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Antique French Art Deco Diamond Ring Platinum Old Cut Unusual Engagement
$7,617.13
£5,500
€6,469.24
CA$10,362.51
A$11,515.03
CHF 6,034
MX$141,211.37
NOK 76,960.15
SEK 72,401.29
DKK 48,283.68
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About the Item
A superb example of early 20th-century French jewellery, this Art Deco period ring truly embodies the elegance and subtle symbolism of the jewels from this era. Crafted in platinum throughout, the ring showcases openwork design, delicately set with diamonds and a central cultured pearl. At first glance, the shape might resembles an hourglass. However, upon closer inspection the design shows two lotus flowers facing outwards. This motif was particularly popular in the mid-1920’s, following the wave of Egyptomania that washed over Europe and America after the discovery of Tutankhamen's tomb in 1922.
At the centre of the ring lies a 4mm cultured pearl, its lustrous surface providing a soft contrast against the sparkle of surrounding diamonds. The diamond-studded face of the ring measures 18mm by 13mm, with an array of rose-cut diamonds accented by two slightly larger old mine cuts (1.2cts in total). The two larger diamonds display a very subtle yellowish hue and feature characteristic open culets, suggesting they may have been repurposed from earlier 19th-century pieces, adding a unique historical dimension to the ring.
Size and Condition: The ring is a UK size K 1/2 / US size 5.5. It has a total weight of 4.68 grams, with a band measuring 1.5mm across at the back.
The ring remains in excellent condition, with all diamonds securely set and minimal signs of wear. The ring's band is marked with a French ‘mask’ hallmark, indicating its platinum content and origin.
A truly beautiful example of Art Deco jewellery with Egyptian Revival influence, this ring captures the sophistication and cross-cultural inspiration beloved by early 20th-century designers.
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Ceremonial Use:
During the 19th century, many rings were made every year by the royal jewellers for ceremonial use. Examples of these lavish cluster rings being worn for these life-cycle ceremonies can be seen on old photos and paintings of the Royal Tonsure Ceremony, also known as ‘the cutting of the top-knot’ ceremony, which marked the transition from childhood into adulthood for all of the (many!) sons and daughters of the Siam royal family.
The huge expansion in the number of royals in 19th century Siam stemmed from Kings Mongkut (Rama IV) and Chulalongkorn (Rama V) being highly polygamous. They had a joint total of 124 wives and 159 royal children, each requiring their own ceremonial regalia and princely jewels. As a result, Bangkok became home to some incredibly skilled goldsmiths in this period. The Tonsure ceremony was performed by the King, and lasted three days and three nights. All of the royal children would be dressed in the most splendid costumes and adorned with a vast amount of jewels on several parts of the body. Their costumes and jewels differed according to their title and rank. Diamonds for instance, would be bestowed to the highest ranking noble children. The royal children were allowed to keep their regalia and jewels as a present on entering adulthood to indicate their social status among society.
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