Antique Print of Chester Cathedral from the Illustrated London News, 1881

Antique print titled 'Worcester Cathedral'. Original antique print of Worcester Cathedral, an Anglican cathedral in Worcester, England; situated on...

Original antique print of Exeter Cathedral. Exeter Cathedral, properly known as the Cathedral Church of Saint Peter at Exeter, is an Anglican cathedral, and the seat of the Bishop of Exeter, in the city of Exeter, Devon, in South West England. The present building was complete by about 1400, and has several notable features, including an early set of misericords, an astronomical clock...

Antique print titled 'The Royal Archeological Institute at Wells'. Original antique print of Wells Cathedral. The Cathedral Church of Saint Andrew, commonly known as Wells Cathedral, is an Anglican cathedral in Wells, Somerset. The cathedral, dedicated to St Andrew the Apostle, is the seat of the Bishop of Bath and Wells. It is the mother church of the diocese and contains the bishop's throne (cathedra). It was built between 1175 and 1490, replacing an earlier church built on the same site in 705. It is moderately sized among the medieval cathedrals of England, between those of massive proportion such as Lincoln and York and the smaller cathedrals in Oxford and Carlisle. With its broad west front and large central tower, it is the dominant feature of its small cathedral city and a landmark in the Somerset countryside. This print originates from the Illustrated London News...

Antique print titled 'Aix-La-Chapelle Cathedral'. Old print of Aachen Cathedral, a Roman Catholic church in Aachen, Germany and the see of the Roman Catholic Diocese of Aachen. This ...

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

Copperplate engraving, printed on laid paper of the exterior of the Henry VII Lady Chapel at Westminster Abbey in London, England. Engraved and printed in 1820. Faint handwriting in ...

Rare, antique drypoint etching pencil signed by the artist whose name is illegible, circa mid-19th century, England.

Chester Cathedral - Drypoint Etching in Ink on Paper Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale. Signed by hand "J. Alphege Brewer" in the lower right corner. Titled "Chester Cathedral" in plate, lower left corner. Includes original card with artist's name. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 7.75"W James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer. Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings. Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...