Anatomy of a Home

Giancarlo Valle Proves He Is a Master of “Casualness Elevated” in this Downtown Loft

The broadcasting, Internet and hotel mogul Kevin Wendle knows a thing or two about design. Back in the 1990s, he hired Waldo Fernandez, a one-man encyclopedia of decorative arts, to redo his house in California. Then, during the 15 years he spent living in Paris, he became first a client and then a business partner of the superstar designer Joseph Dirand. He also began amassing a stellar collection of vintage French furniture, including some of the first pieces to reach the West from Chandigarh.

After meeting client Kevin Wendle in 2016, architect Giancarlo Valle worked first on Wendle’s home in Watch Hill, Rhode Island, and later on his Greenwich Village loft. Above, Valle stands next to his own Folk chair, which has a scalloped back and cutout handhold. “It’s a new piece we’re working on,” he says. Top: In the loft’s main living space, a painting by Landon Metz hangs above an Andrianna Shamaris Wabi Sabi teak bench. The Willy Guhl concrete Loop chairs are from the 1970s. “I love seeing them inside, because they have a patina from being outside their whole lives,” he says. 

In 2016, at the fashion designer Jason Wu’s wedding, he met Giancarlo Valle, a young San Francisco–born architect. After working for a couple of large firms (Snøhetta and then SHoP), Valle had recently opened his own Manhattan studio, in part to focus on interiors. Speaking with Valle, “even without seeing his portfolio, I knew he had the taste, vision and perspective I was looking for in a designer,” Wendle recalls. He hired Valle to redo a house he had bought on a bluff in Watch Hill, Rhode Island. Valle filled the interiors with a mix of Wendle’s fine French finds (Pierre Jeanneret, Jean Prouvé, Charlotte Perriand) and his own upholstered pieces, almost cartoonishly simple interpretations of classics. “Though I initially resisted here and there, I came to trust his vision,” Wendle says, “and I couldn’t have been more pleased with the result.” The house was widely published, and no doubt widely imitated.

A couple of years ago, Wendle bought a loft in Greenwich Village and hired Valle to make it livable. Given the setting — the top floor of a warehouse building with industrial-size skylights — he asked the architect to avoid delicacy in favor of “real materials that you can see and feel.” Wendle, Valle explains, “wanted me to bring the solidity of the architecture inside.” Valle used oak planks more than a foot wide for the apartment’s floors, and where he needed interior walls, he made them 16 inches thick (a heft revealed in every doorway). Then, with the white walls and nearly black floors as background, he began curating a lively mix of furniture: items from Wendle’s collection, his own upholstered seating and a few new purchases. He says he was looking for pieces that seemed animated — as if there is life in the apartment even when nobody’s home. 

home office by Giancarlo Valle
In the home office, Valle paired a table by Joseph Dirand with a “really rare” Jean Prouvé chair, perhaps the most important piece in the whole apartment, he says. The upholstered chairs are by Pierre Jeanneret, and the totem lamp is a vintage Serge Mouille. The painting is by Philip Smith.

The centerpiece of the living room is Valle’s scallop-backed Kevin sofa — reminiscent of the work of Jean Royère “but not overtly,” he says. The curves of an aluminum Prouvé stool echo those of the sofa. The club chairs are Valle’s take on Scandinavian modern, with exaggerated proportions. Those seats, plus a pair of Clam chairs by Swedish designer Philip Arctander, surround a bench from Mexico bought on 1stDibs and used as a coffee table. A Serge Mouille floor lamp illuminates the scene, and a side table of Indonesian teak and a rattan vase complete the ensemble, set on a woven seagrass rug. Valle describes the look as “casualness elevated.”

living room by Giancarlo Valle
The living room features Valle’s scallop-backed Kevin sofa and his club chairs, the designer’s take on Scandinavian modern. A pair of Philip Arctander Clam chairs sit next to a bench from Mexico, bought on 1stDibs and used as a coffee table. The Wabi Sabi side table is from Andrianna Shamaris.

The vertical is as carefully composed as the horizontal. The picture behind the sofa is by Nathalie du Pasquier, a French-born Italian designer who was part of the Memphis group and painted actual constructions that she built from blocks. The arrangement of items on the chunky bookshelves balances du Pasquier’s composition; the shelves themselves seem to “speak to” the room’s overscaled furniture, Valle observes.

Explore the Loft
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Explore the Loft
living space by Giancarlo Valle

The Greenwich Village loft occupies the top floor of a warehouse building with industrial-size skylights. Wendle, Valle explains, “wanted me to bring the solidity of the architecture inside.” Valle used oak planks more than a foot wide and stained nearly black for the floor, painting the walls white as a background for a lively mix of furniture.

sitting room by Giancarlo Valle

A nook off the main room contains a Pierre Jeanneret credenza from Chandigarh in wood so dark it looks like metal. The vintage French lamp was bought on 1stDibs. Both chairs are by Valle.

dining space by Giancarlo Valle

The apartment is mostly one big open space. Valle created a dining area with Charlotte Perriand chairs placed around a Jeanneret table. The red ceramic piece is by Sterling Ruby.

loft hallway by Giancarlo Valle

A doorway reveals the thickness of the new interior walls, scaled to the industrial setting. A high-backed spindle chair “with funky proportions” sits in front of a painting by Benoît Maire.

bathroom by Giancarlo Valle

For the smaller of the two bathrooms, Valle “played with old-world materials in a stripped-down way.” The walls are quarter-sawn oak brushed to give it extra texture. The pedestal below the sink is sheathed in Carrara marble — a detail Valle adapted from Milan’s famous Art Deco Villa Necchi. The carved-wood mirror adds an Arts and Crafts feel.

During the pandemic, Valle sheltered with his family in northwestern Connecticut. But he is anxious to begin traveling again, given that he is designing houses in Chicago; Carmel, California; and Mexico City, among other places, and working on several hotel projects with Wendle. Valle, Wendle says, “is now my go-to creative collaborator, not only a great talent but a gentleman and good listener without any apparent ego.”


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