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A Pair of Opulent Sterling Silver-Gilt Camel Incense Burners, circa 1900
$12,000
£8,962.12
€10,399.20
CA$16,620.08
A$18,630.98
CHF 9,715.63
MX$228,370.36
NOK 123,113.41
SEK 117,047.79
DKK 77,591.51
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About the Item
A Pair of Opulent Sterling Silver-Gilt 925 Camel Incense Burners on Giltwood Stands, Circa 1900
Masterfully crafted, these pieces epitomize the grandeur and sophistication of the period, adorned with sumptuous silver-gilt that captures the majestic essence of the camels.
In Middle Eastern culture, camels hold profound significance as symbols of endurance, grace, and nobility. Revered for their role in traversing vast deserts, camels are often associated with prosperity and travel. The artistry of these burners pays homage to their esteemed place in tradition, rendering them with intricate detailing and an air of regal elegance.
Each camel is elegantly mounted on its original giltwood stand that enhance the opulence of the piece. The burners are designed not just as functional objects but as exquisite works of art, reflecting the cultural practice of incense burning—a ritual deeply ingrained in many cultures for its spiritual and purifying qualities. The act of burning incense symbolizes the elevation of the soul and the sanctification of space, resonating with a sense of tranquility and refinement.
The incense is cleverly placed inside the camels, allowing fragrant aromas to emerge gracefully through their mouths.
This pair of silver-gilt camel incense burners stands as a testament to both artistic excellence and cultural heritage. Their combination of lavish craftsmanship and symbolic significance makes them a remarkable addition to any distinguished collection, offering a touch of timeless elegance and historical depth.
Marked 925 on the bottom of the camel.
Camels: 5.5” high x 7” wide
Stands: 1.5” high
Weighs approximately 32 ounces
Very good condition. Normal wear consistent with age and use.
- Metal:
- Dimensions:Height: 5.5 in (139.7 mm)Width: 7 in (177.8 mm)Depth: 2 in (50.8 mm)
- Period:
- Date of Manufacture:C. 1900
- Condition:Wear consistent with age and use.
- Seller Location:Queens, NY
- Reference Number:1stDibs: LU1494224012862
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The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia.
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Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland.
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Today, Mellerio has stores in Paris, Japan and Hong Kong.
July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy.
The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia.
From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles.
This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850).
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1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court.
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