The Art Institute of Chicago Archive Photography of Joan Miro Drawing, 1971

Black and White Photography of Joan Miro painting "The Kerosene Lamp" from 1924 by The Art Institute of Chicago, 1979. In original condition, with minor wear consistent with age and...

Archive photography of Joan Miró "Personage" Sculpture. Printed, circa 1960. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. ...

Black and White Photography of Jackson Pollock Painting "The Key" by The Art Institute of Chicago, 1991. In original condition, with minor wear consistent with age and use, preser...

Archive Photography of Joan Miró "Figures en Metamorfosi' painting. Printed, circa 1960. In original condition, with minor wear consistent with age and use, preserving a beautifu...

Original photography by Ernst Haas. Dye Transfer. "Can of Paint" done in 1981 from a photograph taken in Japan. Signed by Ernst Haas to the mounting. Not a later reprint, this is an ...

Original photography of Christian Dotremont by unknown photographer, circa 1970. In original good condition. Christian Dotremont (1922-1979) was a Belgian painter and poet. He was a founding member of the Revolutionary...

Lower East Side, New York 1958, vintage gelatin silver photograph, signed Frank Paulin and dated on verso.

Joan Miró, Agora I, 1971 Color lithography Work signed by the artist Working dimensions 71/51 Framed work Lithographic poster for an exhibition of artists represented by Galeria Maeght at the Musée d'Art Moderne Strasbourg in 1971. Poster by Joan Miró, a Catalan painter, sculptor and ceramicist. The surrealist master is one of the most important Spanish artists of the 20th century and one of the greatest artists of contemporary art. A picture is made of brushstrokes, just as a poem is made of words. - Joan Miro Miró's works are interpreted as belonging to surrealism, as an expression of a return to childhood and as sandboxes for the subconscious. The Miró style consists of vivid colors combined with simplified forms, reminiscent of drawings of a small child. Initially, Miró created in various fashionable styles, for example, Fauvist and Cubist. In 1920 he traveled to Paris several times, and a year later he settled there permanently. He met Pablo Picasso, Vasily Kandinsky and many other outstanding artists. In 1924 he joined the surrealists of André Breton's circle, but - despite the fact that he worked under their influence - he remained on the outskirts of this trend, maintaining the position of an outsider. Influenced by Surrealist poets and writers, he began to develop his own style: a map of weightless colored signs and poetic forms that evoke both the seemingly naive freshness of invention and the exuberant and baroque Catalan...