Vintage 1950's Citrus and chartreuse multi strand glass beaded necklace

A beauty to behold, this original 1960's rhinestone and enamel painted necklace, accented by green, bronze and iridescent chartreuse inlaid rhinestones, which are encased within gold...

This wonderfully designed 1920's jadeite glass beaded necklace in a vibrant shade of forest green, is a rare piece to behold. On a silver toned metal chain link base, the green glass...

This sparkling 1950's statement necklace, on a claw set rhinestone chain base with bronze, lilac and chartreuse coloured stones is the perfect finishing touch to your outfit. Her ce...

This elegant 1950's necklace, made up of mint green claw set rhinestones and petal shaped blue and green glass cabochons, is the perfect finishing touch to any outfit. The decorativ...

The necklace by Coppola e Toppo features a dramatic interplay of green and orange crystal beads, arranged in a richly layered, braided design. Multiple strands of faceted beads are i...

Created in 18 karat yellow gold 18 inch length 5 strands Exotic Multi-Color Beads 300 carats approx. 18kyg roundels 18kyg circle clasp with diamond Strung on silk Limited edition F...

This antique rare hand-pressed-glass necklace features semi-translucent grape-green large beads that are capped with gilt-brass filigree. Based on the combination of bead seams, spring-ring clasp, and metal findings on the unmarked faux Chinese-jade necklace, it dates to the late Victorian period most likely from Western Europe. Around WWI, hand presses, which stamped molten glass into a mold to create a bead with a hole and a seam, were often used to produce costume jewelry as a cottage industry in Germany and the Czech region. This was while there was a lack of factory machine presses and finishing tumblers that used sand to polish out the seam lines. Another reason that the cloudy green beads can be identified as atypically hand-pressed is that they are more opaque and therefore harder and less prone to breaking during formation than fully-translucent glass, which was better suited for automated-machine pressing. Also the green beads are an unusual swirled color including white, which suggests that their production was more limited than machine-pressing would enable. Without the bead-seams, this necklace could be mistaken for one by Coco Chanel. Her 1920s couture...

This double strand necklace we created with a strand of prehnite smooth round and faceted pyramid shaped briolette gems, a strand of olive green textured pearls and 14K gold-filled c...