Marina J. Black, White & Grey Ombre Pearl Sautoir with Diamond Encrusted Tassels

Classic piece by Marina J. This sautoir is made of multi sized Pearls woven together into a column like design. The white Pearls hold a beautiful luster to them that perfectly match ...

Beautiful piece by Marina J. This piece was created using all Cultured White Pearls woven together with gorgeous Faceted Peridot beads. The Peridot beads display a vibrant Spring Green color whose translucency radiates when hit with light. Measuring 33.75 inches long sans Tassel, this beautiful Sautoir is adjustable and meets at a 14k Yellow Gold decorative Ring...

New take on a classic Marina J. piece. This closed Sautor is made with all Grey and Black Pearls strung together into a column like design. The Black Pearls on this piece radiate a m...

Amazing unisex piece by Marina J. This double stranded Sautoir is made of all Black Pearls and geometric faceted Silver Beads woven together into a double column pattern. The Black P...

Introducing our exquisite white freshwater pearl necklace, a perfect blend of elegance and versatility. Crafted with AAA quality pearls, this necklace boasts a lustrous sheen reminis...

Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive gems were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel necklace, 37 unusual fuchsia faux-pearls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia beads. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabrielle "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art-Deco period. The design of this highly-textural tricolor sautoir featuring fuchsia spheres could suit the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tricolor sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia del' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...

UNKNOWN - Costume pearl sautoir necklace with glass pearl. Additional information: Condition: Very good condition Dimensions: Length: 93 cm Seller Reference: BC2

Marina B. Necklace Model "Naja" from the 70s'. This necklace is a long necklace made of small beads of onyx, 8 yellow gold patterns are interspersed. Each pattern is set with 20 smal...