Couture Fruit HandPainted WoodCherries RedGreenCharms ChainLink Vintage Necklace

Most likely made in Germany during the Art Deco period, this vintage unsigned long heavy 12-pendant gold-gilt chain-link bib necklace features ball charms of gold-ringed emerald-green matte Bakelite. Hanging 13-inches from the back of the neck, the long necklace is constructed with elegant double-ring links, while it fastens with a large toggle and decorative bar. Each end of the toggle bar resembles stacked balls, recalling the oval-cartouche stacked-cannonball signature of German jewelry chain-specialist Jakob Bengel, who founded his business in Idar-Oberstein in 1873. Due to WWII, the Bengel factory, which is now a museum, permanently closed. His pre-1940 unsigned designs were largely overlooked until his factory catalogues were rediscovered decades later, which enabled 21st-Century books to be published about one of the leading manufacturers of Art Deco costume jewelry. Bengel pieces without the cartouche can be distinguished by thin metal chain links combined with single or bi-color Bakelite pendants in repeating geometric shapes like balls, semi-circles, rectangles, bars, rings or ribbed texture. As Germany was the first country to license Bakelite for factory production since the 1910s, during the next 20 years its costume-jewelry designers began to feature locally-produced colorful Bakelite instead of glass or early semi-synthetic plastics. Between the world wars during poor economic conditions in Germany, its jewelry producers who were manufacturing for export were not motivated to stamp their country on such products. The design of this Bakelite-charm necklace seems inspired by one-of-a-kind chunkier-chain charm necklaces commissioned for couture clothing ensembles by international fashion leader Parisian Gabrielle "Coco" Chanel. She only produced her trend-setting commissioned jewelry...

Featuring 12 large patinated pearlescent charms distinctly handcrafted by Parisian Louis Rousselet--the master glass-and-metal-ornament parurier for French couture fashion houses since 1920--this heavy silver chain necklace is made in the unique chunky style of Gabrielle "Coco" Chanel that she introduced in the late 1920s. Capping Rousselet's signature Art-Deco-period handmade beads, his intricate multi-texture metal tops for these balls resemble organic shapes like the stems of acorns or fruit. In a bib arrangement, the duotone reflective heavy spheres--in black glass, blue-gray enameled galalith, and silver metal--conform to the cleavage of the wearer. Aside from chain jewelry commissioned by Chanel, Rousselet-style jewelry was usually constructed with thin wires or braided string to enable his beads to attract the most attention. Notably, this necklace fastens with an enlarged spring-ring clasp that became associated with increasingly heavy Chanel costume jewelry. Like 1920s Chanel jewelry by Rousselet, the necklace is both unmarked for French origin and unsigned. In subsequent decades, variations of chunky-charm chain necklaces were reproduced by Chanel with her other paruriers using different materials in which they specialized, such as a similar Chanel-signed piece in the 1960s by bronze-maker Maison Denez...

Around 1930, Miriam Haskell's first designer Frank Hess designed this Russian-gilt brass ribbed-chain link bib necklace featuring 27 strands of varying length each wired to aqua faux-turquoise pressed glass beads with characteristic gold pronged-bell caps and thumbless spring-ring clasp. After the Great Depression began in the United States in 1929, to keep her popular European-style costume jewelry affordable among fashionable ladies, Haskell began using less expensive imported handcrafted glass beads, which included Czech and German pressed glass. Initially when she opened her handmade ready-to-wear costume-jewelry business in 1926 in New York City's downtown McAlpin Hotel, she had used only the finest Parisian glass beads and findings like French couturiers including Coco Chanel who soon became her competition. which Haskell promoted with the French name of her first boutique Le Bijou de L'Heure. If interested in assembling a suitable set of early Haskell-Hess pieces with similar aesthetics, please see our other listings for the aqua glass-and-enamel scalloped button clip earrings and the "peacock" coil arm-band bracelet with Parisian lampworked glass, faceted crystal, painted galalith beads, and cupped rose...

Signed "Trifari" with a crown and without a post-1955 U.S.-copyright symbol on all three matching pieces, this likely late-1930s highly-textured yellow-gold-plated demi-parure was designed by American Trifari's French-born head designer Alfred Philippe after he had honed his fine-jewelry craftsmanship while creating luxury parures for Cartier and Van Cleef & Arpels. The set features a heavy tasseled eight-strand chain sautoir necklace and earrings with dropped fluted-ball pendants, With French-style signed clip fastening, the contrasting-texture two-inch-long earrings each have two twisted fluted round beads in different sizes, with the larger one capped at both ends with additional shapes and textures. On the necklace, this textural contrast is amplified with the inclusion of many chains. The decorative chain caps and...

Handcrafted Filigree necklace surrounded by sparkling CZ stones. A stunning statement pendant necklace. Chain length 18 inches. Limited Stock. FOLLOW MEGHNA JEWELS storefront to v...

Make a statement with this hand carved resin golden amber necklace. Artfully crafted, these gorgeous carved necklace is enhanced with cubic zircon. Chain...

A brilliant round faux amethyst druzy sits surrounded by sparkling CZ stones. Chain length 18 inches. Limited Stock. Other color options available. Metal: 18K Gold plated FOLLOW ...

Handmade Agate Geode Druzy necklace is crafted with oxidized black rhodium chain. The necklace features a statement aqua blue crater geode druzy embellish...