Louis Stettner Subway New York 1946 Printed, circa 1990

This early and important work by Martin Kline is one of the first of this kind and the only of its stylistic type available. Titled "Youthful Protuberance" and created in 1998 with e...

A rare gem of a piece. Untitled by Allen Atwell, creator of the Psychedelic Temple in 1964. His works become available few and far between. Measure: 10 x 16 in., 11 1/2 x 17 1/2 in. ...

Striking and beautiful New England quilt in the drunkards path pattern. Excellent condition with a highly modern design pattern. Found in Maine, this quilt made from blue and red pri...

Circa 1880 Navajo weaving with a very elegant, unusual and modern design. Nice mottling of the natural colors, especially in the reds. All images taken in natural daylight. This is a...

A darkly rich, yet playful portrait of Oscar Award-winning actor Jeremy Irons done in 1990 by famed Swiss fashion and fine art photographer Michel Comte. ...

Contemporary artist Bonnie Edelman's "Glass Pool in New Canaan" was photographed in 2012 and is part of the Land Scapes Series. As her most recognized colle...

Vintage chromogenic photographic print by Franco Fontana with original dedication on the back. Signed and dated by the author at the base Franco Fontana: (Modena, Italy - December 9, 1933) is an Italian photographer, photojournalist and writer. He began photographing in 1961. A frequent photographer at the "Fotoclub", his activity is mainly amateur, even though he carries out aesthetic research on various themes. Very important will be those dedicated to the abstract expression of color, carried out in a period in which abstract art in photography was to be found exclusively in black and white. In 1963 he exhibited at the Third International Biennial of Color in Vienna; the year after Popular Photography publishes, for the first time, a portfolio with text by Piero Racanicchi. He held his first solo exhibitions in 1965 in Turin (Subalpina photographic society) and in 1968 in Modena (Galleria della Sala di Cultura). The exhibition in his hometown marks a turning point in his research. Its complex activity and the international importance of its production can be summarized in some figures. Over 70 books have been dedicated to him, published by Italian, French, German, Swiss, Spanish, American and Japanese publishers; he has exhibited in public museums and private galleries around the world - over 400 personal and group exhibitions he has held so far. His works are preserved in over fifty museums around the world, including: International Museum of Photography, Rochester; Museum of Modern Art, New York; Museum of Fine Arts, San Francisco; Museum Ludwig, Cologne; Musée d'Art Moderne de la Ville de Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; Kunsthaus Zurich; Civic Gallery of Modern and Contemporary Art, Turin; The Photographic Museum, Helsinki; Puskin State Museum of Fine Arts, Moscow; The University of Texas, Austin; Museum of Modern Art, Norman, Oklahoma; San Paolo Art Museum; Israel Museum, Jerusalem; Metropolitan Museum, Tokyo; Beijing National Gallery; The Australian National Gallery, Melbourne; The Art Gallery of New South Wales, Sydney - and private. He has received important awards and prizes, in Italy and abroad. He has collaborated and collaborated with magazines and newspapers: Time-Life, Vogue USA, Vogue France, Il Venerdì di Repubblica, Sette, Panorama, Epoca, Class, Frankfurter Allgemeine, New York Times. Among the many advertising campaigns signed...

Photographic print - chromogenic - vintage - “Adriatico” by Italian artist Franco Fontana, 1975. Signed and dated by the author at the base. Franco Fontana: (Modena, Italy - December 9, 1933) is an Italian photographer, photojournalist and writer. 2775/5000 He began photographing in 1961. A frequent photographer at the "Fotoclub", his activity is mainly amateur, even though he carries out aesthetic research on various themes. Very important will be those dedicated to the abstract expression of color, carried out in a period in which abstract art in photography was to be found exclusively in black and white. In 1963 he exhibited at the Third International Biennial of Color in Vienna; the year after Popular Photography publishes, for the first time, a portfolio with text by Piero Racanicchi. He held his first solo exhibitions in 1965 in Turin (Subalpina photographic society) and in 1968 in Modena (Galleria della Sala di Cultura). The exhibition in his hometown marks a turning point in his research. Its complex activity and the international importance of its production can be summarized in some figures. Over 70 books have been dedicated to him, published by Italian, French, German, Swiss, Spanish, American and Japanese publishers; he has exhibited in public museums and private galleries around the world - over 400 personal and group exhibitions he has held so far. His works are preserved in over fifty museums around the world, including: International Museum of Photography, Rochester; Museum of Modern Art, New York; Museum of Fine Arts, San Francisco; Museum Ludwig, Cologne; Musée d'Art Moderne de la Ville de Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; Kunsthaus Zurich; Civic Gallery of Modern and Contemporary Art, Turin; The Photographic Museum, Helsinki; Puskin State Museum of Fine Arts, Moscow; The University of Texas, Austin; Museum of Modern Art, Norman, Oklahoma; San Paolo Art Museum; Israel Museum, Jerusalem; Metropolitan Museum, Tokyo; Beijing National Gallery; The Australian National Gallery, Melbourne; The Art Gallery of New South Wales, Sydney - and private. He has received important awards and prizes, in Italy and abroad. He has collaborated and collaborated with magazines and newspapers: Time-Life, Vogue USA, Vogue France, Il Venerdì di Repubblica, Sette, Panorama, Epoca, Class, Frankfurter Allgemeine, New York Times. Among the many advertising campaigns signed...