South American Clip-on Earrings

Clips-on earrings designed by Bruno Guidi. This is a beautiful colorful pair of clips-on earrings created in Brazil by Bruno Guidi during the late mid-century period, circa 1960. Th...

H. Stern rectangular chrysoprase earrings surrounded by a gold collar. The stone is a translucent, warm soft green tone. Chrysoprase is considered a stone that brings prosperity and ...

Colombian Emeralds and Diamond Halo Stud Earrings Description: Emerald & Diamond Halo Stud Earrings Date: Circa 2020 (new) Provenance/origin: Handcrafted in Colombia Designer: Unknow...

Retro modernist earrings with emeralds designed by Bruno Guidi. Gorgeous three dimensional pieces of wearable art, created in Brazil by the designer and goldsmith Bruno Guidi, back in the 1970. This pair of earrings has been crafted as an sculpture with the Brazilian concretism parameters in mind. They were crafted in solid yellow gold of 18 karats, with textured and polished finishes. The design of these earrings is very architectural and artistic. The artist creates some openings of geometric shapes, which coincide with the elements that stand out and support the gems. Which creates an illusion in three dimensions of voids and solids. Fitted with posts (Removables) for pierced ears and comfortable hinged backs for fastening clip. Emeralds: Mount in four-prongs settings, with an arrangement of 6 emerald faceted cut of different sizes, carved from Brazilian natural green emeralds, with 4.45 carats. Birthstone: For the month of May. Weight: 19.40 Grams, (12.44 Dwt). Measurements: 30 mm by 21.5 mm (1.18 x 0.85 Inches). Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed, "GB .750 T20". The artist Bruno Guidi He was a Brazilian artist, sculptor and jeweler of Italian descent. He settled in Brazil after the Post War and was a collaborator of the architect Roberto Burle Marx. Bruno Guidi was the lead designer and chief goldsmith of the acclaimed Brazilian jeweler Haroldo Burle Marx for 35 years. He collaborated with the designs of the jeweler Haroldo Burle Marx and his atelier was responsible for the manufacture of all Burle Marx jewelry pieces offered Brazil and in the Washington DC gallery at the Watergate Hotel. He was a master engraver responsible for much of the fine silk-like gold textures synonymous with the workshop His jeweler's mark in Brazil was number 761 and each piece was created entirely by hand starting from a piece of gold without the aid of any molds. Our ring is marked GB, for Guidi Bruno...

Sculptural clip earrings designed by Liuba Wolf. Extremely rare sculptural clips on earrings, created in Sao Paulo Brazil by the artist Liuba Wolf, back in the 1970. This fantastic pair is a one of a kind and has been crafted with concretism art patterns in solid rich yellow of of 18 karats with textured surfaces. The figurative pieces are completely chiseled with irregular finishes and sharp edges Designed as a left and right pair and fitted with posts for pierced ears and comfortable omega backs for fastening clips. Weight: 18.30 Grams, (11.73 Dwt). Measurements: 18 mm by 15 mm (0.71 x 0.59 Inches). Hallmarks: Stamped with the designer artist name, the mark for the assay of the gold, the edition number and signed, "LIUBA .750 1/30". Edition: Brazil Sao Paulo 1/30, the authorized edition was only of 30 but the production was never completed and only the number 1 was made. Liuba Wolf She born as Liuba Boyadjieva in Sofia Bulgaria in 1923. She was raised in a privileged, cultivated milieu by a writer mother and industrialist father who (he also played the violin) instilled in her a taste for music. The artist received a humanistic education, studying Greek and Latin and mastering the piano. When her family moved to Geneva, she attended art school and developed a special interest in sculpture. Later, she studied in Zurich under Germaine Richier (1904-1958), a renowned artist of the Paris School. This contact with Germaine Richier had a strong impact on Liuba Boyadjieva’s education as a modern sculpture and left a deep imprint on her understanding of sculpture. In those years, in Zurich, she was also in contact with a group of important artists, like, among others, Marino Marini and Arthur Honnegger. At the end of the war, when Richier reopened her atelier in Paris, Liuba moved to the French capital and continued her studies with her teacher until 1949. Her social circle in France included Zadkine, Viera da Silva, Alberto Magnelli, among others. She traveled often throughout Europe and visited the most important museums. Liuba Boyadjieva came to Brazil, married the industrialist and collector Ernesto Wolf in 1958, and lived between São Paulo and Paris, keeping studios in both cities. She became a naturalized Brazilian citizen. She developed a personal way of working her sculptures and achieved full artistic maturity. In the 1960s and 1970s, Liuba Wolf exhibited her work in several cities around the world and achieved international recognition. In 2001, on the occasion of her exhibition at Achim Moeller Fine Art. Rizzoli (New York) published a book celebrating Wolf’s art and featuring Sam Hunter’s essay “Liuba: At the Edge of Abstraction.” Among the central features of Liuba Wolf’s work are her expressive power, the surface’s play between the smooth and the textured, and rusticity. Verticality is another key characteristic, as well as the gesturalism of the forms. Figurative early on in her career, Wolf’s works became abstracted starting in the 1950s, but there always remained an archaic memory that referred back to primitive archetypes. Some critics, like Sam Hunter, see in those shapes a reference to pre-Columbian realities. Another highlight is a degree of surrealism in Wolf’s abstraction, yet critics mostly underscore the fact that she situated her sculptures at the border between abstraction and figuration, as well as the force of imagination in the conception of the works. On more than one occasion Liuba Wolf said that her forms are born from the subconscious. For her, they are “bugs”, animals, but they can also be plants or roots. They could be totems, in a symbiosis between the animal and the plant worlds, according to another observer, artist Emmanoel Araújo. Liuba Wolf stated once in an interview that her work “finds inspiration in natural shapes.” The exhibition at the Lasar Segall...

An absolutely stunning pair of natural Colombian emerald and old European cut diamond clip earrings, set in 18k yellow gold. The emeralds have a combined weight of 6.25cts, and an AG...

Vintage Squared Cabochon Cut Amethyst Stone Clip On Earrings and Ring Set 18k Gold. The earrings measure Height 20mm X Width 9mm and the amethyst...

These beautiful diamond earrings are designed as curlers and bombe form set with prongs. Platinum ear clips feature 154 mix cut diamonds with an est...

-18K White Gold Metal -Black Rhodium Plated -6 Emerald Gems: Weight: 0.66 CT Size: 0.05 Each Doesn't Require Piercing, It Is Clip On.

A divine pair of emerald and diamond omega styled earrings. Fashioned in pure, 14K white gold, the center of attention are glorious emerald cut shaped emeralds. Each stone is handset...

A divine 3.15 Carat pair of pear-shaped genuine emerald and diamond omega styled earrings. Fashioned in pure, 14k white gold, the center of attention is a glorious pear shaped Colomb...

A beautiful Pink Tourmaline earrings designed by Burle Marx. The 3.89 carat faceted oval Pink Tourmaline displays a light pink hue, bezel set in an 18 karat yellow gold abstarct design earrings. The backs of the earrings are signed "Burle Marx" and stamped "18K Brazil". This is currently a size 6.25, and can be adjusted. Offered by Charles Schwartz and Son...

A pair of baguette set colorless diamond and 18 karat yellow gold earrings by Carol Kauffmann. Marks are K inside of a circle/clover, 750. Each earring features a row of nicely cut ...