Signed photolithograph by Milton Greene of Marilyn Monroe, 1956

Born from the experimentations of Zabro Zanotta Edizioni is a special collection of furnishing items verging on art and design. Items in this collection are inspired by the Italian artistic handcrafting tradition. Free from the bonds of industrial production, they are charged with the powerful charm of "handmade” objects. Genesio Design Alik Cavaliere, 1990 Furniture as sculptures and stories. Creations designed by Alik Cavaliere have an unmistakeable mark in art as in design. The role of decoration is central: wooden inlay work, smelted metal and lacquered images. This Roman artist who became Milanese by adoption (for 30 years, he taught sculpture at the Academy of Brera, where he was also the director) was also a design alchemist. He used metals, bronzes, porcelain and glass and experimented with enamels, rare pigments and even gold. He worked from memory by soldering, smelting and assembling. “I always used materials like a director does, like a theatrical property man or the narrator of stories and tales.” Cavaliere has created 3 show pieces...

Max Ingrand project, 1954, for Fontana Arte, Italy, white satin glass, small brass seal in the vase, metal base, white lacquered. Best known for its elegant and innovative vintage lighting pieces, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Giò Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti. The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard-Ginori ceramics workshop and the editor of the influential magazine Domus— at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere. The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art. Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass. Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels...

Glamorous suede leather daybed signed by Rossi di Albizzate. Leather and suede by Borbonese.

Striking table lamp by renowned Italian designer Romeo Rega from the 1970s, showcasing his signature blend of modernist geometry and glamorous materials. Made in Italy, the lamp feat...

Photograph of Marilyn Monroe by G. Barris Photograph taken in 1962 Printed in 1987 Photograph signed by the photographer on the lower righ...

Artist: Philippe Halsman (1906-1979) Title: Marilyn Flirting Medium: gelatin silver prints Date: 1952 printed in 1981 Edition: 178/250 Size: image 12.5" x 8.75"; with frame 20.25" x...

Artist: Philippe Halsman (1906-1979) Title: The True Marilyn Medium: Gelatin silver prints Date: 1952 printed in 1981 Edition: 186/250 Size: image 12.5" x 8.75"; with frame 20.2...

Marilyn Monroe Calendar 1954 Two calendar pages from 1954 with day planners of Marilyn Monroe in nude posing and then dressed in fine lingerie using a special device. One bears the ...