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"Father, Son and Daughter, " Rare and Charming Bronze Relief Sculpture by Zorach
$6,800
$8,50020% Off
£5,198.96
£6,498.7020% Off
€5,988.15
€7,485.1920% Off
CA$9,528.88
CA$11,911.1120% Off
A$10,638.10
A$13,297.6320% Off
CHF 5,574.21
CHF 6,967.7620% Off
MX$130,220.83
MX$162,776.0420% Off
NOK 70,792.48
NOK 88,490.6020% Off
SEK 66,748.32
SEK 83,435.4020% Off
DKK 44,690.21
DKK 55,862.7620% Off
About the Item
Beautifully sculpted and realized in bronze with a warm, deep brown patina, this relief panel by William Zorach depicts a father directly facing the viewer, embracing his son and daughter who are both engrossed in the care of a long-tailed bird. Zorach was renowned for his sculptures of the American family in different configurations, and he also loved depicting the house cat in different poses, all of which gave evidence of his love of domestic life in the 1930s. The artist was born in Lithuania, grew up in Cleveland, and spent much of his life in New England with his wife, Marguerite Zorach, an important artist in her own right. Although Zorach was a painter as well as a sculptor, he may be best known for a large female nude he sculpted for Radio City Music Hall, which excited both admiration and consternation, causing it to be removed from public view for many years. This piece is signed, and is ready for hanging.
- Creator:William Zorach (Sculptor)
- Dimensions:Height: 15.88 in (40.34 cm)Width: 7 in (17.78 cm)Depth: 0.5 in (1.27 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:Bronze,Cast
- Place of Origin:
- Period:
- Date of Manufacture:circa 1930s
- Condition:Wear consistent with age and use.
- Seller Location:Philadelphia, PA
- Reference Number:1stDibs: LU865125113662
William Zorach
Born in 1887, by 1930, he was one of America’s premier 20th century sculptors and was honored with multiple commissions and exhibitions including at the Art Institute of Chicago, the Dallas Museum of Fine Art, the Whitney Museum of American Art, and numerous others. He studied in New York City at the National Academy of Design and also in Paris under the mentoring of Jacques-Emile Blanche. It was in Paris in the first decade of the 20th century where Zorach’s path crossed with Marguerite, his soon to be wife. Both Marguerite and William were both represented in the landmark Armory Show of 1913. William continued to paint for the next two decades, but increasingly experimenting with sculpture. By the mid 20’s he was carving significant works in marble and stone. By the early 30’s, he abandoned painting entirely in favor of a new art form, sculpture. I t was in sculpture that Zorach found his true voice as an artist and achieved considerable success. “Sculpture, direct carving, was an expanding universe, a liberation and a natural form of expression to me.” Zorach stated. Museum Collections: Amon Carter Museum of American Art
Arizona State University Art Museum
Boca Raton Museum of Art
Butler Institute of American Art
Cleveland Artists Foundation
Colorado Springs Fine Arts Center
Cornish Colony Museum
Dallas Museum of Art
Delaware Art Museum
Edwin a Ulrich Museum of Art
Farnsworth Art Museum
Flint Institute of Arts
Frederick R Weisman Art Museum
Georgia Museum of Art
Herbert F Johnson Museum of Art
Jack S Blanton Museum of Art
LaSalle University Art Museum
Los Angeles County Museum of Art
Lowe Art Museum
Marion Koogler McNay Art Museum
Memorial Art Gallery
Metropolitan Museum of Art, NYC
Middlebury College Museum of Art
Minneapolis Institute of Arts
Mobile Museum of Art
Museum of Fine Art-Boston
Pennsylvania Academy of the Fine Arts
Portland Museum of Art
Smithsonian Museum of Art
The Brooklyn Museum of Art
The Canton Museum of Art
The Columbus Museum of Art-Ohio
The Columbus Museum-Georgia
The Cummer Museum Of Art & Gardens
The Currier Museum of Art
The Nelson-Atkins Museum of Art
The Newark Museum
The Phillips Collection
The Phillips Museum of Art
The University of Michigan Museum of Art
Whitney Museum of American Art
Worcester Art Museum
Yosemite Museum
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