Limited Edition Renoir Lithograph, "Le Chapeau Epingle" (Pinning the Hat)

Framed etching of ornamental candelabrum base found in the courtyard of a church in Italy (Sant' Eustachio). Engraving by Italian artist Giovanni Piranesi (1720-1778). Black and whi...

By French painter and printmaker Pierre Bouillon. Plate from Musée des antiques, dessiné et gravé par P. Bouillon, avec des notices explicatives par J....

The dramatic large, almost 4 foot tall etching is framed with a green ground and gold double border with cream French matting. Copper-plate engraving by Italian artist Giovanni Piran...

Mid-20th century signed Salvador Dali (Spanish artist 1904-1989) Wood Cut Print, "The Minotaur". This is a striking example of the surrealist artist's exploration of mythology and su...

Pierre-Auguste Renoir Le chapeau épinglé - 3e planche (Delteil, Stella 8), circa 1894 Etching on laid paper. Signed in the plate lower left. From La Vie Artistique by Gustave Geffroy...

PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé (2e planche). Color lithograph, 1898. 600x488 mm; 23 5/8x19 1/4 inches, full margins. Edition of 200. With the second printed signature in the stone, lower left. Printed by Auguste Clot, Paris. Published by Vollard, Paris. A very good impression of this important lithograph with strong colors. Renoir (1841-1919) was, along with Edgar Degas, Claude Monet and Camille Pissarro, a founder of the Société Anonyme Coopérative des Artistes, Peintres, Sculpteurs, Graveurs and a key organizer of the 1870s Impressionist exhibitions. He is best known for his renditions of the sensuous and monumental bathing nudes that he produced from the 1880s onward, many of which were inspired by the works of Titian, Rubens, and 18th-century French painters such as Boucher and Fragonard. Like many of his contemporaries, Renoir embraced printmaking as a medium that allowed for more freedom of expression and experimentation. Ambroise Vollard, the eminent Parisian dealer and publisher, and Auguste Clot, the famed lithography printer, were both extremely instrumental in Renoir's foray into printmaking. They greatly encouraged and facilitated his practice of the medium. Vollard met Renoir during the height of Renoir's career and saw the opportunity for lithography to help disseminate the artist's ever popular work, and Clot worked closely with Renoir to masterfully capture the delicate quality of his pastels in color lithography. Renoir began producing lithographs and etchings in the late 1880s and created an oeuvre over the following two decades consisting of 25 etchings and 29 lithographs, many of them commissioned for various albums or books. His most famous prints reproduce popular compositions he had established in earlier paintings. The current lot is based on an 1893 oil and pastel painting which represents the artist Berthe Morisot's daughter pinning a flower on her cousin's hat. The same subject was reproduced in a series of etchings by Renoir...

A lovely impressionist portrait graphite drawing on paper titled “Madame de Galéa” by Pierre-Auguste Renoir. Hand signed “R” on the bottom left. Created circa 1900s. On the verso it is inscribed “Study for Painting. Exhibition at Detroit Institute of Arts.” Renoir painted several portraits of Madame Madeleine de Galéa, and Renoir’s 1915 painting...

Le chapeau épinglé (La fille de Berthe Morisot et sa cousine) 3e planche. Etching realized by Renoir in 1894. Image dimension 11.5x8 cm. / sheet dimension 33.2x15.1 cm. The final s...