a cultural touchstone that mirrored the aspirations and anxieties of Indian society. The presence of the panther that the actress holds on a leash is not only a stylistic choice; it reflects themes of power, dominance, and the connection between nature and human emotion, frequently explored in the films of that era. In Hinduism (Sanatana Dharma today), Alakh Niranjan is a term commonly used to refer to the Creator. It is also referenced to describe the qualities of both God and the Self, known as the Atman. The word Alakh translates to “that which cannot be perceived or seen,” while Niranjan means “free from blemishes or impurities.” Similar to Ghanaian horror posters that reflect the unique cultural fears and narratives of their society, Bollywood posters...

A vintage movie artwork poster 22" x 28" From the 1948 film Disaster directed by William H. Pine and written by Thomas Ahearn. The film stars Richard Denning, Trudy Marshall, Damian O'Flynn, Will Wright, James Millican, and Jack Lambert. The film was released on December 3, 1948, by Paramount Pictures...