California - More Art

16_IMG_9584, 2014 Additional information: Medium: Fuji Crystal Archive paper Dimensions: 18 x 24 inches Edition of 3 + 2AP Penelope Umbrico offers a radical reinterpretation of eve...

18_IMG_6697-a, 2014 Additional information: Medium: Fuji Crystal Archive paper Dimensions: 40 x 30 inches Edition of 3 + 2AP Penelope Umbrico offers a radical reinterpretation of e...

Red Gun Blue Gun (36 Piece Installation) by Yoram Wolberger, 2014 Additional information: Medium: Resin cast (36 pieces) Dimensions: 54 × 84 × 1 1/2 in (137.2 × 213.4 × 3.8 cm) Yo...

Original figurative female painting by artist Gustavo Costa Fernandes. This painting is primarily pink with off white and maroon colors. She is standing, smiling, and holding a bouqu...

This is a vast canvas by Alexis Portilla working in abstract expressionism, in a piece with gripping energy, directness, and an emotional impact. Black Elk Oil on Canvas 94 x 74" / ...

Shaman, acrylic and mixed media painting by artist Ben Darby. The artists has used a draping effect to create a 3D effect with the garment. The rest of the painting is textured and i...

"5th Avenue A" is a hand painted cut paper wall sculpture by David Gerstein, an Israeli painter and sculptor. Edition of 150, signed and numbered. Born in 1944 in Jerusalem, Israel...

"Undersky" depicts flashes of city lights. These small paintings have so much to say and we can say they beckon viewers to draw closer and observe all that artist has been able to co...

"One Of The Ways" depicts a densely populated grove. As with other of Carpenter's paintings, this scene invites viewers to look closer and also to go out to explore nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"No Escape from Nature" depicts an early morning walk through the woods. Dappled sunlight makes this scene quite tranquil. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...