Original 1989 Exhibition Poster by Joan Claret – Sala Gaspar, Barcelona

Original 1985 Exhibition Poster by Moisès Villèlia – Sala Gaspar, Barcelona Artist: Moisès Villèlia Exhibition: Sala Gaspar, Barcelona Year: 1985 D...

Original 1970 Exhibition Poster by Antoni Clavé – Sala Gaspar, Barcelona Artist: Antoni Clavé Exhibition: Sala Gaspar, Barcelona Year: 1970 Dimensions: 76 x 56.5 cm Condition: G...

Original 1985 Exhibition Poster by Moisès Villèlia – Sala Gaspar, Barcelona Artist: Moisès Villèlia Exhibition: Sala Gaspar, Barcelona Year: 1985 D...

Original 1970 Exhibition Poster – Vilacasas/Claret at Galería Günther Franke Artists: Vilacasas and Claret Exhibition: Galería Günther Franke, 1970 Year: 1970 Dimensions: 41.5 x 59.5 cm Condition: Good vintage condition with minor marks and imperfections due to age This original 1970 poster was created to promote the joint exhibition of artists Vilacasas and Claret at the prestigious Galería Günther Franke. The collaboration between these two innovative artists brings together distinct visual languages, making this piece a unique collector's item for those interested in the modern art scene of the 1970s. Measuring 41.5 x 59.5 cm, the poster captures the essence of both artists' styles, making it a striking piece of visual art in its own right. The design celebrates the intersection of different artistic voices and offers a rare glimpse into the vibrant gallery scene of 1970s Europe. Though in good overall condition, the poster may display slight signs of age-related wear, adding to its historical value and authenticity. Perfect for framing and display, this piece is a valuable addition to any collection of vintage...

Antoni Clavé (5 April 1913 – 1 September 2005) was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen. Clavé was one of Spain's best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage. Clavé fought in the Republican Army in the Spanish Civil War, and served as draughtsman for the Republican government. He arrived in France as a refugee in 1939 and went straight to Paris to work as an illustrator. His first one-man exhibition was held at the Au sans Pareil bookshop, 37 Avenue Kleber in Paris in 1940, where Max Ernst and other leading figures from the Dada movement had their first exhibitions in the 1920s. In 1944 Clavé met Picasso and began making figure compositions that were deeply influenced by Picasso's work, featuring kings, harlequins, children, and still lives. His theatrical designs have appeared on stages in New York, Munich, London and Paris, as well as in the 1952 film Hans Christian Andersen. His works include sets for opera, theatre, and ballet, most notably for Roland Petit's ballet company, Les Ballets des Champs Elysees (1945-1951) including Los Caprichos (1946) Carmen (1949) and a comic ballet choreographed by Roland Petit called Deuil en 24 Heures.In 1951 he designed La maison de Bernarda Alba (The House of Bernarda Alba) for director Marcel Achard at the Theatre de l'Oeuvre in Paris, and in 1962, a production of The Marriage of Figaro for Maurice Sarrazin at Théatre de la cour de l'Archeveché in Aix-en-Provence. In 1957 Clavé began to design carpets and from 1960 he began to work on sculptural bas reliefs...

Jean-Michel Folon (1 March 1934 – 20 October 2005) was a Belgian artist, illustrator, painter, and sculptor The first exhibition of his watercolors was in New York in 1969 in the Lefebre Gallery. One year later he exhibited in Tokyo and in the Il Milione gallery in Milan. He also participated in the XXVth Venice Biennale. In 1973 he joined the selection of Belgian artists in the XXVth São Paulo Biennale, where he was granted the Grand Prize in Painting. Over the years his work concentrated on different techniques, including watercolor, etching, silkscreen, illustrations, mosaics, and stained glass, which showed the diversity of his art. His work Ein Baum stirbt - Un albero muore, 1974, is by Museo Cantonale d’Arte [de] of Lugano. He also designed numerous posters, often for humanitarian causes. Around 1988 he created his first sculptures made out of wood. He then moved on to creating sculptures in clay, plaster, bronze and marble, while continuing to paint. Several museums dedicated exhibitions to him, among them the Musée des Arts Décoratifs in Paris in 1971, the Museum Boijmans Van Beuningen in Rotterdam in 1976, the Institute of Contemporary Arts in London in 1977, the Musée Picasso in Antibes...

Immerse yourself in the timeless elegance of modern art with this original 1973 exhibition poster by the legendary Alexander Calder. Featuring a captivating design that reflects Cald...

Original 1973 Exhibition Poster by Alexander Calder – Sala Gaspar, Barcelona Artist: Alexander Calder Exhibition: Sala Gaspar, Barcelona Year: 1973 Dimensions: 75 x 56 cm Condi...