True Pair Of Italian 19th Century Louis XV St. Giltwood & Marble Plaques

A most decorative pair of Continental 19th century Louis XVI st. Sèvres porcelain plaques in their original Giltwood frames. Each hand painted still life plaque is set within a wonde...

A charming and extremely decorative true pair of Italian 18th century Louis XVI period patinated wood and Mecca wall plaques. Each large scale oval plaque is framed within an elegant mottled Mecca border centering the beautiful patinated off white background centered by exceptional musical instruments. One plaque displays richly carved trumpets, a tambour drum, a tambourine and symbols amidst open music books with a fanciful intertwined ribbons tied in a bow at the top. The other plaque displays equally rich and enjoyable giltwood carvings of instruments such as a lute, a harp guitar...

A sensational and extremely well detailed true pair of Italian 19th century white Carrara marble and iron decorative wall plaques. Each thick solid white Carrara marble plaque is fra...

A remarkable pair of French 19th century Louis XVI st. Belle Époque period ormolu and Mahogany decorative wall plaques signed F. Barbedienne. Each plaque is set on an elegant Mahogany backplate with fine scalloped bases and tops. The central ormolu plaques...

Charming pair of oval porcelain plaques with the frame in ormolu bronze represent scenes of a couple having fun in a landscape and the other one ...

Each Capodimonte porcelain plaque in this pair portrays a famous episode from Roman history: The Rape of the Sabines. The scene on each pl...

18th Century, Italian Pair of Paintings on Glass in Giltwood Frames This exquisite pair of paintings executed on glass is presented within finely carved and gilded wooden mirrors da...

Pair of Renaissance style enamel plaques in giltwood frames French, 19th Century Dimensions: Frames: Height 24cm, width 18cm, depth 3cm Plaques: Height 13cm, width 10cm Held in ornately carved neoclassical giltwood frames, these Limoges enamel plaques depict two men rendered in the historicised Renaissance style. The frames feature oval openings, with laurel wreath carvings and bows to the top. Both plaques depict bust-length portraits of men, shown in three-quarter profile with laurel wreaths adorning their heads. They are both painted in a style that evokes the portraiture of the 16th century, with great care taken to render the details of each sitter’s face, and expressive brushstrokes for the background and clothing. The younger of the men wears a deep orange shirt...