English Antique Amphora Gold Earrings

This antique Victorian 15K gold demi-parure comprising pendant earrings and pendant brooch with chain is set with over 10.00 carats of cabochon almandine garnets. The elongated pendant earrings are designed as scrolling leaf motif tops, each with an oval cabochon garnet, flexibly suspending a reverse-tapering drop of floral and foliate form set with pear-shape and oval cabochon garnets, en suite with a conforming pendant brooch and delicate rectangular trace link chain. Still stylish today, the lightly voluminous, repoussé forms have an easy, gentle sway, while their soft bloomed gold and saturated red garnets enliven the eyes and face. Product Details: Item #: STE-20655 Artist: James W. Lyon, Edinburgh Country: Scotland Circa: 1860's Dimensions: Earpendants: 3" length; Pendant Brooch: 2.5" length; Chain: 13.5" length Materials: Cabochon almandine garnet (with approximate total weight 6.10 carats); Cabochon almandine garnet (with approximate total weight 4.05 carats); 15K Gold; fitted original box from James W. Lyon, Edinburgh. Literature: A substantially similar demi-parure in the collection of the Victoria and Albert Museum, London, is pictured in Jewellery in the Age of Queen Victoria, by Charlotte Gere and Judy Rudoe, p.17. The image of the demi-parure is accompanied by an image of a lithograph of a young Queen Victoria wearing a substantially similar demi-parure. Macklowe Gallery Curator's Notes: Queen Victoria, whom the artistic record shows owned a substantially similar demi-paure, was deeply interested in couture and jewelry. Often, she chose to wear jewelry by British makers, in many cases work that was historically inspired and/or sentimental, knowing that her choices were closely observed by the public. These jewels were often relatively modest in value, and accessible to aspiring women of the British middle class. Blood-red cabochon-cut gems have been known throughout history as "carbuncles", and their use in gold jewelry was highly popular in the sentimental, symbolism-loving Victorian period in England. In the 19th century, the new study of of archaeology had revealed that the garnet was a favorite precious stone of the Hellenistic Greeks, who centered carbuncles in wedding jewelry such as gold bracelets and garment appliqués fashioned...

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Etruscan-Roman revival ear drops pendants. Magnificent oversized drop earrings, from the Victorian Era (1837-1901) circa 1880. These beautiful pair has been crafted with etruscan-roman revival patterns in solid yellow gold of 18 karats, with high polished finish. The main elements are two conical amphorae with swan-shaped handles. These hang from two straight tensors attached to a round element simulating a shield. They are suited with hinged flexibles French hooks for pierced. These extraordinary ear pendants are made with extreme elegance and the design was made with soft and simple lines, without exaggerating with ornate decorative motifs, typical of the time. Weight: 40 Grams, (25.64 Dwt). Measurements: 83 mm by 27 mm (3.25 x 1.06 Inches). Swan, is the meaning of grace, beauty, love, trust, and loyalty. Swan symbolism is also linked to inner beauty and self-love. The swan is an emblem of feminine beauty and softness and has even had operas and ballets written about it. In Wagner’s 1848 opera, Lohengrin, the Swan recreates the romanticized tail of the Swan Knight, or the son of Percival, who travels on a boat pulled by Swans and rescues a Damsel in distress. Though he is the hero of the story, the Swans symbolize the journey to find purity, love and romance, even at personal sacrifice. Amphora, is a type of large jar originating from Greek and Etruscan pottery, widely used in the Roman Empire, characterized by being a tall fusiform-shaped vessel, with a narrow neck and two openwork handles on the sides of it, usually ending in a point to place it sunk in the sandy soil or on an upright. It was used by the ancient Greeks and Romans as the main means of transporting and storing grapes, olives, olive oil, cereals, fish...

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