Old Engraving of the Ruins of the Palace of Cleopatra in Old Egypt, Africa

Plan de l’Isle James sur la Gambra en 1732 (…). Copperplate engraving/etching on Hand laid (Verge) paper. Sheet size: 19,7 x 26,7 cm. Image size: 13,8 x 19,8 cm. From vol. 3 o...

The engraving shows the majestic ruins of the Palace of Luxor, located in the village of Luxor near the site of ancient Thebes in Upper Egypt. Luxor was once a flourishing city and t...

Antique print China titled ‘Kajutsiu'. This plate shows a view on the Chinese city of Kajutsiu. This print originates from the Latin edition of Nie...

Antique map titled 'Carte des Découvertes faites dans la Mer Pacifique sur la Vaisse au de Roi, La Resolution, Commandé par le Capitaine Cook en 1774'. Chart detailing the 1774 voyag...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

After Vander Smissen 'Mrs Sarah Porter, Queen of the Touters at Tunbridge Wells', a mezzotint, engraved by William Pether circa 1770, glazed in ebonised, ...

A collection of 11 framed and glazed engravings taken from the New Book Of Martyrs By Henry Southwell The 11 engravings show authentic and genuine historical account of the many dre...

Print by engraving on copper plate from the Panckoucke Encyclopédie méthodique, end of the 18th century,volume Marine Planches (more than 1,500 figures dealing with all subjects on the marina: planes, construction, carpentry, tree trunks, armaments of maneuvers, ropes, sails, artillery, ship maneuvers and combat tactics). This is the plate no. n. 24, pag. 69 fig. 341 ; with frame cm 38.3 x 31.5. Ship ropes are depicted. The Print has the "Benard direxit...