Belgium - Art

Eugène #HS01, 2014, 15 x 10 x 1.6 cm [Scene from the series Odd Stories] Original Polaroid - PIÈCE UNIQUE Hand cast in resin by the artist Patented Procédé © Carmen De Vos Hand sign...

Beeswax, resin and pigment on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The beeswax gives a dimensional quality t...

Capitole #04, 2009 [From the series Been there, done that] 50x50 + 3cm white border Archival pigment print on beautiful PHOTO RAG ® ULTRA SMOOTH paper, 305gsm, 100% cotton by HAHNEMÜ...

Awayland - 2017, Edition of 7 plus 2 Artist Proof. Digital C-Print, based on an Polaroid. Signed on the back and with certificate. Artist inventory PL2017-275. Not mounted. K...

Linear Motility (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construc...

Linear Hush (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, th...

Happiness in Pink - 2016, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Not mounted. Signed on the back and with certificate. Artist inventory PL2016-...

Linear Motility (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construc...

Montauk (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstracti...

Blue On Blue (Abstract Painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper...

Indigo Vibration (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construc...

This work is offered in ready to hang gallery condition, having been professionally revised.

Sophie Dumont is a French contemporary artist whose work explores the intersection of memory, structure, and abstraction. Recognized for her signature libraries, expressionist landsc...

"Balade Colorée" – Abstract Expressionist Landscape, French Contemporary Art Sophie Dumont is a French contemporary painter known for her richly textured oil works that explore the ...

Nagano (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstractio...

Reflective Vibration (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist cons...

Linear Fervor (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct,...

Margaret France Robinson New Orleans 1908 – 1985 American Painter ‘Golden Gate Bridge, Californian Coast’ Signature: Signed lower right Medium: Oil on canvas Dimensions: Image size ...

Prussian Blue (Abstract painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series ...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibi...

David De Noter Ghent 1818 – 1892 Bologhine Belgian Painter 'Still Life with a Lapis Lazuli Coloured Flower Vase on a Table' Signature: signed lower right 'David De Noter' Medium: oil on panel Dimensions: image size 35 x 27 cm, frame size 41,5 x 34 cm Biography: David De Noter was born in Ghent on June 24, 1818, and passed away in Saint Eugène Bologhine, Algiers, on January 21, 1892. He was a renowned Belgian painter, celebrated for his detailed still lifes and interior scenes. Born in Ghent, he was the son of Jan-Baptist De Noter, a draftsman and architect, from whom he received his early artistic training. His mother, Carola Maya, married Jan-Baptist shortly before David’s birth. He had a brother, Michaël, who tragically passed away at a young age (1821-1823), and two sisters, Anne-Marie and Edalie. In 1840, De Noter moved to Brussels, and five years later, on November 25, 1845, he married Clemence Wauters in Mechelen. Together, they had seven children. His son Raphaël would also become a painter. By the 1860s, De Noter had relocated to Paris, where it is believed he shared a studio with the well-known art dealer J. Goupil around 1864. In his later years, De Noter and his family moved to Algiers, North Africa, where he contributed a floral still life to the Algiers Museum in 1870. By around 1879, he was living in Le Nador, near Marengo. David De Noter is primarily celebrated for his exquisite still lifes featuring flowers, vegetables, seafood, game, and fruit. He also painted detailed kitchen and salon interiors, as well as genre scenes, often with a strong focus on still life elements within the broader composition. His style combined meticulous realism with a romantic atmosphere, capturing both the beauty and mood of his subjects. During his time in Algiers, De Noter began painting local scenes, including views of the Kasbah of Algiers. Throughout his career, De Noter collaborated with notable artists such as Henri Leys, Guillaume Koller, Louis Tuerlinckx, and Alfred Stevens. His works remain highly valued on the art market today. His paintings were exhibited in various cities, including Kortrijk, Brussels, Rotterdam, The Hague, and Paris. In 1854, he was awarded a gold medal at an exhibition in Brussels. David De Noter’s artwork has been exhibited in prestigious galleries and museums across Europe, showcasing the enduring appeal of his detailed and romantic still life paintings. His works can be found in the permanent collections of several important institutions, including: Royal Museums of Fine Arts of Belgium, Brussels; Musée des Beaux-Arts, Cambrai; Stedelijk Museum, Kortrijk; Art Gallery, Leeds; John Selbach Museum, Maaseik; Museum Hof van Busleyden, Mechelen; Musée des Beaux-Arts, Mulhouse; Municipal Collection, Schaerbeek; Museo Revoltella, Trieste; Museo Municipal “Quiñones de León...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. Image size: 20 cm x 31 cm, 7.75” x 12” mounted on archival board 41 cm x 51 cm, 16” x 20” m...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

"MIES" is a sculptural floor lamp designed by Iskandar Jani, inspired by the structural columns of the German Pavilion, designed by Mies van der Rohe for the 1929 International Expos...

Charles Joseph Watelet Beauraing 1867 – 1954 Brussels Belgian Painter 'Lady in Rose' Signature: signed lower right and dated 'Ch. Watelet 1924' Medium: oil on canvas Dimensions: im...

"Une Forêt" Acrylic and Marker on Canvas Year: 2023 Size: 47.24 x 31.49 x 1.18 inches Signed and titled by hang COA provided *On Stretcher Frame Ready to hand Philip Verhoeven, tau...

"Nous Devenons Un" Acrylic and Marker on Canvas Year: 2024 Size: 27.55 x 27.55 x 1.18 inches Signed and titled by hang COA provided *On Stretcher Frame Ready to hand "For this work...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

"Mur" is part of an edition of 5 pieces. Mattia Listowski (b. 1987, Paris, France) is a French sculptor, draughtsman, and photographer with French, Italian, and Polish origins, comi...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Ineffable, 1962 Oil on Masonite board 91,5 x 61,5 cm (without frame) 93 x 63 cm (framed) Signed and dated Top Right ‘P. Vlerick 1962’ with title, signature place and date at the back: Ineffable P. Vlerick Afsnee 1962 Pierre Vlerick’s work shows some resemblance to Willem de Kooning’s. While the Dutch American was famed for the wild manner in which he treated his canvas, Pierre Vlerick showed some more restraint, but making a painting was in any case a slow process of stopping and starting and revising. His exploration is meant to result in a correct proportion of colour fields and streaks, often applied layer upon layer. All his colors have a luminous intensity. It was mainly Bonnard’s colorful work that inspired Vlerick to compose his own singular range of colors of slightly tingling yellows, greens, oranges and bits of blue here and there. Abstraction is emphasized by his use of color. Colors not associated with objects from daily life often dominate the composition: purple, for instance. This is the basis for his continuing abstraction, ending up as color fields combined with organic elements depicted with the vaguest of contours. Though both artists create a very metropolitan, say even worldly art, their work evokes nature. De Kooning has been called a master of ‘abstract landscape’. The structure of Vlerick’s works, too, is very vegetable and organic. No wonder he referred to his paintings as his ‘gardens’. Neither artist allowed his garden to remain empty: de Kooning created a female figure looking like a cross between a floozy and the mother goddess. Vlerick imagined a woman who is enjoying her body. Vlerick’s approach to abstract art is the same as de Kooning’s; they refuse to paint in a figurative manner, yet at the same time do not wish to renounce referring to reality. De Kooning once put it very accurately during an interview when he conceded that painting the human figure any longer was absurd(in the post-war period), but also stated that it would be even more absurd not to do it. The only way out of this ambiguous dilemma is the deconstruction of the human figure. Not in order to reject it, but to show it in all its fragility. Pierre Vlerick’s exceptional artistic talents were already recognized while he was studying at the Ghent Academy (1940-1944) whereupon graduating he received a gold medal. In 1947-1948 Vlerick enrolls at the “la Grande Chaumière Academy”, a Parisian private academy which attracts lots of foreign artists thanks to the reputation of its most important teachers such as Maurice Denis (1870-1943). Denis was one of the founding fathers of “the Nabis” and is also considered to be the godfather of abstract art by many artists and art critics. Maurice Denis is famous for his quote: "Remember that a painting, before it is any kind of representation, is essentially a flat surface covered with colors in a certain collected order." At La Grande Chaumière, Vlerick is challenged to develop a pictorial language of his own. Vlerick develops a way to translate the observed reality into visions of color and form, which can be situated somewhere on the axis between the figurative and the abstract. Reality is decomposed and reconstructed into a complete new representation. After a trip to Spain in 1955 the painter evolves towards the use of brighter colors. At the Brussels World Exhibition of 1958 (Expo 58) Vlerick is for the first time confronted with real works of 17 American artists (William Baziotes, James Brooks, Sam Francis, Arshile Gorky, Adolph Gottlieb, Philip Guston, Grace Hartigan, Franz Kline, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Mark Rothko, Theodoros Stamos, Clyfford Still, Bradley Walker...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy. Her artistic practice reflects a deep exploration of materiality and sensory experience, movi...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Painting Le plus beau jour by Frédérique Tristant. Mixed media on canvas. France 2024. Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Britta...

Painting La Discrète by Frédérique Tristant. Mixed media on canvas. France 2024. Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in ...

Painting Pour un soir by Frédérique Tristant. Mixed media on canvas. France 2024. Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in...

Painting Femme Fatale by Frédérique Tristant. Mixed media on canvas. France 2024. Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in...

Dietz Edzard Bremen 1893 – 1963 Paris German Painter 'La musique et les roses' Signature: signed lower left ‘D Edzard’ Medium: oil on canvas Dimensions: ima...

"Oil On Canvas, Art Nouveau XIX Portrait Lady With Oval Frame" Oil on canvas Portrait of a lady, Art Nouveau style, signed Gustav Julius GRÜN (1823-1896) German school of the 19th c...

View of a Venetian Harbor oil painting on wood panel 2Oth C Additional information about the work: Title: View of a Venetian Harbor Medium: oil on wooden panel Signature: not sign...

Oil on canvas painting of a black dog against a garden fence

Edmond De Maertelaere was born in Ghent on 8 October 1876. At the age of 14, Edmond won a first prize in decorative drawing at the Nivelines school. He then enrolled at the "Royal Ac...

Romantic Portraits Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Medium: Oil on canvas Dimensions: Image size 67,50 x 62,50 cm, frame size 69,50 x 64,50 cm Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice Mareels (1893 – 1976), Guy Onkelinx (1879 – 1935), Georges Rogy (1897 – 1981), José Storie (1899 – 1961), Charles Swyncop (1895 – 1970), Maurice Schelck...

Artwork # 1 on 5 sold in perfect condition Limited Edition of 5 + 2 AP The artwork is mounted on dibond and fixed in American floating box (black metal frame) The passo sospeso del pedone. Hesitant gait of the pedestrian who faces snow and car traffic in Piazza San Silvestro. Artwork printed on baryta paper 310 grs museum quality pigment inks, limited edition of 7 copies in total Brussels Art Edition is the custodian of the archives of the great Italian photographer Fabrizio La Torre. For almost 10 years, long and meticulous work has been carried out to restore these negatives and present these photos to collectors and the public. This year, we have practically completed the "Rome" file, this city where Fabrizio was born in 1921, where he spent a large part of his life, and where he was passionate about the daily life of its inhabitants in this period. 1950s-60s. Like all the films of post-war Italian neorealist cinema, La Torre was able to capture these moments of sincerity and simplicity in a city that had not yet been transfigured by modernity. While a few streets away, world famous actors and sexy starlets met in the rhinestones and glitter of the Dolce Vita, Fabrizio gazed into our simplest feelings, friendship, love and envy. of humour, those which truly make life sweeter and more beautiful. As a preview, we present here a selection of these never seen before photos Fabrizio La Torre (b. Rome 1921 d. Brussels 2014) was an Italian neo-realist photographer working during the period 1950-1960 who left behind a body of work focussing on three specific geographical areas: Italy, North America, which he spent several months visiting in 1955 and Asia where he lived for five years (1956-61). Fascinated by the task of capturing moments of truth and intimacy which characterise the human condition all over the world, he gives us moments of insight into life which reach out to us bridging time and distance. He holds up to us an affectionate and benign mirror, always knowing, sometimes amused but never mocking. In 1965, success came knocking at his door: he was offered the possibility of exhibitions and publication but he turned it down for reasons he never fully explained. The most we can do is note that this was also the time when the immense talent and historical importance of the photographic works, produced a century earlier by his grandfather Enrico Valenziani, were discovered. This may have made him feel he could not compete, particularly as he came from a family which was possessed of multiple artistic talents but in which no-one claimed to be an artist. Perhaps he saw himself as “a photographer” who was just the grandson of one of the founding fathers of Italian photography...

This is # 1/7 Fine Art Print Limited Edition 60 cm x 80 cm VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently being held in Brussels in the coworking area named The Spaces (Gare Maritime - Tour & Taxis) from december 15th up to march 31st Thirty prints are housed in high quality black anodized metal American boxes and all prints are supplied on heavyweight fine art paper printed with museum pigment inks. All photographs are exclusively offered in limited editions in 4 different formats : 42cm x60cm (7+2AP) 60cm x80cm (7+2+AP) 70cm-100cm (5+2AP) 100cmx150cm (3+2AP) Stefan Darte is a fighter pilot in the Belgian Air Force...

Armando Mesías (Grège Gallery) is a contemporary artist whose large-scale abstract compositions blend painting, oxidation processes, and reclaimed materials. His work explores themes...

Johan Hendrik Louis Meijer Amsterdam 1809 – 1866 Utrecht Dutch Painter ‘Fishermen’s Cove with two fishing boats on the beach’ Signature: signed lower right ‘L Meijer’
Medium: oil o...

Floris Jespers Antwerp 1889 – 1965 Belgian Painter "Yellow Tulips" In the painting "Yellow Tulips," Floris Jespers showcases his Fauvist prowess, breaking free from representationa...

Artwork # 1 on 5 sold in perfect condition Limited Edition of 5 + 2 AP The passo sospeso del pedone. Hesitant gait of the pedestrian who faces snow and car traffic in Piazza San S...

This is # 1/5 Fine Art Print Limited Edition 70 cm x 100 cm VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently...

This is # 1/3 Fine Art Print Limited Edition 105 x 150 cm VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently being held in Brussels in the...

Victor Abeloos Brussels 1881 – 1965 Belgian Painter 'Bouquet of Flowers in a Green Vase' Signature: Signed lower right Medium: Oil on canvas Dimensions...

Orange and pink oil on Japanese paper woodcut, called 'Even if they're not here'

Alfredo Pina’s Young Faun is a remarkable bronze bust that encapsulates the vitality and mischievous charm of its mythological subject. Sometimes misidentified as Young Bacchus, this...

River Landscape Clesse Louis Brussels 1889 – 1961 Belgian Painter Signature: Signed bottom left Dimensions: Image size 31 x 40 cm, frame size 47 x 56 cm Medium: Oil on panel Biography: Clesse Louis Liévin Théophile was born on June 15 in 1889 in Ixelles (Brussels). He was a Belgian Post-Impressionist and Realist painter of landscapes, seascapes, still lifes and portraits. He studied at the Academy of Fine Arts in Brussels. He received advice and encouragement from master teachers and artists Alfred Bastien...

Artwork # 1 on 5 sold in limited edition in perfect condition Il cuoco felice This photo was made in 1959, printed later, the negative was digitized during the artist's lifetime and...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1961, printed later, the negative was digitized during the artist's lifetime and the technical p...

‍Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of ma...