Victorian Diamond and Silver Upon Gold Bracelet, 10.50ct, Circa 1870

A pair of antique style, diamond set, drop-shape earrings, with a cluster at the top and a pendant, hanging from the bottom of the drop, set with approximately 10.38ct of cushion, ov...

A Victorian diamond crescent brooch, with two rows of old-cut diamonds, graduating from the centre, spaced with tiny diamonds, in grain settings, with rose-cut diamonds at the ends, ...

A Victorian diamond set, Luckenbooth double witches' heart pendant, with rose cut diamonds set in the two hearts and bow, weighing an estimated total of 1.50ct, in grain and cut down settings, mounted in silver-upon-gold. Circa 1880. Luckenbooth brooches are traditional Scottish love tokens. They are usually a heart shaped brooch, often with a crown or coronet above one heart, or two intertwined hearts, with similar motifs to the Claddagh ring. European Heart-shaped brooches date back to late medieval period but this design probably did not appear in Scotland before the 17th century. It became very popular in the 19th century, featuring in the ranges of Scottish manufacturing jewellers, for the Highland outfitter and tourist trades. They are typically made of silver, although gold heart brooches were made for wealthy people and may be engraved or set with stones. The name comes from the Luckenbooths of Edinburgh. Luckenbooth is a Scots word for a lockable stall or workshop. Originating in the 15th century, they were the city's first permanent shops, situated on the Royal Mile near St. Giles Cathedral. Initially housing mainly silversmiths and goldsmiths. They were demolished in 1817. The brooches were often given as a betrothal or wedding gift. It might have been worn as a charm, by a nursing mother to help her milk flow or be pinned to a baby’s clothing. It was also known as a witch-brooch to protect children from evil. By the mid-18th century, Luckenbooth tokens featured heavily as trade silver...

An antique Belle Époque diamond buckle design brooch, with old-cut diamonds, with an estimated total weight of 13.65ct, with an Edwardian-cut diamond in the centre, weighing approxim...

Gold bracelet composed of two rigid, articulated elements that form a circle. The bracelet is decorated with a central medallion featuring a micromosaic. The medallion is ringed with cannetille motifs and lines of gold that form arabesques. The quality of metalwork is reminiscent of Etruscan craftsmanship. The central medallion represents a pastoral scene with two peasants next to a fountain. The man is milking a goat while the woman is refreshing herself at the fountain. Roman ruins stand in the background. This composition was inspired by Francesco Londonio, a Milanese artist. The engravings of his paintings strongly influenced mosaic artisans during the second half of the 19th century. This piece presents several similarities with others from the Castellani jewelry...

Made exclusively for Cellini by G. Verdi of Italy. This elegant 18 karat white gold bracelet is designed with 5 large marquise shaped open links set with round brilliant diamonds. Th...

Introducing our exquisite Trio Color Diamond Tennis Bracelet, meticulously crafted from solid 10k gold in yellow, rose, and white hues. Adorned with a dazzling array of round brillia...

This fabulous, unusual, antique Victorian Scottish Silver bracelet is Circa 1860-1880, set with fabulous large fancy Agate links. Each polished agate link is a wonderful hue showing its natural grain from within. Scottish jewellery was made popular by Queen Victoria as it became a souvenir of her frequent trips to Scotland and her Scottish Castle Balmoral from the mid 1800s. Agate is a strong mineral sometimes known as the earth rainbow for it’s patterned texture that shows varying colours the earth can produce. Beautiful workmanship adorns this bracelet all round. This really is a special Scottish bracelet...