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Rare Victorian Whitby Jet Necklace C1860s with Jet Links Rose Carved Pendant

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Victorian Whitby Jet Lorgnette Necklace
Located in New York, NY
Victorian matt black Whitby Jet lorgnette bead necklace. Composed of small round hand knotted beads, six large elongated kite shape beads flanked by...
Category

Antique 1890s English Victorian Beaded Necklaces

Materials

Enamel, Steel

Victorian Large Whitby Jet Graduated Necklace
Located in Chipping Campden, GB
This stunning chunky necklace is held together by large bolt clasp. The beads graduate in size, starting large at the centre and the smallest on the outer edges. Length: 58.5cm La...
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Antique 1880s British Victorian Beaded Necklaces

RARE VICTORIAN VULCANITE GRAPE CHOKER NECKLACE ca. 1860
Located in New York, NY
This piece is so special and so rare: it dates to the Victorian era, more specifically the 1860s, and was likely made in Britain. It is crafted from vulcanite and features a teardrop shape with a high relief bunch of grapes in intricate detail, surrounded by a border of carved beads, strung on a fine black ribbon, to be worn as choker. (I love it strung on the Victorian Jet Choker pictured, which is also available in my shop.) The vulcanite has this truly stunning, relatively matte finish, with a rich warm glow— it's just so unique and unlike any other material. What is vulcanite? It is made by combining the sap of the Euphorbia or Ficus trees from Malaysia, with sulphur. It was originally invented in 1843 by Thomas Hancock. His timing just happened to be spot-on: black had long been considered essential to mourning jewelry and mourning dress, but thanks to Queen Victoria's extended 40 years of grieving (for her husband, Prince Albert), from about 1860-1890, black was considered a highly fashionable color, and began to be worn outside mourning dress. During this period, vulcanite became a very fashionable material for jewelry, and it loaned objects that gothic, romantic, dramatic black cast that Victorians just loved. Victorian mourning jewelry is rife with grape motifs; for one, grapes were a symbols of Christ (as wine is the blood of Christ). On Victorian grave markers, a cluster of grapes typically means that the deceased was of mature years. Victorians are well known for using flowers and botanicals as a means of communication. Wild grapes, according to The Language of Flowers published in 1913, are symbols of Charity, a favorite Victorian theme. NOTE: The Victorian Hair Mourning...
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Antique 1860s Victorian Pendant Necklaces

14K Gold Carved Jade Pendant Necklace with Enamel Links and Jade Beads
Located in Great Neck Plaza, NY
An elegant and culturally rich necklace crafted in 14 karat yellow gold, featuring a detailed hand-carved green jade pendant suspended from a finely constructed chain of alternating ...
Category

Vintage 1970s Pendant Necklaces

Materials

14k Gold, Yellow Gold, Enamel

Victorian Coral Flower Pendant Hand Carved Circa 1880 Gold Rare Necklace
Located in New York, NY
This is a stunning antique Victorian Pendant of hand carved Coral with a design of flowers or leaves. The coral is set in 9 Karat Yellow Gold. The coral pendant is a beautiful example of artistic expression - the leaves have incredible three dimensional design which create a masterpiece of Victorian jewelry artistry. It is so very difficult to find these magnificent coral jewels...
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Antique 19th Century Unknown Victorian Pendant Necklaces

Materials

Coral, Gold, Yellow Gold, 9k Gold

Antique Cameo Brooch Pendant Necklace 18K Gold - Victorian c.1860
Located in London, GB
Welcome to Artisan Antiques based in Mayfair, London - We are delighted to offer this magnificent large antique 18ct gold shell cameo brooch/pendant locket made c.1860, depicting a figurehead of Hera - a Greek mythological goddess of women, marriage and childbirth (also referred to as Juno by the Romans). Its majestic presence, distinguished design and impressive size are immediately captivating even to the untrained eye and whilst undeniably attractive and delightful even at a quick glance, it is upon closer inspection that its true splendour and intricacy can be fully appreciated. The overall design features a whole array of wonderful embellishments and craftsmanship; a profusely decorated frame made from solid 18ct gold is accented with layers of applied gold ribbons/bows, beads and twist-rope borders. What is particularly noteworthy about this frame/border is the fact it has a concave 'doughnut' like shape that contours the cameo whilst also allowing for the spinning locket design to function flawlessly. Upon unfastening the rear pin, the central cameo spins around and presents a locket with a portrait of a gentleman and the fine mechanism and craftsmanship of the central piece can be further appreciated. The portrayal of Hera 'in profile' (side on) is simply splendid with crisp engravings, attractive proportions and an almost lifelike texture/facial expression in the manner of Renaissance sculptures. The reverse side of the brooch reveals a large pin for fastening on to a coat lapel or jumper with an additional later added safety chain. Further, the bail at the top allows for this piece to be worn as a magnificent pendant necklace. All of the combined factors make this cameo brooch a wonderful collectable piece of 19th-century antique jewellery history which would not only make for an excellent display piece but an inimitable and breathtaking brooch to wear on special occasions. Not only would the aesthetic be impressionable, but as a conversation starter, this brooch may serve as the perfect occasion to share your discerning historical/antiques passion...
Category

Antique 19th Century Pendant Necklaces

Materials

18k Gold

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