CLAUDE LALANNE For Zolotas Sculptural Laurel Leaves Earrings In 18Kt Yellow Gold

Beautiful pair of ear-clips designed by Verdura. A rare pair of ear-clips, created by Fulco Verdura in the shape of flames. They are called "Tenfril Fla...

Pair of clip-earrings designed by Verdura. This is a beautiful and very wearable pair of clips-on earrings created in Milano, Italy by the renowned jewelry house of Verdura. This ev...

Sculptural clip earrings designed by Liuba Wolf. Extremely rare sculptural clips on earrings, created in Sao Paulo Brazil by the artist Liuba Wolf, back in the 1970. This fantastic pair is a one of a kind and has been crafted with concretism art patterns in solid rich yellow of of 18 karats with textured surfaces. The figurative pieces are completely chiseled with irregular finishes and sharp edges Designed as a left and right pair and fitted with posts for pierced ears and comfortable omega backs for fastening clips. Weight: 18.30 Grams, (11.73 Dwt). Measurements: 18 mm by 15 mm (0.71 x 0.59 Inches). Hallmarks: Stamped with the designer artist name, the mark for the assay of the gold, the edition number and signed, "LIUBA .750 1/30". Edition: Brazil Sao Paulo 1/30, the authorized edition was only of 30 but the production was never completed and only the number 1 was made. Liuba Wolf She born as Liuba Boyadjieva in Sofia Bulgaria in 1923. She was raised in a privileged, cultivated milieu by a writer mother and industrialist father who (he also played the violin) instilled in her a taste for music. The artist received a humanistic education, studying Greek and Latin and mastering the piano. When her family moved to Geneva, she attended art school and developed a special interest in sculpture. Later, she studied in Zurich under Germaine Richier (1904-1958), a renowned artist of the Paris School. This contact with Germaine Richier had a strong impact on Liuba Boyadjieva’s education as a modern sculpture and left a deep imprint on her understanding of sculpture. In those years, in Zurich, she was also in contact with a group of important artists, like, among others, Marino Marini and Arthur Honnegger. At the end of the war, when Richier reopened her atelier in Paris, Liuba moved to the French capital and continued her studies with her teacher until 1949. Her social circle in France included Zadkine, Viera da Silva, Alberto Magnelli, among others. She traveled often throughout Europe and visited the most important museums. Liuba Boyadjieva came to Brazil, married the industrialist and collector Ernesto Wolf in 1958, and lived between São Paulo and Paris, keeping studios in both cities. She became a naturalized Brazilian citizen. She developed a personal way of working her sculptures and achieved full artistic maturity. In the 1960s and 1970s, Liuba Wolf exhibited her work in several cities around the world and achieved international recognition. In 2001, on the occasion of her exhibition at Achim Moeller Fine Art. Rizzoli (New York) published a book celebrating Wolf’s art and featuring Sam Hunter’s essay “Liuba: At the Edge of Abstraction.” Among the central features of Liuba Wolf’s work are her expressive power, the surface’s play between the smooth and the textured, and rusticity. Verticality is another key characteristic, as well as the gesturalism of the forms. Figurative early on in her career, Wolf’s works became abstracted starting in the 1950s, but there always remained an archaic memory that referred back to primitive archetypes. Some critics, like Sam Hunter, see in those shapes a reference to pre-Columbian realities. Another highlight is a degree of surrealism in Wolf’s abstraction, yet critics mostly underscore the fact that she situated her sculptures at the border between abstraction and figuration, as well as the force of imagination in the conception of the works. On more than one occasion Liuba Wolf said that her forms are born from the subconscious. For her, they are “bugs”, animals, but they can also be plants or roots. They could be totems, in a symbiosis between the animal and the plant worlds, according to another observer, artist Emmanoel Araújo. Liuba Wolf stated once in an interview that her work “finds inspiration in natural shapes.” The exhibition at the Lasar Segall...

Sculptural pair of earrings designed by Elizabeth Gage. Beautiful sculptural clip-on earrings, created in London England by the jewelry designer Elizabeth Gage, back in the 1990. Th...

Carrera Y Carrera has built its famous name on figurative designs, an obsession with surface finishes, and a compelling way of seeing beauty in art and nature. This 18 karat yellow gold cherub...

These Italian 18kt Yellow Gold Feather Shape Earrings are exquisite pieces of jewelry that exude elegance and style. They are crafted from high-quality 18-karat yellow gold. This material is known for its durability, luxurious appearance, and timeless appeal. The earrings are designed in the shape of delicate feathers. The feather motif adds a touch of natural and organic beauty to the overall design, making them versatile and suitable for various occasions. They are moderately sized to offer a balance between elegance and comfort. The feather shape allows them to have a graceful and lightweight appearance. Italian craftsmanship is renowned for its attention to detail and precision. These earrings showcase expert craftsmanship, with careful consideration given to every curve and contour of the feather design. Yellow gold is known for its warm and rich color. These earrings will have a vibrant and inviting hue that complements a wide range of skin tones and outfits. These earrings are versatile and can be worn on various occasions, including formal events, parties, or even as everyday accessories. Their feather shape adds a touch of whimsy while maintaining an air of sophistication. 18kt yellow gold jewelry...

18kt Yellow Gold and Wood Earring 3 Octaves earring

Elevate your style with these exquisite 18kt Lalaounis Fan Earrings, designed to make a statement. Each earring features a unique fan shape that reflects timeless elegance and crafts...