"The Scout - Apache" by Edward Sheriff Curtis

"Juan Concho" gold tone photograph signed by Carl Moon; 8" x 10". Published "In Search of the Wild Indian" by Tom Driebe on page 144. This piece is in the original frame; was displayed in Carl Moon's studio and passed to his son and daughter where purchased. A copy of the book "In Search of the Wild Indian" comes with; rare and exceptional. S OF CARL MOON 1903 to 1914 MS 285 Collection Guide Born in Wilmington, Ohio, Carl E. Moon learned his craft as an apprentice to a photography studio. He moved to Albuquerque, New Mexico, opened his own studio, and made pictorial studies of Indians in the region. Between 1907 to 1914, he worked for Fred Harvey...

Authentic, original D.F. Barry photo (3 marks), 11" x 14". Noted on back "William Cody, left of him is Red Cloud and right of him American Horse. Photo ta...

(1896-1975) Portrait painting of Chief Red Cloud Sioux by Louis Shipshee on hide mounted on board. Very nice painting by a great artist. Period: Mid ...

Three 8" x 10" studio photos of Gene Autry, Eddie Dean and Lash Larue all with original signatures. PERIOD: Mid 20th Century ORIGIN: Hollywood SIZE: 8" x 1...

A wonderful and very coveted original large-format photogravure by iconic American photographer Edward Curtis (1868-1952) titled "Mosa Mohave" Of this image Curtis noted “It would b...

Presented is a fine photogravure portrait of an Ogalala woman by Edward Curtis. The image is Plate 94 from Supplementary Portfolio 3 of Edward Curtis' epic project The North American Indian. The caption provided by Curtis for this image is “A face so strong that it is almost masculine, showing strikingly how slight may be the difference between the male and female physiognomy in some Primitive people.” The photograph was taken in 1907 and the photogravure was published in 1908 by John Andrew & Son, in Boston. Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful Downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large Size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered . respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

Edward S Curtis (1868-1952) Title: Shot in The Hand - Apsaroke Plate: 133 Portfolio: Volume IV Printer: John Andrew & Son Medium: Photogravure Date: 1908 Dimensions: Sheet: W 15 5/...

Sepia photogravure titled "Atsina War-Party" depicting Native Americans on their horses over-looking the grasslands in the distance. The photogravure is titled in plate lower left "A...