Soleil, by Roland Zobel, Les Cyclades, Anduze, France, circa 1970

Zinc wall panel, etched with point and acid, patinated, and painted by Nerone Ceccarelli and Giancarlo Patuzzi. Nerone etched the metal panels, which he then mounted directly on the...

Interesting lighting panel in resin, worked as a painting, with a wooden frame in veneered oak. It's lighted by two fluorescent tubes concealed inside. Signed and bears the words Fo...

Large carved wood panel decorated with small birds on leafy branches. Width: 65 cm (25.6 inches) Height: 220 cm (86.6 inches - 7.28 ft) Thickness: 4 cm (1.58 inches)

Thick knotted-stitch wool rug with abstract geometric design, in very good condition. Lenght: 238 cm (93.7 inches - 7.81 feet) Width: 172 cm (67.7 inches - 5.58 feet)

Stunning Erte (Russian 1892-1990) framed collector plate "LE SOLEIL". Framed in an ebony and gold motif. Romain de Tirtoff was a Russian-born French a...

A very good sand picture of sheep by Benjamin Zobel, showing two sheep on a bed of straw in a rustic barn, the reverse handwritten in ink ‘Sand Picture Mid-17th [sic] century Benjami...

A Pair of Sand Pictures by Benjamin Zobel, framed by Benjamin Taylor, each showing a farming scene, one with four sheep under a large oak tree by a field gate...

These extraordinary ‘paintings’ were created using coloured grains of sand rather than paints. Each is after an original painting by Philip James de Loutherbourg. The first scene shows the Battle of Hastings with a central mounted figure, presumably William the Conqueror, with a red plume in his helmet, raising his sword against a fighter on foot. A printed version of this image, shown above, was made by William Bromley. (See the British Museum registration number 1858,1009.115 for a fine impression.) The second scene, composed with a similar central mounted knight with a raised axe (sword in the original) represents Richard the Lionheart in combat against Saladin at the Battle of Acre. In this case the print was made by Anker Smith...