Benelux Figurative Sculptures

According to the legends, there are two Saint Anthony’s, they can easily be distinguished by their hair. This one is known as Saint Anthony of Padua, he is recognizable by his hair, ...

This cheerful cream colored teapot is like having a wingless water plane on your coffee table. Its basis consists of two "floaters". The saw shaped handle allows you to lift the pot...

Group of altarpiece representing the life of a Saint, Saint Renualde? Engraved by the sign of Antwerp hand on the hat of the central character Carved oak, traces of polychromy Fir...

Ashanti Headrest Stool Carved Wood Tribal Art Ghana Africa Carved from a single piece of wood, the African Ashanti head rest, Ghana, has a curved top raised on a pedestals depicti...

Standing man is an abstract sculpture in bronze titled 'Compass' with a green patina by the Dutch sculptor Lies Gronheid, 1982. His profile is divided into in four directions like a ...

A large carved oak tondo, measuring 73 cm in diameter, representing Maria Magdalene as a penitent, contemplating on a skull and with her attribute: The ointment pot. Flanders, 18th c...

Depictions of young angelic boys are also known as putti, or putto for a single one. Since the 17th century on they remained popular and are found in various forms. Perhaps the most known version is Cupid. Looking at their attributes time periods can be narrowed down. In this example we see a rose Guirlande and a medaillon which are typical for the late 18th- early 19th century. The Rosso Verona Marble...

Bamum Decorative Wooden Ancestor Figure embroidered with European Glass Beads, Grasslands People , Cameroon Private collection Brussels These commemorative statuettes ,representing a...

Renaissance Harpy bronze Italy, 16th century 15 x 12 x 5,5 cm This expressive bronze figure represents a harpy, a mythological creature with the body of a bird and the head and tor...

Christ from the 18th century in oak -France Very fine work of good quality Beautiful patina and in perfect condition.

This pair of female torsos presumably decorated a fair stand or an organ in a theme park. Most likely, they were part of an immense organ that was intended ...

Bamileke Decorative Dance Crest, embroidered with European Glass Beads, Grasslands People, Cameroon. Private collection Brussels The raffia splint is covered with cloth and c...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Beautiful African tribal vase with a face; the piece is very well done. Very cool unique piece. Measures: Height 52 cm. Diameter 14 cm. Weight ...

This impressive bronze bust of 'Lady Justice' is made by the Dutch artist Els Janssen. Els had her education at the Royal Academy of Visual Art in The Hague (Koninklijke Academie voo...

Abstract sculpture by Herma de Wit, 2020 Edition: 4 + 2AP Dimensions: 123 x 52 x 24 cm Materials: bronze. Nature, a boundless source of inspiration and pure beauty. Those who a...

Standing man is an abstract sculpture in bronze titled 'Compass' with a brown patina by the Dutch sculptor Lies Gronheid, 1982. His profile is divided into in four directions like a ...

Bamileke Decorative Dance Crest, embroidered with European Glass Beads, Grasslands People, Cameroon. Private collection Brussels The raffia splint is covered with cloth and colou...

Bamileke Decorative Dance Crest, embroidered with European Glass Beads, Grasslands People, Cameroon. Private Collection Bordeaux The raffia splint is covered with cloth and colour...

Bronze Branch Fritillaria Persica Decorative Object by Herma de Wit Limited Edition of 4 + 2 AP pieces. Dimensions: D 22 x W 90 x H 32 cm. Materials: Bronze. Nature, a boundless so...

Two Songye dolls, reductions of the ritual costume of the masked dancers, painted wooden head and body covered with animal skin, feathers and braided fibers. Private collection Brus...

Waiting man, bronze cast sculpture of a seated man by Dutch Artist Lies Gronheid, Amsterdam, 1986. It is of a man seated in the action of anticipation whether staying or delaying mo...

Artwork by Spanish artist Diego Cabezas.

This striking abstract sculpture, interpreted as a modernist weathercock rooster, was originally installed atop the Pius X Parish Church in Amsterdam’s Sloterva...

Masked Soul Bronze Sculpture by Gardeco Objects Limited Edition Of 75 Pieces. Designed by Monica Siau. Dimensions: D 18 x W 21 x H 25 cm. Materials: Bronze. The limited edition bron...

The stool represented here is a typical Caryatide stool of the Zela people in the Democratic Republic of Congo. The stool is carved out of wood and is held up by a kneeling woman cov...

Ceramic Sculpture

Trinity Bronze Sculpture by Gardeco Objects Limited Edition Of 75 Pieces. Designed by Cornelius Vandeputte. Dimensions: D 12 x W 39 x H 19 cm. Materials: Bronze. Trinity is Corneliu...

Victor Joseph Ghislain Demanet (1895-1964) "The Hammerer". We are delighted to present a work of rare emotional and technical power: "The Hammerer" by Victor Joseph Ghislain Demanet...

Vintage educational anatomical modells used in a soviet school in the 1950s-1960s. Can be used as a wall decor or displayed in a curio cabinet. ? Made out of wood and plaster. ...

Francis of Paola, O.M., (or: Francesco di Paola or Francis the Fire Handler; 27 March 1416 – 2 April 1507) was an Italian mendicant friar and the founder of the Roman Catholic Order ...

Telluride Megaride Decorative Object by Tellurico Limited Edition Of 12 + 1 A.P. Pieces. Signed And Numbered. Dimensions: D 20 x W 22 x H 35 cm. Materials: Porcelain and volcanic gl...

Plaster Sculpture by Jean Canneel (1889-1963), Belgium.

Roca sculpture by Vica Ceramica Dimensions: D 17 x H 27 cm Materials: High Temp. Ceramic. VICA CERÁMICA-STUDIO is a design and sculpture studio es...

Under pressure 4 by Yuri van Poppel Dimensions: D 27 x H 55 cm One of a kind. Earthenware, layered ceramic glazes, various colors. Handmade and spr...

Very elegant sculpture reprenting a Putti (angel) from the German renaissance period -16 century Rare sculpture in walnut of great quality with a very beau...

Alabama Chrome Sculpture by Mark Sturkenboom Dimensions: W 90 x D 25 x H 40 cm Materials: Welded Aluminum Mark Sturkenboom (Driebergen, 1983) is an artist that graduated with honor...

A quirky pair of plaster figures, 19th century Folk Art, signed E. Siegl, in very good vintage condition. man is 40 cm high x 43 cm wide and 24 cm deep, woman is 40 cm high x 39 cm...

Chantal Keizer painted a number of Art works and transferred them to fabric in a limited collection. Measures: 50-50 cm. Of each work a maximum of 50 cushions are available worldwide. This design is printed on a very luxurious woven velvet with a beautiful shine. The pillow has a luxurious look and feel and is a high quality product. We send the cushion cover without inner filling. You can purchase a down inner filling on request. Chantal Keizer is an experienced designer in the field of interior textiles and wallpapers. She lives in Amsterdam in the Netherlands. EST1966 by Chantel Keizer is her interior brand. She offers several collections. The Botanic collection...

20th century sitted bronze Madonna with child.

Corry Ammerlaan "Forts Ensemble" Sculpture Brutalist - Sculpture - Decoration "Le fondement de l'inspiration est de pouvoir compter les uns sur les autres en toute confiance" Measure...

Followers of Jean de la Huerta, Jean de Blany ? Saint Jerome Limestone Burgundy, second half of the15th century 60,5 cm ALR Ref : S00248050 This exquisite sculpture of Saint Jerome, carved from soft, nearly white limestone typical of eastern France, exemplifies the exceptional craftsmanship of 15th-century Burgundian art. The figure of Saint Jerome, a key figure in Christian history renowned for translating the Bible into Latin, is depicted wearing a cardinal’s hat and holding the Vulgate Bible...

Butter plate by Marta Bonilla Dimensions: D9 x H9 cm Materials: Metal Butter plate: Piece modelled by hand, enamelled with matte white enamel and de...

Klausvan de Locht Bronze erotic Sculpture - 1980s German-Dutch sculptor and graphic designer - 1942-2003 Wear consistent with age and use.

Carlo Marcellini (Florence 1644 – 1713) Putto White and green marble 41.5 x 73.5 cm This marble putto carved in high relief, almost a tutto tondo, and set on an elegant green marble background, appears almost naked, sitting on a cloud. His peculiar pose, in adoration, suggests that the work was a part of a larger composition including other figures in devotion. Published in 2007 by Sandro Bellesi in the monograph dedicated to Gioacchino Fortini (pg.155), this beautiful marble putto was included in the catalog of Carlo Marcellini, a prominent figure in the baroque renewal of Florentine art. Born in Florence in 1644, Carlo Marcellini received his artistic education in the city of the lily, specializing in stone sculpture and stucco modeling under the guidance of Bartolomeo Cennini before continuing his studies in Rome in the Accademia Medicea founded by the Grand Duke Cosimo III in order to familiarize some more promising artists with the essential “ taste of Rome ”. Under the guidance of Ercole Ferrata and Ciro Ferri, Giovan Battista Foggini...

Godefroid Devreese (19 August 1861 – 31 August 1941) was a Belgian sculptor. He first studied with his father, then continued his studies at the academies in Kortrijk and Bruxelles f...

Earth globe sculpture by Alex de Witte Year: 2019 Each one is unique, hand-sculpted by Alex de Witte Materials: ceramics and scoured brass hand painted ceramic, all pieces unique. Frame in massive brass Limited edition of 99 pieces + 5 ap Dimensions: Diameter 42cm A recognizable planet in a world beyond recognition. A fusion of realism and imagination, a meeting of future and past. A dream world that does yet does not exist. A playful reproduction of the many hues and nuances that can be found on this planet. An open world without borders, with infinite endless possibilities. Seeing earth as a beautiful planet, and capturing its beauty in a boundless aesthetic creation is a dream. A naive, but delightful dream. Alex de Witte is fascinated by the universal value of beauty and how to influence that. “It is fascinating to me how people have an overall communal perception of beauty. Like scientific studies...

Large base of molded hexagonal pilaster in burgundy stone carved with vines, grapes and rosettes in high relief. Burgundy, 15th century 28 x 63 x 30 cm Provenance : collection De...

Euphorbia sculpture 02 by Herma de Wit, 2018 Edition: 2+2AP Dimensions: 45 x 140 x 90cm + concrete/cement 15 x 120 x 120 cm Materials: bronze, concrete/cement Nature, a boundle...

Fountain with Noir Belge by Pierre De Valck. Dimensions: W 70 x D 70 x H 90 cm. Materials: Patinated brass with Noir Belge. Weight: 65 kg. Each pie...

Pareja Sculpture by Vica Ceramica Materials: Ceramic, Cement base polished. Dimensions: P1 20 x 12.5 cm, P2 27.5 x 13 cm B-1.5cm x 24.3 cm VICA CERÁMIC...

Marble Roman relief representing a Christogram Roman relief - 4th century 25 x 22 x 8 cm Provenance : Collection of the Château de B. À Nevers by Georges C.S., scholar born in 1833 and deceased in 1909 The entire castle and its collections were acquired in 1938 by the current owners of the estate A christogram is a monogram or combination of letters that forms an abreviation for the name of Jesus Christ. This rare fragment combines chi (X) and rho (P), the first two letters of Christ's name in Greek and it is one of the oldest and most popular early christian symbol. The monogram of Christ, or chrismon, is also a powerful symbol of imperial victory: it appeared to Emperor Constantine the Great before his battle against Maxentius in ad 312, promising victory in the name of Christ. In Plato's Timaeus, it is explained that the two bands which form the "world soul" (anima mundi...

Hand carved playing children, original painted white. There is missing a part, a tree of life or something similar (see picture 6).

Set Of 3 Patinated Bronze Object 01 by Herma de Wit Limited Edition of 30 + 3AP pieces. Dimensions: Small: D 9 x W 17 x H 15 cm. Medium: D 11 x W 18 x H 14 cm. Large: D 12 x W 23 x H...

Neapolitan nativity scenes are very different from those seen in churches due to the importance of secular settings. They are not limited to staging the child Jesus surrounded by the holy family. Still, they managed to reproduce the daily life of the Neapolitans of the seventeenth and eighteenth centuries. The elegance of the figuration and the fineness of the execution of these santons also reveals the quality of the know-how of the Neapolitan artisans. The markets, hotels, dances, itinerant vendors, beggars, taverns, various trades, guarding herds, the royal procession and all that was within reach of everyday life or fantasy had their place in the Neapolitan crèches...

Chantal Keizer painted a number of Art works and transferred them to fabric in a limited collection. Of each work a maximum of 50 cushions are available worldwide. This design is printed on a very luxurious woven velvet with a beautiful shine. The pillow has a luxurious look and feel and is a high quality product. We send the cushion cover without inner filling. You can purchase a down inner filling on request. Material and size sleeve: 100% polyster in 35-50 cm. Chantal Keizer is an experienced designer in the field of interior textiles and wallpapers. She lives in Amsterdam in the Netherlands. EST1966 by Chantal Keizer is her interior brand. She offers several collections. The Botanic...

Anonymus Family Light sculpture 1 by Atelier Haute Cuisine Dimensions: 140 x 14 cm Materials: Fiberglass, UV, Weather Resistant Topcoat, E27 LED, Metal Base This serie of ligh...

This fine, round, dark grey vessel depicts a complete figure which is rare. It was made by the Mangbetu People. The Mangbetu ethnic group lives deep in the...

Rust-effect patinated metal cactus sculpture H:172cm Decoration - Indoor - Wabi Sabi Measures : 50x50cm H:172cm Material : Metal

Nice iron statue from a small boy. Recuperated from a mansion near Brussels.