Silver Jorma Laine Turun Hopea 1973 Necklace Goldsmith's old warehouse. Unused

Silver Jorma Laine Turun Hopea 1973 Necklace Really big and showy. Necklace from 1973. I also have a lot of other Jorma Laine Unused jewelry for sale. See one picture with a colle...

Silver Jorma Laine Turun Hopea 1973 Abstract Necklace Chain lenght 62cm Made of 830H Silver. No Engravings. In great condition for its age. I have not ...

Silver Jorma Laine Turun Hopea 1973 Necklace Width 3.7cm, Length 7.6cm, Depth 1.6cm Chain lenght 32cm Jorma Laine (1930-2002) was a Finnish jewelry desi...

Silver Jorma Laine Turun Hopea 1973 Necklace Really big and showy. New unused Necklace from 1973. Goldsmith's old warehouse. I also have a lot of other ...

Striking silver pendant by Jorma Laine in an intricate graphic design with kinetic parts. Lovely attention to detail.

Sterling silver abstract modernist necklace created by Irvin and Bonnie Burkee, circa 1950's. Necklace has a 17" wearable neck length and is signed Burkee, Sterling on reverse. In very good vintage 1950's condition. Artist Biography: Irvin Burkee...

Silver Scandinavian Modern pendant with three soft curves shapes and silver chain from Hopeajaloste OY., Helsinki, Finland. Chain length:...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...