INTAGLIO 1900 Antique Signet Ring In 14Kt Yellow Gold With Carved Brown Agate

Important carved intaglio ring by Giovanni or Luigi Pichler (1773-1854). An extremely rare intaglio seal piece, created in Rome Italy by the Pichler's Atelier in the late early 18th century, circa 1795. It was carved in an oval cabochon cut shape, from a triple layered translucent bluish agate. The intaglio seal depicts the naked figure of the Roman goddess Mercury, in running flying position to the right with a helmet and winged sandals. Raising his left hand and holding a trophy with the right hand. A butterfly or flying insect at the right. Signed, Pichler in Greek (ΠΙΧΛΕΡ), for Giovanni or Luigi Pichler (1773-1854). This seal has been made after the famous Flying Mercury (Mercure volant) statue, created by the mannerist sculptor Giambologna (Giovanni da Bologna 1524-1608), a Flemish-Italian sculptor that work all his life mostly in Florence in Italy. One of the versions of the actual sculpture is located at the Bargello Museum in Florence Italy and the other at the Louvre Museum in Paris. Mercury. in Latin Mercurius, in Roman religion is the god of shopkeepers and merchants, travelers and transporters of goods, and thieves and tricksters. He is commonly identified with the Greek Hermes...

Ancient revival ring with a ram. This is a very unusual and beautiful ring designed in the 19th century with a mix of ancient Etruscan and Egyptian revival patterns. The ring is of ...

Victorian ring with carved operculum shell An extremely rare piece, created in England during the high Victorian era (1837-1901), back in the 1870. This is a very unusual memento carved cameo ring, carefully crafted with an oval shape in solid yellow and rose gold of 14 karats with polished finish. It is mount with a high relief cameo style masterfully carved with impeccable and precise details. Operculum Shell: Mount on top in a bezel setting, with 1 round cabochon cut (23 x 18 x 10 mm) of a natural operculum shell. It is carved in high relief, with the portrait of a bearded man facing to the left, Weight: 9.63 Grams, (6.17 Dwt). Size: 4.5 and may be resized on request. Measurements: 26 mm by 21 mm (1.02 x 0.83 Inches) and raise 10 mm over the finger. Hallmarks: No marks as usual. Was electronically tested for 14 karats gold. Victorian Jewelry This era was one of the most influenced and influential periods of antique jewelry. This period is defined by the British monarch, in this case, Alexandrina Victoria, the Queen of the United Kingdom of Great Britain and Ireland, as well as the Empress of India, years 1837-1901. There are 3 sub-periods within this era. First, the early, Romantic period, which is soaked in traditions, natural motifs in gold and silver, clear stones only being worn during the day and colored gems by night. The second being the Grand or mourning period, which coincides with the death of Queen Victoria's husband, Prince Albert the consort, who died in December of 1861. This period included large, dark, somber, dramatic jewelry, with a lot of black onyx, jet wood, amethyst, garnet and gold. This lasted until 1880's, when the aesthetic period of jewelry began. The Late or third stage of the Victorian period, use more complex and feminine motifs, returning to the natural, including many floral and celestial designs, with more decadent gemstones, lasting until the turn of the century. The Victorian era of jewelry includes many movements found in other countries, including revivals such as the Etruscan the Roman and the Egyptian as well as the Art Nouveau, Liberty style and Arts and Crafts design movements which lead into the beginning of the twentieth century. Operculum Shell Jewelry First of all these unusual black and brown shells have a cat’s-eye appearance and were common used in Victorian jewelry. Operculum is Latin for “lid” or “cover” and is a unique type of freshwater snail shell. Widely popular in the Victorian era, operculum jewelry...

A signet intaglio ring designed by Kieselstein-Cord. This is a massive oversized signet ring created in New York City at the jewelry atelier of Kieselstein-Cord, back in 1984. This ...

Circa 1890 - 1900 14k Yellow Gold Crest Ring, the top measuring 5/8 x 1/2 inch and is set with a deep Red / Brown Carnelian with a deep engraved Crest....

Castellani® has selected this Ancient Roman Agate Intaglio for the "Cleopatra" Ring Setting. The intaglio dates to the 3rd to 7th Century. The intaglio is both black and white agate, which is a hard stone and very good for carving. The agate has two layers of color, black on the top and white at the bottom. The agate intaglio is solid and is one piece. The carver was able to use these two color layers to give dimension and detail. The Column and Angel on the left wings are white and the balance is all black. The Carver knew the material he/she was carving and used this to create this very unique scene. The intaglio shows two angels standing on either side of a column/pillar looking at the bust of a man on top of the pillar. The angels are female and male. The bust on the pedestal is of a male. The intaglio is set below the frame. The frame flairs out to a subtle point on the sides and has a flat surface. The "Cleopatra" ring design was a style that Castellani created in the 1860's and was inspired by Ancient Roman rings...

A fine antique Victorian ring. In 14k gold. With a carved agate cameo cabochon of a man in profile. High set in a wide bezel setting with open work on a channeled band. Simply a wonderful Victorian cameo signet ring...

Exuding timeless elegance, this striking ring features a rectangular Carnelian intricately carved with a rare double head. The stone is set in a warm, gold-toned band adorned with de...