"Jump Shot, " Model for Art Deco Bronze Basketball Award Plaque, 1940s

Large, rare and dramatic, this Art Deco bronze by Robert Delandre, circa 1930, depicts three nude male athletes all straining to reach the finish line of the race, their arms straining forward to win, and upward in ecstatic joy. The concentration and focus evident in their faces, and the beauty of their physiques, is beautifully captured by the artist, and the bronze is gorgeously finished in a green-brown patina that brings out the details of each figure. Delandre is largely known for his tabletop bronzes for the home or office, but he also entered competitions for public monuments and memorials. His most famous work is the "Monument to the Latham 47 Heroes" in Caudebec en Caux, France. The sculpture honors the men who disappeared in the prototype of the Latham 47 twin engine airplane in 1928, with Roald...

Stunningly sculpted and highly evocative of a harrowing period in American history, this pair of original plaster maquettes, beautifully finished in an old gold paint, were made by Brenda Putnam in preparation for her 1941 bronze medallion commissioned by the Society of Medalists...

Sculpted by America’s foremost artist with a focus on the form and performance of male athletes, this masterpiece of 20th century sculpture -- especially large and rare -- depicts a nude discus thrower as he is about to hurl the disc forward. Robert Tait McKenzie...

A fine example of allegorical sculpture from the 1920s, this bronze plaque by a Swedish sculptor features a nude male figure radiating light, flanked by two other nudes representing ...

Pierre Le Faguays (1892-1962) An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess. Beautifully cast in a dark green, brown /black variegated patina. In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft. The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of excellence in art as well as in sports. Bibliography : Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425 Art Deco and other figures,by Bryan Catley,pgs 192-201 Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127 Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38 Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426 The dictionary of sculptors in bronze” by James Mackay, Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet. --------------------------- Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively. As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision. His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed...

A dramatic early 20th century Art Deco bronze study of a muscular male athlete lifting a heavy weight above his head with one arm. The bronze exhibiting stunning rich brown patina an...

Antique bronze athlete as discus thrower Antique athletic male athlete as discus thrower in pose. Bronzed mounted on a square marble base. Made in Germany before 1945

A boy dribbling a basketball, on a round textured base. Mounted on a tiered black marble base. Signed on the bronze base. The artist is known for bronzes of young sportsmen. Dimensi...