Early 20th Century Silent Film Poster, 'Bowled Over', Black & White Comedy, 1923

Art Deco Original Vintage Poster 'Dalbret' circa. 1920 ARTIST Unknown CONDITION Good FORMAT Linen Backed DIMENSIONS 140 x 68 cm YEAR c. 1920

Original French Lithographic Theatre Poster, 'Les Grandes Manoeuvres' This is an original poster which has been linen backed for preservation, the overall condition is very good. ...

Early 20th century original vintage French poster, 'La Marmotte', 1904 Artist: A Barreress Year: 1904 Dimensions: 125 x 86 cm Condition: Great condition Format: ...

Original vintage poster Marcello Nizzoli Campari 1927 linen backed lithographic poster Linen (backed on acid-free paper and cotton canvas) Printer, publisher or brands: DAVIDE ...

An original nicely framed Charlie Chaplin "Charlot" movie poster, designed by Auguste Louis Leymarie, color lithograph on paper. At over 5 foot tall French poster is an impressive si...

Original US movie poster for the 1923 silent comedy staring Harry Langdon, Alice Day. This is a beautiful example of 1923 stone lithography printing.

A splendid stone lithograph poster with bold Art Deco artwork by noted Swedish designer Eric Rohman for the Swedish release of MGM's 1933 pre-Code rom...

This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over 100 years. This is a rare and impressive 3 sheet poster that is 7 foot tall. It make quite a statement. About the poster: You'd think that a play called "The New Baby" might feature said child in its promotional material. But here's the thing - there really isn't a baby at the centre of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf cleverly called the Baby's chaperone on the poster and his troupe of traveling players, that understated review was translated into the more American howling success. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation. At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theaters...