Hand Colored Photograph of Nantucket Street Scene by Marshall Gardiner, Ca 1910

Vintage Nantucket High-Ways, By-Ways and Not-Ways Decorative Map by Tony Sarg, (Nantucket: 1880 - 1942) circa 1930, a decorative tourist map of Nantucket Island with details of roadw...

Seascape with Clippership by George Howell Gay (American: 1858 - 1931), circa 1890, an oil on canvas bow view of a clippership under full sail, running with stun'sls and skysails set, on lively sea under blue cloudy sky, with a second square-rigger visible in the background, signed in the lower right, and titled on the reverse "Clipper Ship Before the Wind." A beautiful and dramatic painting with a cool, brisk feel. The painting is in fine condition, with one small patch along the upper margin and a tiny spot of corresponding inpainting. Measures:24 in H x 20 in W Framed: 29 in H x 25 in W George Howell Gay was born in Milwaukee, Wisconsin, and educated in Chicago under Paul Brown and Henry Elkins, and in 1889 moved to Bronxville, New York. He worked in all media, but was especially fond of watercolor, which allowed him to capture the transparency of the ocean and the luminous qualities of sunlight and clouds. Gay worked along the Northeastern coast from Rhode Island to Maine, but also painted summer and winter landscapes throughout New England. Gay’s seascapes were exhibited at the Boston Art...

One of a kind, never published black and white photo of a cityscape scene (most likely of Los Angles), by anonymous photographer, unsigned. Professionally matted and framed, American...

Fred Herzog: Vancouver Photographs by Fred Herzog. Signed Edition exhibition catalog (Vancouver Art Gallery January 25-May 13, 2007). 160 pages with numerous color photographs throughout. "Iconic and influential color images of Vancouver street life from a master photographer who has spent the past fifty years documenting the city, published to coincide with a major exhibition of his work. His eye dwells on the raw urban underbelly of the city: second-hand shops, vacant lots, barber shops and greasy spoons, crowded with people and their stuttering dreams. Since he arrived in Vancouver from Germany in 1953, Fred Herzog has roamed the city's back streets with his camera. Herzog draws upon documentary traditions while incorporating an outsider's sensitivity to a new environment. His color images of street life in the 1950s and '60s prefigure the "New Color" of photographers such as Stephen Shore and William Eggleston. The text includes essays by Grant Arnold...