"Left Jab, " Rare, Vivid Drawing of Two Boxers by Littlefield, 1928

This lithe portrait of a slim boxer throwing a left jab, executed in pencil on thin paper, was executed by Francis Luis Mora, a rare example of an American artist with Uruguayan heri...

This superb depiction of two nude male boxers at the height of their fight, one knocking out the other, was painted by François-Louis Schmied, one of ...

Beautifully and sensitively drawn by Paul Ulen, this single sheet includes two images of a half-nude male figure, seated and reclining, wearing loose worker pants and sporting a fashionable 1930s haircut. In each case, the figure's strong, muscular body is expressed in tones of light and shadow, confidently drawn in pencil. The gridded background suggests that the figures were studies for a larger wall mural, and indeed, a major mural-esque painting by Ulen, "Bricklayer at Rest," perhaps depicting the same model, is also available from Renaissance Man Antiques...

Drawn during the time when Paul Cadmus produced some of his most famous -- and infamous -- paintings with satiric themes such as "Shore Leave" and "The Fleet's in," but presaging his lifelong interest in the male nude, this set of four scenes depict male figures in scenes that would be familiar to artists going back to Roman and Greek times. One scene depicts two nudes in a wrestling match, another shows several nude figures in a headlong run, a third shows two men in battle, and the fourth depicts a nude figure taming a rearing horse. No doubt inspired by Classical sculptures, this set of drawings captures the energy and dynamics of interacting male figures, but without the very fine detail that he would bring to his countless male nude drawings in the 1950s, 60s and later. The drawings are signed, and the reverse retains an owner's label indicating the drawing was in the collection of William Tregoning, a gallerist who amassed a large collection of male figural art...

This is an original lithograph by Chicago/New York artist and illustrator Joseph Webster Golinkin (1896-1977). This print is no. 12 of the edition of 50. The print depicts the Joe Lo...

Boxing is a drawing realized in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expressive strokes.

Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...

Pen and ink drawing by artist Walter Stawuszewski (20th Century) The drawing depicts a muscular man kneeling. Many of Walter Stawuszewski's art pi...