60s "Gold"Coin Belt or Necklace, Costume Jewelry

Chic 1960s three piece jewelry set by TRIFARI! Beaded ivory / off-white and gold beaded clip-on earrings and bracelet combination. Perfect all year, and goes with anything! Great wit...

Chic CORO signed pink, blue and green rhinestone gold apple novelty brooch pin ! Features pastel Swarovski crystal rhinestones throughout. Apple shaped. Great on any jacket, blouse, ...

Indulge in a museum quality RUSSIAN SILVER GILT & ENAMEL BELT OR NECKLACE, FROM ST. PETERSBURG AND DATING TO 1908-1917. The impressive silver gilt and cloisonné enamel belt compris...

Young British artist (YBA) Philippe Bradshaw (1965-2005) was represented by blue-chip international art galleries when he was the first to reimagine iconic-art images as tapestry-like metal-chain installations in evolving multimedia environments. He is best known for transforming hand-assembled colorful anodized-aluminum links into shimmering semi-transparent layered curtains, whose hanging metallic strands uniquely dispersed the light of his camcorder-video projections and the club-house music from records that he deejayed. In Bradshaw's first American exhibition "Disco Damage" in 2001 at New York City's legendary avant-garde art gallery, Deitch Projects, this jewelry-costume sculpture became part of the artist's live-in evolving studio installation. While later celebrating 15 years of art happenings that had occurred at that Soho exhibition space, its gallerist-cum-museum-director Jeffrey Deitch--who was physically scarred during this unforgettable chaotic several-month experience orchestrated by Bradshaw--recounted this show in his retrospective hardcover book "Live The Art". When Bradshaw drowned in the Parisian-river Seine in August 2005 while living the high life of his skyrocketing success in Europe, he left a small body of large installations that is mostly distributed among the world's top private art collections. Notably, the Museum of Contemporary Art in Los Angeles has acquired one of his multimedia works. More recently, another assembly of his chain curtains made a rare public appearance at new modern-art museum, Heidi Horten Collection, during its inaugural exhibition in Vienna. Since winning a major British visual-art prize in 2000 that marked Bradshaw's art-world ascent following fellow Goldsmiths-College YBAs who were close friends, this sculpture evolved from one of his most elaborate jewelry costumes that he created in London while seducing the American who became his girlfriend. Unlike other pieces of jewelry that he made as gifts to participating acquaintances while video taping...