Barcelona - Animal Drawings and Watercolors
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Item Ships From: Barcelona
Birds of Europe by John and Elisabeth Goult, 1832
By John Gould and Elizabeth Gould
Located in Paris, FR
Rare Set of 6 beautiful Naturalistic hand-colored lithograph prints by John Gould from his work Birds of Europe, embelished with gum arabic in vibrant colors. Published 1832 - 1837 by Hullmandel, Walter and Walton. Presented in gold leaf wood frames. Very charming .
The price includes the set of 6 framed ones.
John Gould (18041881) is the most prolific publisher of ornithological subjects of all time. In 19th-century Europe, his name was as well known as Audubons was in North America. Unlike Audubon, whose lifes work focused on one region, Gould traveled widely and employed other artists to help create his lavish, hand-colored lithographic folios. John Goulds love of natural history was fostered in the gardens of King George III where his father was chief gardener at Windsor Castle. Although trained as a gardener, Goulds interests quickly evolved, and at the age of 20, he was appointed taxidermist to the Zoological Society of London. After three years, he progressed to the position of curator of birds and chief taxidermist. In 1830, newly married, Gould and his artist wife, Elizabeth Gould...
Category
1830s Naturalistic Barcelona - Animal Drawings and Watercolors
Materials
Lithograph
Dogs spanish modernism mixed media drawing
By Ricard Opisso Sala
Located in Barcelona, Barcelona
Ricard Opisso - Dogs - Mixed media
Drawing measurements 23x28 cm.
Frame measurements 35x40 cm.
Son of Alfredo Opisso y Viñas, journalist, historian and critic, and of Antonia Sala y Gil, his sister Regina Opisso, was also a writer. He comes from an enlightened family full of artists. His paternal grandfather was Josep Opisso y Roig, journalist and director of the Diari de Tarragona, father of the also writers Antonia Opisso y Viña and Antoni Opisso y Viña. His maternal great-grandfather was the painter Pere Pau Montaña, his maternal grandfather the fabulist Felipe Jacinto Sala and his maternal uncle, the painter Emilio Sala y Francés. His nephew was Arturo Llorens y Opisso, a writer better known under his pseudonym Arturo Llopis.
Although he was born in Tarragona, his family moved to Barcelona when Opisso was only two years old. In modernist Barcelona at the end of the 19th century, Opisso worked as an assistant to Antonio Gaudí in the works of the Sagrada Familia in Barcelona since 1892. He was linked to the group Els Quatre Gats, along with Ramón Casas, Manuel Hugué, Isidre Nonell...
Category
1930s Modern Barcelona - Animal Drawings and Watercolors
Materials
Mixed Media
$1,439 Sale Price
33% Off
Bullfighting Scene Gouache on paper
By Roberto Domingo Fallola
Located in Barcelona, Barcelona
Title: Bullfighting Scene
Artist: Roberto Domingo
Technique: Gouache on paper
Dimensions: 7 x 10 in (14 x 17.3 in with frame)
Period: 1930s
Style: Spanish Impressionism with Post-Impressionist influence
Condition: Framed in a classic wooden frame
Theme: Bullfighting scene
Description of the Artwork
"Bullfighting Scene" by Roberto Domingo is a vibrant and dynamic depiction of a typical moment in a bullring. The composition captures the drama and intensity of the moment, with a mounted picador on a striking white horse as the centerpiece, flanked by a matador and assistants preparing for the spectacle. The artwork radiates energy through swift and loose brushstrokes, imbuing the scene with movement and vitality.
Domingo’s style emphasizes visual synthesis, focusing on color and form rather than meticulous detail to convey the atmosphere of the bullfighting arena. Warm tones dominate, with vibrant yellows and reds contrasting against the grays and whites of the horse and costumes, creating a captivating chromatic interplay.
The classic frame adds sobriety and balance to the piece, further highlighting the expressive power of the gouache.
Biography of the Artist
Roberto Domingo Fallola (1883-1956), born in Paris, was a renowned painter and illustrator of Spanish descent. The son of the celebrated bullfighting painter Vicente Domingo, he inherited a passion for bullfights and became one of the leading exponents of bullfighting art...
Category
1930s Impressionist Barcelona - Animal Drawings and Watercolors
Materials
Gouache
$1,019 Sale Price
43% Off
Dream scene mixed media
By Rafael Duran Benet
Located in Barcelona, Barcelona
Rafael Duran Benet (1931-2015) - Dream scene - Mixed technique
Drawing measurements 64x43 cm.
Frame measurements 79x59 cm.
Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...
Category
1970s Post-Impressionist Barcelona - Animal Drawings and Watercolors
Materials
Mixed Media
$311 Sale Price
35% Off
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Vigilant Fox - The psyche of the fox -
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Carl Friedrich Deiker (1838 Wetzlar - 1892 Düsseldorf). Vigilant fox. Pencil drawing on brown paper, 18 × 29.5 cm (inside measurement), 31.5 x 43.5 cm (mount), signed and dated "Deiker [18]54" at lower right.
- a little bit stained, with a light water stain at lower right
About the artwork
Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits.
The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up.
While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level.
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Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him.
In 1859 he went on a study trip to the Reinhardswald. Just as the Barbizon School had rediscovered the landscape, Deiker opened up the forest for animal painting.
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