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Théodore Deck (1823-1891), Courtly Love, Rare Pair of Faience Figures , c.1860
$15,109.65per set
$21,585.22per set30% Off
£11,240.06per set
£16,057.22per set30% Off
€12,600per set
€18,000per set30% Off
CA$20,690.28per set
CA$29,557.55per set30% Off
A$23,004.78per set
A$32,863.97per set30% Off
CHF 12,011.83per set
CHF 17,159.75per set30% Off
MX$280,024.20per set
MX$400,034.57per set30% Off
NOK 153,265.69per set
NOK 218,950.98per set30% Off
SEK 143,602.62per set
SEK 205,146.60per set30% Off
DKK 95,916.84per set
DKK 137,024.06per set30% Off
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About the Item
Théodore Deck (1823-1891)
Courtly Love
Polychrome enamelled earthenware
Pair of subjects representing two lovers in the Middle Ages
Each signed below with the stamp “Th.Deck”
Extremely rare and stunning museum quality
The Courted Lady
Rare figurine representing a courted lady in the Middle Ages
Polychrome glazed ceramic
stamped "Th.Deck" on the underside
France
circa 1880
height 31,5 cm
width of the base 17 x 12 cm
The Lover
Rare figurine representing a lover in the Middle Ages
Polychrome glazed ceramic
stamped "Th.Deck" on the underside
France
circa 1880
height 31,5 cm
width of the base 17 x 12 cm
Joseph-Théodore Deck was born in 1823 in Guebwiller, a commune in Haut-Rhin. He dreamed of becoming a sculptor but his humble origins oriented him towards a more prosaic profession: that of ceramic potter. He learned the technique of ceramics as a manufacturer of covered ovens with ceramic tiles and traveled to Germany, Hungary and Austria to im-prove his skills. At the age of 24, he moved to Paris to practice his art and worked in a fac-tory that made ceramic kilns. He opened his own earthenware workshop in 1856 with his brother and his nephew and specialized in the oriental style and more particularly in the Iz-nik style. In the 1880s he explored the Chinese tradition and collaborated with Raphaël Col-lin, an academic painter professor at the Academy of Fine Arts recognized for the links he forged between French art and Japanese art both in painting. and ceramic. He published a treatise on the art of earthenware in 1887.
Deck's contemporary sculptors and painters made frequent visits to the Deck workshop, which thus became an experimental laboratory to promote ceramics as an art and no longer simply as an industrial application. It was while attending the National Porcelain Museum in Sèvres that Deck studied Islamic art. Deck discovered that the brilliance of oriental ce-ramics was due to an alkaline base containing tin oxide. The decorations are covered with a transparent coating which produces a shiny and translucent effect. After many trials and ex-periments, Deck succeeded in perfecting this technique and created Deck Blue, his famous turquoise blue using potash, soda ash and chalk. Deck presented his first collection of lou-vered earthenware at the Paris Exhibition of 1861, but it was at the London Exhibition of 1862 that he was officially recognized as an artist when the Victoria and Albert Museum bought three of his works. He received a silver medal at the Universal Exhibition of 1867. Deck copied many Iznik ceramics but also created his own variations around the oriental theme by assembling various patterns on a single work.
- Creator:Theodore Deck (Maker)
- Dimensions:Height: 12.41 in (31.5 cm)Width: 6.7 in (17 cm)Depth: 4.73 in (12 cm)
- Sold As:Set of 2
- Style:Renaissance Revival (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1860
- Condition:Wear consistent with age and use.
- Seller Location:Saint-Ouen, FR
- Reference Number:1stDibs: LU2612342954032
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