Interior Design

Photographer Firooz Zahedi Captures All the Best L.A. Homes, Including His Own

Firooz Zahedi's LA entryway
Photographer Firooz Zahedi showcases the L.A. homes of notable art lovers (including his own, seen here) in a recent book written by Jennifer Ash Rudick, City of Angels: Houses and Gardens of Los Angeles (Vendome). Top: The living room of a guest apartment owned by Zahedi and his wife, Beth Rudin DeWoody, includes a Piero Fornasetti table, a Pedro Friedeberg Hand chair and Warren Platner sofas. All photos by Firooz Zahedi

When photographer Firooz Zahedi and art collector Beth Rudin DeWoody married in 2012, the newlyweds went house shopping. Zahedi, born in Iran and raised in London, has lived in Los Angeles since 1978, and that city became the couple’s center of gravity. (Scion of a New York real estate family, DeWoody also has homes in Manhattan and West Palm Beach.) They ended up buying three units in a 1958 apartment building in West L.A. by the Viennese émigré architect Victor Gruen, creating a vertical compound. The largest unit is the couple’s residence, filled with a selection of DeWoody’s 10,000-or-so artworks. A second is what they call the “guesthouse.” The third is Zahedi’s office and, he says, “man cave,” done in grays and greens and outfitted with furniture from his collections. Most of the pieces are 20th century. “I don’t feel antiques really represent me,” Zahedi says. “I like things that relate to eras I grew up in.”

In all three apartments, the couple created such spectacular mixes of old and new, high and low that, as writer Jennifer Ash Rudick points out in the recent book City of Angels: Houses and Gardens of Los Angeles (Vendome), they make traditional ideas of elegance “seem almost trite by comparison.” Indeed, the 18 pages devoted to the pair’s estate-in-the-sky constitute one of the highlights of that volume, which was photographed entirely by Zahedi.

Don Bachardy's living room
The living room of artist Don Bachardy’s Santa Monica bungalow contains works by Ed Ruscha, Ken Price and Joe Goode.

Widely known for portraiture and fine art photography, he had never done a volume of interiors, and, he says, “had no plans to.” Then, Mark Magowan, the savvy president of Vendome Press, approached him about shooting Los Angeles homes. It was a brilliant move. Zahedi and DeWoody know everyone who’s anyone in the city. Together with Magowan and his wife, Nina, and Rudick, they began making a list of Angelenos who are passionate about living with art. All the photos in the book are new, taken by Zahedi in the summer of 2017. Amazingly, he also styled the houses himself. When getting a room ready to shoot, he says, “I don’t want to take away its essence. But I do want it to look its best. It’s like putting on a little makeup.” He moved things around but rarely took anything away, tolerating, he says, lots of tchotchkes (a word not often heard in as posh a British accent as his). Things other photographers might find distracting blend right in when Zahedi is shooting. Somehow, he makes overstuffed rooms seem perfectly composed.

Kelly Wearstler Malibu dining room
In her Malibu home, Kelly Wearstler surrounded the stone-topped dining table with her Zuma chairs. The painting is from Pegaso Gallery Design.

Several of L.A.’s best-known designers opened their doors to Zahedi — among them, Kelly Wearstler, whose beach house features an enormous nautilus sculpture, and Michael S. Smith, whose house is a veritable museum. But many of the interiors pictured were created without professional help. Zahedi particularly admires the Santa Monica bungalow of artist Don Bachardy, who “put it all together himself, with funky old furniture. You can sit comfortably in a sofa and have a drink and not think twice about who designed it,” Zahedi explains, adding, “If I couldn’t live in my own apartment, I would want to live in his place.”

Zahedi included some superb examples of mid-century modern architecture. John Lautner is represented by his 1962 Garcia House. Also known as the Rainbow House because of its gently curved roof, it was renovated by the architecture firm Marmol Radziner, known for its sensitive handling of landmark buildings. Interior designer Darren Brown helped the current owners find appropriate mid-century furniture, including a swoopy Vladimir Kagan sofa and a Paul Evans coffee table. Contemporary photographs by Cindy Sherman and Gregory Crewdson hang alongside a 1972 Julius Shulman shot of the house.

Kelly Wearstler Malibu living room
Wearstler highlighted her living room’s ocean view, positioning a pair of vintage chaise longues on a Moroccan rug so that they face the window, with a Silas Seandal table between them.

Richard Neutra’s work is exemplified by a small house in Silver Lake owned by designer David Netto and a Santa Monica beach house with an addition by architect Steven Ehrlich. Also in the book is a plywood and glass house in Laurel Canyon that Neutra’s fellow Austrian-American Rudolf Schindler designed and architect Pamela Shamshiri renewed for herself and her family, adding such contemporary features as a tall cedar soaking tub.

Firooz Zahedi
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Firooz Zahedi
Firooz Zahedi living room

Firooz Zahedi and Beth Rudin DeWoody’s dog, Rooz, perches on a mid-century sofa in the couple’s living room, which includes a Philip and Kelvin LaVerne coffee table. The Joel Otterson screen displays DeWoody’s collection of vintage ceramics.

The dining area features a mid-century modern table and chairs, plus artworks by Peter Alexander, Enrico Cavalli and Sydney Butchkes.

Firooz Zahedi's study

The study is presided over by an Alex Katz portrait of DeWoody’s mother.

Firooz Zahedi's home

A Dennis Ekstrom painting hangs over a credenza topped with sculptures from Yassi Mazandi’s “Flower” series.

Kelly Wearstler entryway

Designer Kelly Wearstler placed a vintage nautilus sculpture in the entryway of her Malibu home.

David Netto's Richard Neutra house

Designer David Netto and his family reside in this 1959 Richard Neutra home in Silver Lake.

In Netto’s living room, 1920s Austrian barrel chairs from JF Chen are positioned beside a Pierre Chareau table holding a Jean-Michel Frank rock-crystal lamp.

Don Bachardy's dining room

Artist Don Bachardy acquired the chairs in his dining room from Tony Duquette, for whom he once worked.

Don Bachardy's bedroom

Bachardy’s bedroom offers an expansive view of Santa Monica Canyon. A Ken Price artwork hangs above the bed.

Michael S. Smith's bedroom

In designer Michael S. Smith’s bedroom, a Karl Springer stainless-steel bench sits at the foot of the bed. The 18th-century Japanese screen is from H.M. Luther.

Maroon 5 bassist Mickey Madden worked with Mark Haddawy, of Resurrection, to refurbish his Edward H. Fickett home. This guest room features a vintage desk and an Aldo Tura bar cart.

John Lautner Garcia House

Marmol Radziner updated John Lautner’s 1962 Garcia House, adding a pool whose design is based on Lautner’s original plans.


Firooz Zahedi
“My own apartment serves as a home, a guest apartment, a mini studio, an office and an art gallery to display my own work,” Firooz Zahedi writes of his L.A. home, which he shares with his wife, philanthropist and art collector Beth Rudin DeWoody (portrait by Darian Zahedi).

Several lesser-known — but significant — mid-century architects also made Zahedi’s cut. Among these is Buff, Straub & Hensman (which once employed Frank Gehry), whose 1957 post-and-beam house is owned by Ann Philbin, director of the Hammer Museum and surfer/executive Cynthia Wornham. Restored by Chu + Gooding Architects, it showcases the couple’s art collection, including works by Kara Walker, Mark Grotjahn and Robert Gober.

Then there’s the house by architect Edward H. Fickett (known for thousands of Southern California pre-fabs) that Maroon 5 bassist Mickey Madden bought, calling on designer Mark Haddawy to help whip it into shape. Haddawy brought in chairs by such names as George Nakashima, Arne Norell and Vico Magistretti, while setting a moody stage with lush velvet curtains and royal blue sofas.

Not all the architecture Zahedi captured is modern; he included the English Tudor home of design impresario Joel Chen and the Paul Revere Williams–designed Georgian mansion of mogul Steve Tisch. But it’s the modernist houses that really distinguish this eye-opening book — not because they’re filled with “the right” furniture but precisely because they’re not. Their owners know that it’s okay to have fun decorating and to fill a house with interesting items from a variety of periods and places. Like Zahedi, they live with clutter. But, as he says of one of the houses, “it’s very well-done clutter.”

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