Olympic Games Munich 1972 Limited Edition Signed by Artist Jacob Lawrence

Limited Edition Poster entitled 'Little Stanley Sleeping', 1987 signed by David Hockney This limited edition poster is one of an edition personally signed by David Hockney on Octobe...

Francis Bacon Grand Palais Poster inscribed to Gordon, signed by hand. This is an imprint of the posters published to advertise an extensive retrospect of the works of Francis Bacon ...

Poster for Joan Miro Exhibition at Galerie Maeght Lithograph printed in colours for an exhibition of Miro's work in Paris from November 1978 to January 1979 signed in pencil from an edition of 75. This one numbered 37/75 on wove paper Printed by Arte Adrien Maeght, Paris in 1978 and Published by Maeght Editeur, Paris Full sheet printed to the edges with Dimensions: 78.1 x 57.2 cm Condition: Very Good Joan Miro I Ferra (20 April 1893 – 25Decemer 1983) known in the art world as Joan Miro was a Spanish painter, sculptor and ceramicist born in Barcelona into a family of a goldsmith and a watchmaker in the Barri Gotic neighbourhood. He studied at the Cerce Artistic de Sant Lluc and had his first solo show in 1918 at the Galeries Dalmau, where his work was ridiculed and defaced. Inspired by Fauve and Cubist exhibitions in Barcelona and abroad, Miro was drawn towards the arts community that was gathering in Montparnasse and moved to Paris in 1920, but continued to spend his Summers in his native Catalonia. In Paris, under the influence of poets and writers, he developed his unique style: organic forms and flattened picture-planes drawn with a sharp line. Generally thought of as a Surrealist because of his interest in automatism and the use of sexual symbols, Miro’s style...

A reproduction imprint of the Iconic 1932 – 33 ‘Bodyline Tour’ poster specially signed by Sir Donald Bradman This reproduction imprint of the iconic travel poster created for the 1932-33 ‘bodyline’ Ashes series entitled ‘Go Out to Australia for the Test Matches September 1932- March 33’ has been specially signed by the all-time greatest batsman, Sir Donald Bradman towards the centre of its image. The original poster was published by Troedel and Cooper Pty Ltd Melb. It was reproduced with permission of the Percy Trompf Estate and published by Post-Age Pty Lid (Sydney). Dimensions: Height - 89 cm Width - 63.5 cm Condition – Very Good This poster was created by Percival Alfred Trompf (1902 – 1964). Trompf was an Australian commercial artist best known for his travel posters, books, advertising hoardings and pamphlets promoting the nation’s tourist industry and Australian and international corporations and companies. His colour lithography was recognised as distinctive during his career and since, Art Decoin style, and innovative in its use of flat colour. Sir Donald George Bradman (27 August 1908 – 25 February 2001) known as Don Bradman and nicknamed ‘The Don’ was an Australian international cricketer who was regarded as the greatest batsman of all time. His career Test batting average of 99.94 collected over 52 matches is considered by some commentators to be the greatest achievement by any sportsman in any major sport. Before the 1932-33 Ashes tour, Douglas Jardine, the captain of England noted that Bradman was uncomfortable facing deliveries higher than usual at a faster pace, having observed him to step back consistently out of the line of the ball. Jardine felt that Bradman was nervous about standing his ground against intimidatory bowling, contrary to orthodox batting technique and decided that the bodyline bowling tactic should be used against him and other top batsmen in forthcoming test matches. Bodyline bowling was a cricketing tactic devised by English cricket team for their 1932-33 Ashes tour to Australia to counter the extraordinary batting skills and prowess of Australia’s leading batsman, Donald ‘Don’ Bradman and curb his scoring. A bodyline delivery was one in which the cricket ball crick was bowled at pace, aimed at the body of the batsman in the expectation that when he defended himself with his bat, a resulting deflection could be caught by one of several fielders placed close on the leg side. At that time, no helmets or upper body protective gear was worn, and critics of the tactic, both in Australia and England, considered it intimidating, overly aggressive, physically threatening and unfair, in a game that was traditionally supposed to uphold traditions of sportsmanship. Over time, several of the Laws of Cricket were changed to render the bodyline tactic less effective and increase player safety. This iconic poster reported to have been signed by The Don as a special gesture for an Australian sports journalist ranks as a unique item of cricket memorabilia...

- Original. - Can be framed and glazed.

- rare - marked - original - can be framed and glazed.

- rare - marked - original - can be framed and glazed.

- rare - marked - original - can be framed and glazed.