Suzanne Opton Soldier Neal 427 Days in Iraq, 2005

Paul Blanca, 1958- 2021 Dutch Photographer is probably best known for his Self-Portrait Work form the 80's. Often compared to Robert Maplethorpe. Maplet...

Black and White Photograph New York City / 1942 Artist and Date of Print Unknown image: 10" x 10" - some "dents" on the image - see images matte: 16" x 20" - matte needs to be repl...

Photography by Miquel Arnal. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. Material: Photographic paper About the artis...

This early original photography by the late Brian McKee (1977-2018) of a war-torn Castle in Northern Afghanistan. This is a chromogenic print mounted on aluminum - Series 1 of 5, from 2002. Provenance: This amazing piece was purchased at Art Basel (Switzerland) in 2002 from Galerie Ernst Hilger (Vienna). Paperwork to be provided at time of purchase. THIS ITEM IS LOCATED AND WILL SHIP FROM OUR MIAMI, FLORIDA SHOWROOM. Biography Brian McKee was born in 1977 in Excelsior Springs, Missouri and attended the Interlochen Arts Academy and Bard College. While at Bard College he studied photography with Stephen Shore, Larry Fink and Barbara Ess as well as writing under John Ashbery whose assistant he was for more than three years. For five years he was the assistant to the photographer Lynn Davis. He lived and worked in New York City/USA, Vienna/Austria and Istanbul/Turkey. Brian McKee called himself “a visual historian” who ventured to “convey a unique and important view of select aspects of World History” with his photographs. “Within architecture and landscapes I find my true subject, the detritus of civilization, and seek to explore the way we define and relate to its existence. Although creating precisely composed and executed images I carefully chose projects that have a conceptual meaning and importance beyond their visual interest or beauty.” For the past 15 years McKee had focused on examining and visualizing a body of work that explored both the current and past social and political atmospheres of countries around the world. Photographing with an 8x10 inch Deardorff plate camera he composed poetic images, which conveyed a complex untold narrative embedded in an immaculate concept, which didn’t only exist for aesthetic purposes. He was fond of ”the idea that houses, buildings, towns and cities provide us with a true understanding of the cultures that inhabited those spaces. At the same time they are a reflection of the social, political and personal atmosphere that created them.” His signature subject of the rise and fall began 1999 when he photographed Soviet military...